一将功成万骨枯 (Yī jiāng gōng chéng wàn gǔ kū)
“For every champion lie thousands withered bones.” Most of the times, we see only the glory of a champion – an Olympic swimmer, a World Champion gymnast and skater - but we rarely see the struggles, sacrifices, obstacles, pressures, emotional turmoil that each has to endure. This drama brings us behind the scenes and helps us appreciate how such successes come with the price these champions have paid and the sacrifices made.This is a story about setting goals, perseverance, and overcoming failures. It is unexpectedly funny and enjoyable to watch. For the last decades, China has been consistently producing world champions in every sports in particular in table tennis. This drama gives us a peek at how these champions are created. Having played table tennis growing up, I have an affinity for the game and hence have enjoyed watching the matches and prolonged sessions at the table. At the end of each episode, table tennis is being explained in details: the terminologies, techniques, rules, competitions, etc. and I find myself enthralled.
The story depicts two very different characters: Xu Tan (acted by Bai Jing Ting) is scrawny, wimpy and lack of confidence, but kind, humble and friendly; Yu Ke Nan (acted by Xu Wei Zhou aka Timmy Xu), with a powerful athletic physique, is overly confident, arrogant, rebellious, impulsive and hot headed. The story begins when both are 17 years old in 2007, and follows their journey to become champions of the world. This unlikely “ying yang” pair becomes best friends and root for each other especially in their most trying period. Countless times, both get punished but unknown to them, their punishment is actually a form of training that helps them grow, such as raising pigs in a farm and becoming a janitor in a boxing gym. Daily details of the years are well taken care of with changing of technology and apparel over the years, from nameless flip phones to Apple smart phones, from Butterfly sportswear to Nike and Adidas.
The drama dwells deep into the various style of coaching by the national coaches and their relationship with their players. Xu Tan and his coach, Lei Cheng (Liu Zhi Bing), are like father and son. His coach inspires him, helps him discover himself and grow. Yu Ke Nan and his coach, Teng Biao (Wang Jian Xin), are like a pair of good old friends, continue kicking each other’s ass and calling each other names, at the same time, they love and trust each other. There is also a super strict coach who produces top ranking players but such players are also the most unhappy with high injury and burnout rates. Another coach has a soul mate relationship with his player, seeing their own shadows in each other. Every character has its flaws and faces personal obstacles. The development of the characters shows how they overcome their obstacles, grow and succeed.
Acting
Here in this drama, I discover Bai Jing Ting. He nails the role as the wimpy kid that grows to become the world champion. Bai Jing Ting has given us some amazing acting and he is so convincing as a world class table tennis player. Whether it’s his body double or not (I really can't tell), I feel Bai Jing Ting can play the game very well; he has the styles, his actions and shots are perfect. Xu Wei Zhou’s acting here is good too especially when he becomes the adult Yu Ke Nan. Like Bai Jing Ting, his playing of the game is immaculate and convincing, making Yu Ke Nan the most formidable table tennis player in the world. I really love watching them playing the game, and there’s a lot of such scenes to satisfy ping pong fans.
My Verdict
If you’re a sports fan and love table tennis in particular, you’d love this drama as it gives us many amazing real-life games with shots and fantastic camera work. Every smash, every torque, every curve is thrilled to watch and viewers can feel the excitement and satisfaction of the shots perfectly executed.
You’d see how China trains its youth, which is nothing like the western world. The greatest difference is, for the west, winning is for personal glory, whereas for the Chinese, it is for their national pride.
If you have watched “Hikaru No Go” and liked that drama, you may like “Ping Pong Life” too. To be honest, I like “Ping Pong Life” better because I find the character development better and more realistic, and it covers a wider range of three-dimensional characters. I love the part when the two leads begin to build their deeper understanding with each other, they really spend a lot of time, literally tied, together. They learn to feel and trust each other without words and the process in doing so is hilarious and adorable. This process is not captured enough in “Hikaru No Go”.
I really love this drama because it reminds me not to look at the glory of any success. We should not lament why we have not been as successful as others, whether in music, sports or anything else, but rather we should ask ourselves if we are willing to sacrifice everything to achieve success, and that’s the message in this drama.
A wonderful watch. Highly recommended!
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Inconsistant day to be a dog...
Is it really a good day to be a dog? I do not think so as this show teaches us that being a dog can be really scary, being a human by day dog by night can get you in to a whole lot of trouble... not to mention mess things up for a bunch of people...This drama has some good parts some cringe, some annoying elements, some fun, some more or less predictable twist or should I say side stories within the story with the side stories that are messed up... but at timed interestingly intwined...
The selling points of this drama are the eye candy and fluff!
Our male lead Cha Eun Woo is probably one of dreamlands sweetest, best looking and the over all most interesting personalities and whose use of lip gloss can only be beat by Park Hyung Sik in Strong Woman Do Bong Soon. Though there are parts that are a bit odd... He was a pleasure to watch thruout the show.
The female lead Park Gyu Young (and her sister) had a few to many moments of oh come on, oh the cringe, baby voice... Luckily they dd not last long enough to completely ruin the show but where enough to drag down the score by a bunch of points. To be honest she is actually 80% adorable, with great acting both as a dog and human however those 20% where so bad I almost dropped the show, and had it not been for Chae Eun Woos (well everything) I probably would have...
The villain and side characters also range between oh my please stop the cringe/annoying parts to great amazing, lovable, I want to adopt that kid... sometimes in the same person, same lifetime, different lifetimes.. As this is another one of those drams where the writers figured most of the childhood connections where already done and could not be beaten so they had to add the past life connection to show the depth of the connection between the cast.
Other perks with this show are the huge amount of fluffy, sweet, slightly mean, cute dogs, with or without transformation. So to sum it up, the drama is messy, inconsistent, annoying at times cute most of the time and extremely fluffy
So: Story as a whole 8,5 ⭐️
Male lead: 12 stars (out of 10) ⭐️
Deduction for annoying elements: -4 stars 👎
Fluff: 10 stars ⭐️
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So I decided to cautiously watch I Need Romance 3 solely for Sung Joon, and wasn't at all disappointed.
GOOD - (Eye Candy) Yep, Sung Joon is absolutely charming in this one. I mean... I almost became diabetic just watching him throw one sweetness after the other. Plus he's so good looking and tall. The second lead was pretty handsome too, and even Yoochun's brother Yoohwan was cute (depending on his hair style)...
GOOD - (Acting) The acting was pretty good. No awkward moments, or not any I can think of. The girly relationships are all pretty good too, and very believable for the most part.
WEIRD - (Personality Traits) You know when a drama depicts a character who's one diminutional. And sometimes stupid. And you want to scream at him/her "wake the f up! HELLOOOOOOOO duhhhhhh"... yeah this was the case for the lead female. Sometimes you wonder... are there really people like that in the world? (I bet the answer is yes... the world is a weird place) Anyway, it can get a bit annoying.
MEHHH - (Story Climaxes) Not gonna lie... some things are predictable. Very. But most OK dramas are, right?
CURVEBALL - (The kissing) As with the previous parts, the making out in this one is intense. So, swoon away.
OVERALL - Its worth watching if you're a fan of any of the actors (esp. Sung Joon) or if you haven't yet seen this gorgeous boy in action. Also if you like modern physical affection and language. Don't watch if you don't like romance, boys, or chick flicks.
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1This review may contain spoilers
fun little fantasy romance
I liked the chemistry between the two lead actors. I liked the fantasy aspect. I'm not one to deeply analyze a program. This to me has a feel good vibe and I'm liking it. Others have criticized this program for being shallow. Is it predictable where the story is going? yes but I'm fine with that and I'm enjoying it. Sometimes it is okay to turn off your mind and have a fun story to watch and this series is one of those.The thing about the port keys and dreams could have been better but I'm okay with it , I think it would be nice it they had some time clues on how long the main characters have been in the alternate universe . Not until episode 9 do you a definite time sense because in that episode they have a 1 yr anniversary party for Friend Credits.
I liked that they didn't make the first movie they made a success. it was be interesting to see where things went from there. There was a little foreshadowing in episode 5 with the gentleman that came back after 5 years to find his life destroyed. I liked how that played a part after Talay returns to the main universe. I liked it when Talay and Puen meet in the main universe again and there was a reference to a scene from episode 2. I liked how it had a happy ending and you also got to see what was happening in the other universe. I was satisfied with the ending. In episode 12 be sure to watch the "Anywhere with Lays" segment after the credits roll. Not to spoil anything but you'll want to watch it. It makes the ending a little more satisfying.
Overall I really liked the series and If you are not an analytical person I would recommend it .
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one of the best m/m couples of all time, watch this!!!
Overall: it's important to know that this is a Thai lakorn i.e. soap opera. So there is a lot of family drama, exaggerated acting and a bunch of content warnings. It has one of the best m/m couples with amazing chemistry and my main complaint is we didn't get more screen time with them. I could write essays on several of the main characters because they had reasons for what they did even if I didn't agree with their actions. Watched on One31's YouTube Channel https://www.youtube.com/playlist?list=PLXopbKxiivxpBd7rbwDldPMmtdoclonyk updated 2024: Jam & Film were leads again in "Laws of Attraction" however, they stated that they would not be romantic leads together againContent Warnings: multiple murders, attempted murder, homophobia, slaps/beaten up/violence, blood, corporal punishment, manipulation, drugging, kidnapping, self harm, suicidal ideation, unwanted outing, and there is a maaajjjjor content warning towards the beginning of episode 1 that is a spoiler and I listed it in the comments
What I Liked
- the half brothers' relationship is my favorite fictional sibling relationship of all time (10/10)
- the m/m couple is one of my all time favorite m/m couples, they have amazing chemistry (10/10)
- there is some really great communication and misunderstandings don't drag on forever
- one of the only times where a character (Jiu) makes a promise and works extremely hard to keep that promise
- the women have major agency, I didn't always agree with their actions but they got sh*t done
- Pin could have been a stereotypical passive female character but was not, and I really enjoyed her character
- the martial arts/fighting scenes were fun to watch
- clear on when the series takes place (starts in 1931 and then a 12 year time jump so 1943); also enjoyed the historical setting
- understandable actions for most of the villains
- Tian dad's character arc
Room For Improvement
- the m/m romance needed waaayyy more screen time (they get only about 5 to 15 minutes per episode out of 1hr+)
- the initial drama dragged on too long, I was hoping for more plot twists and drama to pop up, it really improved at episode 7
- the exaggerated acting from some of the characters was not my thing, it got better towards the end
- the screaming from multiple characters
- lower budget, like with that cgi and the magical glitter
- unrealistic (talking during the major content warning, how a wild animal would behave), I didn't really deduct that much for unrealistic stuff because it's kind of part of the soap opera genre
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Also, what I like about this series is they make storyline in the original season to be put in only first 3 episodes in this series. It's super effective way to make a remake and not wasting your old viewer time. But then, for new viewer can also follow the story and not getting confused. I'm just so happy that I give this series a chance because now I can't wait for the next episodes<3
*edit
I have finished watching all episodes, can't wait for season 3 because the ending is such a CLIFFHANGER
Bruh i just hope they don't change the casts anymore, i really like the way they act as the roles :(
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Story : 9.0 - like i said it was a bit rushed, many people said that it was a bad ending, but in all honesty it made sense to me, the romance was exciting and I longed for more romance scenes, and that's what I got, If you're into LGBTQ movies this is definately the movie for you.
Acting/cast 9.5 - what can I say the cast was spectacular, the romance they portrayed was beautiful, no doubt! Also the support characters did a wonderful job.
Music 10 - Oh Wow! The music was beautiful I always love violin in movies and this is perfect for the atmosphere, truly no fault in any of the pieces of music.
Rewatch Value - It's a quick movie to watch again, so I'm definately going to be watching this again in my spare time.
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1This review may contain spoilers
Never-Ending Summer, Never-Ending MisunderstandingI finally finished Never-Ending Summer, and after reading so many comments, I honestly feel like a lot of people completely misunderstood the story.
Everyone keeps asking, "Why did Zhou Wan leave?" "Why didn't she chase after Lu Xixiao?" "The plot doesn't make sense."
But I don't think the problem is the writing.
I think people expect every romance to have simple answers and happy endings. This drama was never trying to be that. It was about trauma, guilt, impossible choices, and how love alone can't magically fix everything.
Let's start with Zhou Wan.
People judge her for the choices she made, but very few people stop to think about why she made them.
When she was only ten years old, her father died after his business failed. Then her own mother abandoned her and even took the insurance money that should have gone to Zhou Wan and her grandmother. Her grandmother became the only family she had left, and a few years later, she became seriously ill.
Imagine being fifteen or sixteen years old and realising the only person who has ever truly loved you might die because you can't afford surgery.
No teenager should have to carry that responsibility.
Zhou Wan was one of the smartest students in school. She always ranked near the top of her class, but she never really got to be a child. Her childhood ended the day her father died, and her mother walked away.
So yes, she became desperate.
When she discovered the connection between her mother and Lu Xixiao's father, she didn't immediately think, "Great, I'll use this."
She resisted it.
She kept telling herself she didn't want to become a bad person. She felt guilty before she even approached Lu Xixiao. She knew what she was considering wasn't right, but she also believed it was the only chance she had to save her grandmother.
Was it morally right?
No.
Was it understandable?
Absolutely.
Now let's talk about Lu Xixiao because people act like Zhou Wan ruined his life, when the drama itself tells us that isn't true.
His trauma didn't begin with Zhou Wan.
It began the day he watched his mother die by suicide right in front of him.
No child should ever witness something like that.
On top of that, the adults around him failed him completely. His father cheated on his mother, and instead of protecting her, the family cared more about maintaining appearances than her happiness. Their household never really felt like a family. It felt like a business empire where emotions always came second.
Of course, that would leave scars.
Then Zhou Wan entered his life.
For the first time since losing his mother, he slowly started smiling again. He trusted someone. He allowed himself to love someone. She became a place where he finally felt safe.
She didn't create his healing overnight, but she became a huge part of it.
Then came the stabbing incident.
People forget how much guilt Zhou Wan was already carrying before that happened. She blamed herself for approaching Lu Xixiao under false pretences, even if her reasons came from desperation rather than malice.
The stabbing only made that guilt worse.
Then his grandfather threatened her and made it very clear that she should leave Lu Xixiao alone.
At that point, Zhou Wan genuinely believed everyone's life would be better without her.
She looked at Lu Xixiao and saw someone who had money, status, opportunities, and a powerful family. She couldn't see that emotionally, he was just as broken as she was.
So she left.
Not because she stopped loving him.
Because she loved him enough to believe he'd be happier without her.
Was she wrong?
Yes.
But she didn't know she was wrong.
That's what makes the story tragic.
Then people ask why she didn't chase him after the 10-year reunion?
Honestly...why would she?
She was the one who walked away because she believed she was protecting him. If she suddenly came back acting as if nothing had happened, it would completely contradict everything her character believed.
One of my favourite moments in the drama is when Lu Xixiao finally tells Zhou Wan the truth.
He tells her that she was never the reason for his nightmares, his insomnia, or his emotional struggles.
Those began the day his mother died.
If anything, she was the one person who made those nightmares quieter. She wasn't the cause of his pain.
She was his healing.
When she disappeared, those old wounds simply reopened.
That's a huge difference, and I think a lot of viewers overlook it.
I also don't understand why some people insist on comparing this drama to other romances where the female lead spends years chasing the male lead. These are completely different characters in completely different situations. Zhou Wan leaving because of guilt and then refusing to come back because she still believed it was better for him is perfectly consistent with who she is.
Not every love story needs grand gestures.
Sometimes the biggest act of love is letting someone go because you truly believe they'll have a better life without you, even if you're completely wrong.
That's why the ending worked for me.
Love didn't magically erase ten years of pain.
It gave them the chance to finally understand each other.
Lu Xixiao understood why Zhou Wan left.
Zhou Wan finally understood that she had never been his burden.
She had always been his comfort.
Neither of them was perfect.
Both of them made mistakes.
Both of them hurt each other.
But that's exactly why they felt real.
This drama never asked me to agree with every decision the characters made.
It asked me to understand them.
And to me, that's what made Never-Ending Summer so unforgettable.
⭐ Rating: 10/10.
Sometimes the best stories aren't the ones where everyone makes the right choices.
They're the ones where every choice, even the wrong ones, makes perfect sense once you understand the people making them.
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Ep 1 to 20 was just so good. You watch effortlessly seeing the sparks fly between Jia Yang and Qiao Fei. The ingenuous ways he come up to make her life miserable and try to make her quit as trainee in the field of French interpreter. They clash and butt heads but Fei was resilent and refuse to give up her dream.
Then all that mess from the brother being the old flame and has a obessive nature when it comes to Fei. To the second female lead who was a tad pathethic in her love for Jia Ming but then retracted to wanting to be with Jia Yang.. mess and more mess
Then comes the mother who does extreme things like ruining her own son just to break up Jia Yang and Fei. Who does that? And to such extreme. It felt like this drama plot purposefully over inflate itself to generate angst, to fill in episodes? To drag it to pass 40episodes?
I felt like a masochist sticking with this drama to the end. Ep 28 to 36 was so hard to watch. Like 45mins of episode and only 10minutes or less worth watching.
I tell myself i need to see off Jia Yang and Fei's ending so i stuck with it til the ending . but oh boy instead of being awarded with my patience (which really is painful and teeth grinding). The last episode (heads up) isnt satisfying. It was rushed, cramped and jumbled. Didnt flow well and they try to make it dramatic but not believable. Its hard to believe the ending episode is rushed when the last 15or so episodes were so draggy. I still believ the first half that was good was written by another team of writers. If there are the same people then someone must have zap out commonsense from their heads. Like they run out of ideas what to do with the second half of the drama.
If you are wandering to watch or not. I recommend no for several reasons.
The last 1/3 compeltely deviates from the original story of being interpreters
The cliche part of being sick and the high noble road of sparing your loved ones from grief was not written well. Yes alot of dramas commit the same mistake but the way Fei did it just felt wrong. I felt it create needless grief for Jia Yang. Personally i think its selfish when you run away from your loved ones without sharing the truth and deliberately lets him misunderstand you. Her love didnt respect Jia Yang and made that decision for both of them without his knowledge.
Jia Yang's character actually went backwards in terms of growth. Yes it was nice to see him being less demonic and so loving to Fei. But then he became unprofessional when it comes to his work and career. And it was also annoying that he kept saying their love can survive it but i didnt see real actions to solve the problems. Your girlfriend keeps saying there's a big gap between them and that he didnt understand her difficulties.but he carries on as is and with regards to xiao hua and her dad. Although yes his words that their love can withstand it all, there was no action ... It was like him allowing the realtionship to fail eventually.
Jia ming, xiao hua and the guy he married. All characters i dont care for.
Qiao Fei bestfriend was ok but her love line was also not properly developed. Theres too much childish behaviour and they left it too late to the end to show changes.
If you do want to give this a try because the truth is Huang Xuan was really good and engaging as Jia Yang and sparks do fly when he sparrs with Yang Mi's Qiao Fei. Then i recommend you watch the front half of the drama up until he confess and they start dating. The second half will only make you scratch and then bang your head in frustation. So please dont suffer as i did..
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"She'll thrive, and through her a family will endure."
In her 2007 novel “The Sweet Far Thing”, Libba Bray has says, “There is an ancient tribal proverb I once heard in India. It says that before we can see properly we must first shed our tears to clear the way.” Indeed, our past is what holds us back from things that we wish to accomplish, but what matters is how we learn, acknowledge and grow as better human beings from it. We are healed of a suffering only by experiencing it to the entire. There is no beauty in sadness, no honour in suffering, no growth in fear and no relief in hate; it’s just a waste of perfectly good happiness. “Pachinko” depicts all that through the saga of a family over generations."Pachinko (パチンコ)" is a Japanese gambling device resembling a pinball machine but with automatic payoff as in a gambling slot machine (merriam-webster). Pachinko parlors are widespread in Japan, and, mostly owned by Korean immigrants, and usually also feature a number of slot machines so these premises resemble and operate similarly to western casinos. Modern pachinko machines have both mechanical & digital components. As stated by the writer, Pachinko, in the show, is depicted as a metaphor to life, when it's very unfair to go ahead, but you still continue to play, because you can't turn back or give up either. Pachinko is a game of chance and survival, both figuratively and literally.
Created by Soo Hugh and co-directed by Justin Chon & Kogonada, "Pachinko (2022) is an American show from Apple TV+, adapted from the original book of the same title authored by prominent Korean-American writer Lee Min Jin, released in 2017. Co-produced by 3 companies: Media Res, A Han.Bok Dream and Blue Marble Pictures, it's a 4 year long project, that started with Apple Inc. acquiring the bid for the series in 2018. The production took 7 months for casting and all of the cast were in fact auditioned and chosen, as informe by the team. The filimng started in October 2020, and was done in different phases, at different locations, and in fact different countries (South Korea, Japan, USA and Canada), that ended in April 2021. Reportedly, the showrunner Hugh has the objective of creating 4 seasons in total, which gives us the idea that the show we just finished is apparently one-fourth of the original novel.
"Pachinko (2022)" follows the mettlesome multigenerational chronicle of a single family, in parallel, who are immigrants of Japanese invasion & colonization in Korea. Their pursuit for survival and happiness, with hopes & dreams have led them to prosper and thrive over decades though their foregone days of sufferings and scars from the past remain fresh in their hearts. The show presents stories from different timelines from 1910 to 1989.
Kim Sun Ja (later Baek Sun Ja/Bando Nobuko) is played by 3 actors: Jeon Yu-na (childhood), Kim Min Ha (teeange), Youn Yuh Jung (Old), whom the author keeps at the centre of everything that takes place throughout. Steven Noh plays Pastor Baek Yi Sak (Sun Ja's husband) while Soji Arai (Korean name: Park So Hee) is in the role of Baek Mo Se/Bando Mozasu (Sun Ja's son) and Jung In Ji takes part as Yang Jin (Sunja’s mother). Ko Han Su (Lee Min Ho) is a cold-hearted fishmonger with a dark past and plays an important fuelling factor that impacts Sunja’s life. Baek Yo Seb (Han Joon Woo) and Choi/Baek Kyung Hee (Jung Eun Chae) are brother & sister-in law of Sunja, respectively. Baek Solomon (adult: Jin Ha and young: Yoon Kyung Ho) is Sunja’s grandson from Mozasu, who is an efficient employee in a top corporate bank in New York. Etsuko (Kaho Minami) is Mozasu’s girlfriend whereas Naomi (Anna Sawai) is Solomon’s collegue.
The opening was the highlight of the TV series and definitely a favourite. While looking at the opening credits, it’s unclear whether this is a Korean, Japanese or Western drama; the main cast members gathered in a scintillating & evocatively coloured pachinko parlour as if it were a paradise, dancing to "Let's Live for Today" by The Grass Roots. This is the only time the actors from different timelines intersect, which was mainly due to Hugh’s love for opening credits.
“A child is coming. This one will thrive, I assure you. And through her, a family will endure.” : describing the birth of Sunja, the central character, this line epitomizes the pneuma of Pachinko’s premiere. In contrast to the book, which is ordered chronologically from the 1930s to the late 1980s, the filmmakers of this series made a bold change. The nonlinear construction of time in the series jumps between past and present.
“Pachinko” tells us a spellbinding story of colonialism & subcultural nationalism, war & peace, love & loss, and victory & sorrow, exclusively from a meta-historical human perspective. The historical accuracy and the detailed representation of adversities experienced by the people of Korea, due to the brutal consequences of a ruler's greed, is of immense value and definitely deserve all the noble words that exist in the world. From making aware the contemporary generation about their history to generating nostalgia & cognizance in viewers by enabling them to look back and consider the affinities between realities of different times, Pachinko does all that, if not more.
Enumeration of Sunja’s journey particularly feels nostalgic yet melancholic as it serves as a reminder of the wartime and post-war stories of 1st generation Koreans and their descendants. The nuance of these memories, however, forces us to acknowledge what they’d, in truth, gone through in the course of history and how it affects the current Zainichi Korean generation. It also shows us how resilient and strong people can be despite what life throws at them. Though the cornerstone essence of the story remains the same, adapting it into live-action demanded some changes, and these changes are brought forward from the development of the series; you can clearly experience it if you have read the book already.
In "Pachinko," the representation of Solomon goes with the complicated colonial history his grandmother navigated first-hand and the reverberations of which he continues to grapple with as an adult. This also captures his links with the Korean heritage, and both challenges and intertwines with his Japanese upbringing. Indeed, Solomon is the 2nd most focused character in the drama, for the latest time period portrays the saga of him trying his best to become a corporate slave, while his links with the foregone history of his family’s sufferings hold him back and enables him to make decisions, unsuitable for his career and his ambitions.
“Pachinko” is magnificently and aesthetically recountable, particularly while illustrating 1910s Korea. Shots filled with dusty hanboks of the Koreans and pristine uniforms of the Japanese are entirely accurate to their time period. The show is filled with panoramic landscape shots of golden grain fields, dense yet bright forests, diaphanous water bodies and inky oceans. The opaque and uncanny fish market and dark-timbered boarding house are fascinating to extents. The combination of both pitch & pale hue, with varied compelling colour palettes, provides immense pleasure to the viewers and its enormous production values which has resulted in stupefying cinematic values, can be witnessed and heartfelt, from the very beginning of the show. The camera beautifully captures the vast sea separating two countries: Korea and Japan, and their highrises, with the movements remaining easy on the eye. The meticulous set designing, development of premise and eventually bringing them to life, have paid off.
The use of sound and language is also beguiling and bewitching. The use of the comoosed sounds and themes in “Pachinko” is perhaps the most heart-felt since they possess the power that enables the viewers to connect to different time periods, accurately. Various instrumentals composed bring about the souls of the essential contexts that the author and makers have attempted to project upon the audience. Sometimes it pulls the heartstrings to levels, but for most of its parts, the background scores are caliginous, shadows, weighty and substantial.
Reportedly, Hugh also took care of the character outlooks in an effort of using beauty im order to create a timeless period piece. The extensive studies with collection of photographs and clips of the contemporary time was a great help for illustrating appropriate hairstyle and makeup; starting from looks to attires, everything was developed with sincere attention which is obviously reflected in the show.
“Pachinko” offers us a reality check on the assumption that the age of globalization may make life easier. It shows how globalization can also push us further away from our roots and ancestors. This story is truly extraordinary and unique, and one that should not be watched as a typical migration story. In “Pachinko,” identity is not defined in terms of binary codes. Each story is different, and each individual is different in spite of their shared historical experience. This has enabled Hugh to go for a standalone episode, portraying the life of Hansu, through a terrifyingly real incident. Hugh’s research also led her to the Kantō earthquake, which hit the Tokyo-Yokahama area on September 1, 1923, with the magnitude of 7.9. The impact of the disaster was massive, with a death toll of aprox. 140,000. What stimulated as a consequence, was the spread of rumours about the Korean immigrants adding to the destruction and trying to overpower Japanese, turning them to scapegoats, which led to massacres, which was unforeseen and heart-wretching. According to several unanimous reports, an estimate of 6,000 Koreans were killed as a result. Nevertheless, Lee Min Ho gives the best of his career in this and honestly it's the first time I liked his acting, he has improved, indeed.
I think I have already thrown light upon the direction and related tasks throughout, in my piece, like sound editing, cinematography, setup design as well as composing, etc. The directors Justin Chon & Kogonada have done their job with great care and their efforts are visible. The rest members of the team should also be credited their due words of appreciation. Congratulations of creating a masterpiece.
Writing the show, for Hugh, hasn’t been just about bringing the epic of the Zainichi family onto the screen, exceedingly, she has attempted to a great deal to showcase their thorough experiences & emotions in accuracy and get the facts right. Her immense research and fact-checking has also enabled her to get her script reviewed by 20 or more historians, including those specializing in Japanese history, Korean history, and colonization. Its notable that their opinions and voices were unanimous and this has surely helped to elevate the quality.
Exceptionally, in the finale, the opening credit is performed by the Korean pop Pansori (traditional) band LEENALCHI, which recreates the same song by modifying the lyrics with Hangul.
My most favourite quote from the show is:
"Even if you're scared, let's be scared together. If we do that, won't we gain some strength?"
You must look forward to the ending of the finale episode, for it shows us the interviews from several Zainichi Korean Women, currently residing in Japan and their stories of suffering, tolerance, resilience and resistance. The 5 minutes long edited clip is enough to move your heart and make you cry.
Final Remarks... Pachinko is a brilliant tribute to the resilience & forbearance of survivors from an era of oppression on small lands, that was not often discussed, previously. It is a very complex part of history which ties in with one of the best shows to have been brought to life. The grandeur of Pachinko is, in many ways and on many levels, a reminder of how time can affect our lives. It sort of redefines the standard of a story that can move millions of hearts. Pachinko is the life-altering story that should have been brought to screen much earlier. Please go ahead :)
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Sweet and Fluffy Romance
Honestly, I don’t understand the other ratings cause everyone seems to have a problem with the plot although it was pretty clear what it was. Me personally, I’m a fan of these kind of clichés where the ML falls first and FL realises later. If you don’t like this kind of plot then watch something else rather than expecting something different. Then again, it’s just 1 ep so we don’t know how things might change. So far the main leads have really good chemistry and they’re some of my favourite actors so I’m not disappointed. Also, it was nice to see the guy from My Lovely Liar here as the second lead lmao😭iykykLooking forward to the rest of the episodes 👍
Okay, so I finished watching so I can give the full review. Honestly, for me it was good. If you’re looking for a sort of laid back drama with cute scenes then yeah watch it. To be honest, some scenes were a bit dragged and some stuff were going really slow but it’s fine considering it was 8 episodes. Cause normally most rom coms lose the plot after the first half so it’s good they kept it short.
Might not be for everyone but give it a try.
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What's Shining?
Such a tiring script.ML should just move on and give that other girl a chance who's been crushing on him since high school.
Putting a name tag of her name in his backpack for support was really sweet. Letting him know she's there thinking of him. It's not a big deal, but if she can do that little thing without even dating ML.... what about FL who got with him two times?
FL is impossible. Dates ML, but then later drops him because she wants to work far away.
She likes her job. Nice!
But not trying anymore with her boyfriend because their schedules doesn't match so lets break up.
Gets back with him years later because she wasn't happy with the new life she left him for was dumb.
Also irritated with ML behavior for taking the time to take care of her feelings again when she doesn't have the time for his.
& why is she still being around her ex?
He's there always telling her what to do and she just let him.
ML had a girlfriend his friend said so, but where is she?
He doesn't keep talking and drinking with her does he?
When can they write a ML forgetting his first love and moving on? He will be 70 and still waiting for FL to return.
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Strong female lead
I started this drama because i like seeing strong woman in historical dramas working hard for her position.Half the drama is exactly this. So what differs dramatically from others drama of this kind is, that the main girl is not totally good. I hate this part in most historical dramas, that the main girl always saves the bad people and don´t get justice herself. In this drama she will take her revenge and doesn´t prevent that the evil will be punished.
The other half of the drama is the love between her and the prince. Don´t let you misguide from the synopsis. The drama is full of romatic scenes between them.
The story was not really unique. Many things were like in all that other dramas i watched, but there were a few scenes that surprised me. I couldn´t stop myself and watched this drama in only a few days.
I would recommend this drama everyone who likes romance with a strong female lead that goes her own way.
If you think 59 episodes are too much, i need to say here that the runtime of each episode differs. It started with 40-45 min per episode, then it got to 30-35 min and the last few episodes were only 20 min long. It was really easy to watch this drama.
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Addicted Remake Done Right
Acting is really good from these two young actors 10/10. plot is pretty much the same as addicted but feels a bit more stretched out and we see the backstories of the characters a lot more. The pacing tbh seems much better this time around. it's getting better with every episode... wow the nostalgia.. Addicted was my first BL ever and I feel like I'm finally getting an updated complete story with lots more clean camera work and dialogue. whether this is BL or bromance I love the story and I'll keep watching.Was this review helpful to you?
The story overall was beautiful and touching... I laughed and cried along with the characters. Be prepared though, if you are going to watch this movie, have a box of tissues by your side because you will cry your eyes out. Anyone who hasn't watched Koizora should; it expresses the feelings of absolute happiness and pain.
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