this drama from the ones sharing similar plot-line.
The story is depicted in a narrative style. Each episode starts and ends with deliberate, thoughtful insights of one of the main characters- Shiki. The drama follows a very classic style accompanied by beautifully fitting music and subtly progresses to unfold various events and develop the relationship among the characters. It tells us the memorable yet unlikely love story between Shunsuke, a talented and famed photographer, who is about to go blind in a few months and Shiki, a kind-hearted and unpretentious pediatrician, who seeks to define her role in the final moments of her beloved one. I said ‘unlikely’ because the role of Shiki wasn’t supposed to be the one who stands by Shunsuke at the end; rather it was meant to be that of a “mere audience”….. as she herself described it. One of the many things I liked in this drama is that it does not use the word ‘love’ lightly or take this intense feeling for granted rather it seeks to find out the true meaning behind it. As a result, we get to enjoy the detailed, gentle, fateful encounters which brought these two destined persons together. The meaningful sub-plots, perceptive dialogues, appreciative characters stir our emotion, compel us to ponder over life and appreciate what we have even more.
This drama has an ensemble of beautiful characters. Each of them shines in their own way and enriches the main story with their own follies, hardships, sadness and joys of life. They are not perfect but they tried their best to do the right thing from their own perspective and that’s why they felt so real. They are not persons who disregard the pains of others only because they didn’t have the misfortune to experience those themselves and that’s why I loved all of them. I promise that the characters will surprise you, will make you cry and laugh along with them.
I’ve always liked Fujiki Naohito but in this drama he was simply gorgeous. Kanno Miho did a fairly good job as an innocent, honest, young doctor. The rest of the cast was just impeccable.
Although the storyline hints at being pretty solemn, it’s not tearfully sentimental. It’s also a drama about family and friendship with lots of funny, humorous moments which make the mood lighter at the appropriate time. There are some dramatic, cheesy and predictable moments but it doesn’t affect the overall excellence of the tale.
I decided not to over-hype it but don’t think I succeeded. The plot isn’t unique after all and I’d recommend it only when you are in the mood to try something slow, earnest but significant. The very last scene of this drama is one of the most beautiful ones I’ve ever seen in a drama. Even if you don’t like the drama as much as I did and decide to drop it, I’d ask you to watch the last few moments of this drama and I believe it’ll be able to touch your heart.
Was this review helpful to you?
Great Storyline, Great actors
I loved this drama from start to finish! The leads were great. The chemistry felt so natural. No words for the male lead, great actor and very good looking. I have watched several Chinese dramas the last 2 months where the female leads were so disappointing. Shabbily dressed, looking like 12yr old kids cosplaying as adults. It was so refreshing to see a female lead who dressed well, didn't look shabby and unattractive and was a great actress as well. Storyline was great too. Highly recommended for those who enjoy love stories.Was this review helpful to you?
The wind rises in Luoyang
2021 has not been a particularly prolific year for detective investigation and wuxia themed C-historicals. The only one that I had completed this year would be The Imperial Coroner, which was quite good for a low budget web series. There were probably a couple others that I recall encountering but nothing large-scale in terms of the budget and prominence… until Luoyang came along. This is a highly anticipated production for several reasons.> It is headlined by Wang Yi Bo, Huang Xuan and Song Qian. WYB obviously has his immense popularity and fanbase, but I also think he is a talented actor who has much to showcase if given the right script. The critically acclaimed and award-winning HX needs no further introduction while SQ is no stranger either with a fanbase for her music productions and acting honours in recent years as well.
> One look at the source material for the adaptation tells you pretty much what to expect. The story is based on Ma Bo Yong’s eponymous novel. For those in the know, Ma Bo Yong is the author of The Twelfth Hour in Chang’an, from which The Longest Day in Chang’an is adapted, as well as The Wind Blows from Longxi which is currently being adapted to a drama.
> Ever since the teaser appeared earlier this year, expectations have been soaring, judging from social media responses and even here on MDL. I was super impressed from what little had been shown because it looked very much the top quality content that it promises to be.
Luoyang is directed by Xie Ze, who helmed Jun Jiu Ling this year as well as the high profile Yang Mi fantasy, Legend of Fu Yao. Qing Mei serves as scriptwriter, after her interesting work on The Eight last year. Principal photography took place entirely at Hengdian World Studios between November 2020 and March 2021. This iQiyi co-production is big budget which reportedly involved in excess of 5,000 sets of clothing and modeling accessories, as well as more than 15,000 sets of props. These efforts were meant to accentuate the prosperous scenes of Luoyang during the heyday of the Tang Dynasty.
The story is set during the interregnum period of the short-lived Wu Zhao Dynasty, itself a part of the great Tang Dynasty. At this time the imperial capital was relocated from Chang’an to Luoyang. The fates of three unrelated individuals are intertwined as they cross paths during investigations into a mysterious murder case which puts them on a collision course with an enigmatic secret organisation that has nefarious designs on the reign of China’s only Empress regnant, Wu Zetian.
What I Liked
The production quality. Specifically the art direction, set designs, action choreography and most obviously the money well spent on the sheer numbers of extras. From the first minute of the first episode, you could tell immediately this is top-tier content. Luoyang actually resembles a real city, rather than merely a production set. The huge crowd of inhabitants walking the streets exude a metropolis feel to the bustling city centre. Although this was filmed at Hengdian, you simply couldn’t tell because the production team managed to mask the obvious very well indeed. The action sequences of the choreographed martial arts moves, the coordination of mass fighting and the frenetic street chases are absolutely superb entertainment. Meanwhile, the inner palaces and the throne room settings are gloriously opulent and majestic, thanks in large part to the visual framing of the scenes. The general appearance of this drama is reminiscent of The Longest Day in Chang’an, with the exception of a more polished colour grading and less grain in the overall visuals.
The premise and the plot. The Tang Dynasty and Empress Wu Zetian historical settings are favourites of mine. The infusion of an intriguingly extensive overarching mystery with a profoundly conspiratorial connotation and no lack of convoluted twists makes Luoyang all the more enthralling. It is complex, fast paced, eventful and unpredictable - it’s truly been a while since we had such a smartly-written mystery. The reveals are timed to perfection without letting the cat out of the bag too early or being underwhelming to adversely detract from the gripping nature of the storytelling. The story continuously builds and engages right to the climactic ending.
The main characters and portrayals. Huang Xuan plays the gritty investigator Gao Bing Zhu, the perfect ancient iteration of the hardboiled detectives in crime noirs. This is a deliciously layered and multifaceted role that suits the range and depth that he possesses. In fact, most of the powerfully emotional moments in this drama feature his scenes. Wang Yi Bo is the stoic but brilliant engineer and scion of a prominent house of imperial engineers, Baili Hong Yi (aka Er Lang). In many respects, this character is an exact replica of his Lan Wangji in The Untamed. I actually prefer his brooding interpretation here compared to the playful character in Legend of Fei where he just can’t stop smiling. Making up the dynamic trio is Victoria Song Qian’s female inner guard, Wu Si Yue. This is an interesting character who is the only one of the three leads that initially embodies the values of justice and professionalism in her conduct, whereas the other two have their own vested interests and personal motivations. It’s safe to say that Song Qian’s performance here indeed warrants the tag of strong and relentless FL.
Of the supporting characters and cast, I have to mention a number of performances that have left quite an impression on me. The veteran Yong Mei plays Wu Zetian in what has been a uniquely refreshing take on the iconic historical figure. Most depictions hitherto have been utterly colourful, fashionably stylish and, of course, hugely intimidating. Her version is understated, subtle and nuanced. Whilst the image appears less menacing and even motherly, given the twilight years of her reign, I still feel the ominous undercurrent that threatens to burst into life beneath that deadly calm exterior. Despite the limited screen presence, Zhang Li deserves credit for her portrayal of Yao Niang, particularly during one of the scenes of acting masterclass between her and Huang Xuan.
The drama features a total of six original songs in its soundtrack. My personal favourite is the contemplative ending theme by Huang Shifu, Longing of Heart. Full listing as follows:
长风送 Chang Feng Sang - 宋茜 Song Qian
心念 Longing of Heart - 黄诗扶 Huang Shifu
无关 Wu Guan - 汪苏泷 Wang Sulong
笑黄梁 Xiao Huang Liang - 李振宁 Li Zhenning
天机 Tianji - 李常超 Li Changchao
风起洛阳 Wind from Luoyang - Winky诗 Winky Poem
What I Didn’t Like
The somewhat trippy camerawork, particularly for the action sequences. The cinematography has been somewhat inconsistent in this respect, although it does progressively improve. I do understand that it is a stylistic choice in the way the fight scenes are presented, to immerse viewers into the atmospherics of the scenes. The quieter and emotional moments, on the other hand, are generally better framed.
I did not appreciate the melodramatic aspects of the plot pertaining to FL’s brother persistently attempting to marry her off or frequently constraining her investigative efforts. Likewise the story arc relating to a certain side character and his unhealthy obsession with a long-lost childhood love interest.
I need to rant about one character in particular, Liu Ran. Somehow a majority of C-historicals seem to favour this particular characterisation. The whiny, clueless, and besotted airhead who constantly annoys by ceaselessly crying out for the object of her affections. In this case, I think I’ve heard the name “Er Lang” being called out hundreds of times throughout the whole drama. Usually such characters would eventually experience tremendous growth but not so here. Her trajectory remains constant right to the end, unfortunately. However, I do not blame Song Yi for the portrayal. She could only make do with what she’s given and I know she has a lot more substance than that.
The last thing that irked me - the ending. Without spoiling it, let’s just say that while the story does achieve closure, the final outcome isn’t ideal. There is a huge room for improvement in this aspect but I fear this is as good as it will ever get for us viewers.
Final Thoughts
All things considered, Luoyang is most definitely one of the better C-drama productions and investigation themed historicals of the year that shouldn’t be missed by fans of the genre and for those interested in trying their hand at C-historicals. At only 39 episodes in length, the storytelling is brisk, intense and coherent which is very well-suited for the binge.
Was this review helpful to you?
1Attractive, captivating, and also eye-catching—this is THE GLORY
StoryFirst, I want to talk about the story. It’s completely creative, taking a specific slice of Chinese history. At first glance, the costumes and jewelry might feel unfamiliar, but they are still incredibly eye-catching.
The original story comes from Cha Ke, and as expected, this author's works share a distinct mood and feel quite similar to each other. But instead of being a flaw, I see this as a strong point. Though the screenplay differs significantly from the novel, I believe this is for the better. Since this was one of the author’s earliest works, the storyline naturally isn’t as strong as The Double.
Well, I want to give a brief explanation about the storytelling.
This series was entirely female-centered. It didn't just use revenge as a tool to punish the villains but rather as a way to soothe the pain of the suffering characters.
This "revenge" helped heal Han Yan's wounds, and I really liked this perspective.
I just want to say that this series deserves attention and praise, as it had truly beautiful screenwriting.
The screenplay is incredibly well-structured, with a smooth narrative flow that transitions seamlessly from one episode to the next. Normally, I can't binge-watch a drama without getting bored at some point, but with this one? There’s absolutely no way I can say I’ve felt even a tiny bit tired of it so far.
Acting
I genuinely admire Chen Du lings' acting. The way she stares—her eyes alone convey vengeance and sorrow so vividly. It’s as if she doesn’t need any dialogue to express her emotions; her gaze says it all.
I also really like the male lead. He fits the role perfectly, and I appreciate how he brings his character to life. His portrayal and the character development are both done incredibly well.
The supporting roles? Absolutely top-tier. And how could we forget Han Yan’s mother? That woman is phenomenal.
The casting choices were spot-on, precise, and complete. I have no complaints whatsoever.
Music
The drama’s soundtrack was beautifully executed. Personally, I loved how meaningful and well-connected it was to the storyline. In fact, the opening theme was what drew me into the drama within the first few minutes—it’s just that stunning.
Direction, Editing, and Cinematography
Everything was handled professionally, exactly as expected from this team. Watching this drama feels like witnessing a piece of art unfold, and honestly, it’s mesmerizing.
It’s absolutely worth watching. Thank you for reading! ❤️
Was this review helpful to you?
Off really looked like a matinee idol here, and Gun is such a believable actor. And that train scene?!
No cheesy high school-like scenarios. The story and the lines are well written for the age of the characters. Thoroughly enjoyable. This is the first Thai BL so far that i wished there were more than 12 episodes, i almost didnt watch the last episode cause i didnt want it to end.
Was this review helpful to you?
A deeply romantic classic wuxia
This drama is actually very different from the original novel. The first fourteen episodes follow the novel, but then the rest diverge greatly and essentially becomes a very different story. There are significant changes to the character of Zhou Zishu, and there is a major show only plot-point that makes his dynamic with Wen Kexing completely different. The plot itself is also nothing like the one in the novel, and several side-characters were given bigger roles in the overall narrative and even different characterizations. Tian Ya Ke, the source material, is a fairly straight-forward story, while Word of Honor is more like those dramatic, old-timey classic wuxia stories.First off, kudos to the scriptwriter! The pacing is top-notch, not too fast nor too slow. Nearly every scene ties in to the overall narrative, not a single episode feels draggy or unnecessary. No fillers to be found here! And while non-mandarin speaking watchers may miss this, it is very clever how the script incorporates poetry into Wen Kexing's dialogues. Not only is it a very clever way to subtly showcase his flirting, it also adds a layer of depth to his character. Since he grew up in the Ghost Valley and did not have his parents to teach him, it implies that he taught himself literature and the fact that he always uses poetry to express himself shows how proud he is of it. The tiny details are also impressive, like the difference in Gu Xiang's character when we first meet her. She acts like an exaggerated version of a young girl, and slowly becomes more and more genuine as the story goes on. The director did confirm that this is because Gu Xiang hardly ever leaves the Ghost Valley, and so she was trying to copy how she thinks normal girls act. I really appreciate scriptwriting that incorporates characterizations into details like this, because it feels very natural. It also gives the show good rewatch value because after you watch all the episodes and see everything that happens, you suddenly notice the subtle details you missed when you watch the show again.
There are many, many details that allude to future events, and dialogues that seem almost flippant in the beginning end up steamrolling you once you realize its significance in later scenes. Wen Kexing's "as a wanderer in this world, all I need you" sounds like casual flirting at first, but then you see how much depth that sentence holds once you see how their story ends.
The fighting choreography is very good, and really embodies the "fighting" in the classic wuxia I grew up watching. It's not just fighting, but also a sort of dance that reflects the dynamics of the characters. Sparring is basically Zhou Zishu and Wen Kexing's love language, and you see the evolution of their relationship in their fights too. Their fighting scene in the pink forest, in the lake before Zhou Zishu takes his mask off and in the ending are very similar to each other, but with small changes that reflect the evolution of their relationship. The way the story uses tropes to show the romance between the two main leads is excellent. The sparring in the pink forest, for example, is a common romantic trope in classic wuxia, and so is the hairpin scene in the latter episodes. Another noteworthy detail is that in the first episode the romantic connotations of giving a person a hairpin is shown in the scene between Zhou Zishu and his shidi's lover.
I really want to express how happy I am with the casting choices, especially with Zhang Zhehan as Zhou Zishu. Most actors can show strong emotions convincingly enough, but with characters like Zhou Zishu it's important to cast actors that can nail scenes that require nuance and subtlety. It was wonderful watching him transform from cold and sarcastic to warm and playful, and it was all done so subtly I actually didn't realize how much he changed until I was watching a scene and realized that not only was he the one teasing Wen Kexing, he was also the one initiating skinship??? And there's this specific scene in episode 12 where they're drinking together outside and when Wen Kexing calls out to him, you can see how he frowns and mouths something briefly before responding. It was a small but significant detail, showing the gradual decline of Zhou Zishu's hearing. There are many more details like this scattered throughout the show, and I really appreciate this kind of subtle storytelling versus scripts that are too on the nose and obvious.
Gong Jun also played Wen Kexing very, very well. He really embodied Wen Kexing's many faces, and it was wonderful watching his character slowly unravel. And although it's not necessarily a requirement for me, I love how well they match the physical characteristics of their characters. Zhang Zhehan is very athletic and has a very good physique, which just makes him much more convincing (visually) as the powerful leader of an assassin organization. Zhou Ye was perfect as Gu Xiang, her acting in episode 35 was especially chilling.
Also, a more personal opinion, but I like how they stayed true to the novel and portrayed both Zhou Zishu and Wen Kexing just as "masculine" as they were in the novel. I strongly dislike it when danmei adaptations make a character too effeminate. Of course, if the character is portrayed that way in the novel, then I have no issues. The problem is when when adaptations take a canonically more "masculine" character and portray him too effeminately, even when it's not the case in the original novel. Luckily, that did not happen here. There is something refreshing about a danmei that does not limit the personality and characterization of its characters based solely on supposed bedroom dynamics, and Word of Honor's casting and overall portrayal really delivered on that front. They really stayed true to Priest's (the author) work in that aspect.
As much as I enjoyed this show and gush about the script, it does have its shortcomings. The usual issues in the continuity of themes and the pacing of the last five or so episodes. Regardless, for me, the things the show did right definitely outweighs its shortcomings. Those who are expecting a faithful adaptation of the novel may not be happy with the direction this show eventually took, but as a stand-alone it really holds its own. With the issue of censorship in danmei adaptations, I did not expect this show to be as deeply romantic as it turned out to be, and I am still in awe of how they managed to pull this off. They could have gone for the fanservice approach, where they just give us suggestive moments without any real payoff, and yet they chose to develop the relationship properly and give it a real sense of intimacy and depth.
And lastly, I love that the ending credits song is essentially a summary of their romance. It starts with Zhou Zishu talking about his melancholic life and wanting to roam the world as an aimless wanderer, then Wen Kexing responds by lamenting about his own struggles and how it's a shame that he didn't meet Zhou Zishu earlier, and that he wants to give up "the adventures on horseback for a quiet life". Zhou Zishu then responds by saying he agrees to spend the rest of his days with Wen Kexing and the song ends with both of them singing ''I will be with you forever" at the same time. So yeah, kudos to whoever wrote that song because it really fucked me up after the ending. This show is insane and I am thankful to everyone who worked on it.
I love this drama so much!
Was this review helpful to you?
Even though Jung Il Woo is pretty much the star of the show, he is well and truly part of a tightknit ensemble cast that have great chemistry together. Each character of the ensemble have their own quirky personality traits, and their own obstacles (personal or otherwise) to overcome as the show progresses.
The Ramyun Shop is used very effectively as the one thing that holds all of them together. Truly a family away from real family.
Was this review helpful to you?
Was this review helpful to you?
This review may contain spoilers
I Swear if That Boy Don't Remove That Thing On His Face!!!
At some point we need to find out who keeps giving Star Hunter investment to make these nonsense bls, so we can throw eggs at them or boo them in public, cuz what the hell? Just why? Who green lit this? And what was the point of the ugly arse maid custom, and did y’all see that ugly lingerie? Also did that boy put a plastic bag over the lead's head?Listen, is Star Hunter looking to go out of business or something? Cuz seriously, what the eff was this? Yes, this had a plot, with a start and a middle and an end, but it was executed so badly, with awful acting, cliches, cringe, awkward dialogue, horrible direction, stupid cheesy sound effects, basically, they found a 'do not do list' and said, wanna bet? This whole show was unfortunate. Let me explain:
The lead was naive to the point of stupidity and talked so loud it was like he lived inside a washing machine. The love interest's whole thing was that he was a dirty smelling dude who looked like a creepy uncle and came off as a garbage collector. The second couple were meh, cuz the smaller one was so obnoxious he made me wanna hurl. There was a female couple who could have been replaced by a houseplant and it wouldn't have made a difference to the plot. The lead's friends were annoying and loud, and wasted screen time on nothing. There was attempt at a love triangle, but the rival was so boring and uninteresting, chalk had more personality than him. Another random dude was in love with the dirty love interest cuz he saw his cow photo one time or something. And there was one guy with blond hair who's purpose for being in the drama seemed to be filler person. No really, his whole thing was to fill in the empty spaces on screen. If there was an empty chair, he was sitting in it, if there was white noise, you can bet he was saying something stupid to fill it.
And that was about it, and don't get me started on the cringy arse scene with the 'Can I taste your lips' or 'I am thirsty' crap. Or the ugly arse facial hair that vexed me to no end, why did he have to have it for so long? Oh, and that tv remote bit, where suddenly the lead was no longer acting like he was born yesterday. And the milk. OMG the milk, what was up with the milk?? I mean everyone need a thing but...you know what, never mind. I'm not doing this today, if you're looking for a bad bl show or your time is worth nothing, go ahead and give this a chance.
Star Hunter, thanks for nothing Bob!
Was this review helpful to you?
This review may contain spoilers
The Best Boyfriend in Modern Dramas
Leo Wu’s portrayal of Lin Yi Yang in “Amidst a Snowstorm of Love” undeniably stands out among the green flag men on screen. For Yi Yang, a former snooker champ, it’s love at first sight when he meets Yin Guo (Zhao Jin Mai), another snooker champ, on a stormy, snowy night at a bar.Though he's at a loss for words to express his feelings, his actions speak volumes. Yin Guo is swept away by the sheer depth and purity of his emotions. His gestures, though subtle, leave a lasting impact—from booking her a comfortable hotel room before a game to warming her slippers on a cold day, and even traveling halfway across the world to wish her a happy birthday. He is stable, supportive, proud of her achievements, and happy to bask in her glory. This relationship is one of equals, and it’s his unwavering love and sincerity toward Yin Guo that drives him to go the extra mile in his own life.
Leo Wu has immortalized Lin Yi Yang as one of the dreamiest on-screen characters, setting a high bar for what makes a perfect boyfriend. Hopelessly devoted to Yin Guo, his patience and endearing charm, coupled with those heart-melting kisses, make Lin Yi Yang the epitome of boyfriend goals and the Mr. Romantic many seek.
Was this review helpful to you?
What was the point?
Well this was a bit of a mess and I spent every episode asking what's the point, what's the point of all these new characters and all these different plot threads that are introduced but not resolved? It felt like the show was working so hard to set up season 3 that they forgot they were actually supposed to make season 2 and so what we got was this hastily cobbled together collection of episodes. In expanding the world outside the apartment complex of season 1, the writers also focused too much on adding new characters without giving us a reason to care about them, and even the core group of survivors from season 1 felt harder to connect with this time around because we kept jumping from one character to the next without really getting to spend much time with anyone. The CGI continues to be pure nightmare fuel but on the bright side, at least they didn't play that Imagine Dragons song 20 times every episode.Was this review helpful to you?
What started off as just your normal cliche' filled K-drama, appeared to be a pretty decent story. It seemed it could possibly surprise you a bit, and then you set yourself up with great expectations. Then, out of nowhere, the storyline starts to fall apart at the seams. It's like the writer wrote themselves into a corner just after the first five episodes. All this talent from actors... wasted on pathetic dialogue and pointless scenes. But worst of all, it went from just your usual amount of cliches to being riddled with cliches. Could they possibly get anymore in? Was there a contest for Drama With Most Cliches happening somewhere????
You remember in Dragonball Z how there would be almost like 5 minutes of the characters doing nothing but standing around staring at one another? Yea, that sucks. You know how 1 song plays on the radio 7 times in one day? Yea, but imagine that 1 song playing 7 times within just an hour... every... episode. A horrible, horrible song. No wait, a horrible, horrible chorus of a song THAT DOESN'T EVEN MAKE SENSE. A chorus of a song that will haunt you in your dreams and make you want to punch your computer screen as soon at you hear its impending arrival. Love cannot be the "moment" of anything!!! It's an emotion, damn you!
Something strange happened, though, and it's that I came to completely root for the bad character. This had nothing to do with how the story went, but with how well Kim Woo Bin played his character. If there would be any reason I'd have to recommend to you, dear reader, to watch this, It would be him. The chemistry between the two main characters was non-existent, and Park Shin Hye proved herself (at least to me) to have been a very poor casting selection for the role as she was dull and brought nothing to it. Lee Min Ho seemed to do much better in scenes with every other cast member besides her. Actually, most of the other actors showed fairly good effort in trying to work with what they were given. However, none of it can quite come together for the supporting roles if the main ones are so bad off.
Outside of Kim Woo Bin, other unexpected thefts of the spotlight for this show were: Krystal Jung as Lee Bo Na; the wonderful dynamics between Kim Sung Ryung as Han Ki Ae and Kim Mi Kyung as Park Hui Nam; and Choi Jin Hyuk as the crown bearer Kim Won.
If you decide to watch this, go in with no expectations at all and understanding it will be hard to quit even if you find yourself hating it. It is, indeed, an addictive drug with bad side effects. You've been warned
Was this review helpful to you?
I actually don't know how to summarize this one, I just believe everyone that can watch it should watch it. I haven't read the webtoon so I don't know how fans of the original material will react but, judging it on its own two feet, it far surpasses any expectations I had.
STORY
Honestly, this story almost felt like two, in the best way possible. Going into it I had this expectation of what would occur and what kind of avenues the story would take based on the teaser, but it proved me wrong. Weak Hero isn't just brilliant action, it's a deep dive into how interpersonal violence and bullying can affect and harm people long after the physical threat has disappeared. It's a case where I found every episode better than the last. The script and directing use foreshadowing masterfully, there are parallels that provoke so much thought and every moment feels deliberate. There are parallels everywhere, and the use of foreshadowing is deliberate and beautiful. Thought-provoking isn't even enough to cover it. Of course, there are issues with the script, some things are glossed over to fit the runtime, and the theme came off as confusing to some (not me) but overall I enjoyed the story it told immensely. The character motivations and progression all felt natural and understandable. It's a complete and interesting story that doesn't require additional knowledge from the webtoon to fill in the blanks and its end, though open for a second season, is satisfying and will leave you wishing you had more time with this world.
ACTING
I don't usually go to action flicks for character studies and heartbreaking emotions but the cast delivered on both and on stellar fight sequences that hurt just to watch.
So little disclaimer I am a Jihoon fan, but I will try not to be biased. Park Jihoon acting as Yeon Sieun was amazing. In the story put to screen it would've been very easy for Sieun to be one note, but Jihoons acting and eyes brought him to life.
Hong Kyung gave me the most compelling performance of the entire year. You have to watch it to know.
Choi Hyunwook brought a lovely levity to the story and his well-known ability to charm his way through the screen is at full display.
The entire supporting cast really showed out for this drama, the viciousness and vulnerability of boyhood were on full display. Special shoutout to Kim Sugyeom whose venom playing Youngbin almost burned through the screen.
MUSIC
The OSTs and music choices throughout the show helped evoke teenage listlessness and despair beautifully.
REWATCH VALUE
I considered placing this at a lower mark because some of the scenes are very hard to watch. Watching this drama inflicts a lot of emotional turmoil, but I honestly think it could only get better on rewatch. The point of the twists and turns is not to shock you, they're natural and understandable consequences of the violent world that bred them. Every choice makes sense, and the hunt for parallels in the script and directing upon rewatching would make it all the more worthwhile.
This easily falls into the top 5 dramas of the year for me. I would recommend any day! Also if you want to discuss it shoot me a friend request and a message I have so much to say.
Was this review helpful to you?
This review may contain spoilers
How the Easter Bunny & the North Star Got Boyfriends
Okay, Pond, imma need you to blink twice if you need help. Cuz, P’Hill had like 2.5 facial expressions throughout this drama, and one of them read like he was either secretly mapping out the exits in his head or counting backwards from hundred waiting for lunch. Also, in case you didn’t hear it when they mentioned it for the billionth time, P’Johan is going to Boston, you know, Boston? yeah, he’s going to Boston. BOSTON.Listen, the year just started, so I wanted to keep quiet and go sit my somewhere without reviewing this drama, buttttttt, I sat through 16 (surprisingly 17) episodes of... yeah, so imma rant about it.
I'm not even gonna sugarcoat it, Johan and North made this drama. I was this close to given up before their story started, then I was like, finally, some meat on this dry arse bone. North was my favourite character, I found everything he did enduring. For him, I stayed until the very end.
The premise of this series looked good on paper. Four couples with four different stories, and a cast with leads I’ve previously enjoyed watching. When I first heard about it, I was like, sign me the eff up! Unfortunately, the execution of the story was all over the place, and I ended up bored and waiting for the whole thing to be over. Let me explain.
HILL & TER
Boring. The story of these two started off intriguing, then immediately became boring. They spent the beginning episodes making it seem like these two didn’t know the other had feelings for them, only to reveal later they did more than friends did?? HUH??? So what was the whole point of them not knowing if the other liked them? And it was soooo repetitive, they kept going back and forth with their feelings like they was playing pingpong. Literally this was their whole plot:
HILL: I am not asking, this is me telling you that I like you and I'm going to pursue you and make you mine.
TER: OMG, North, I don't know what P'Hill wants from me, but I think he likes my sister Christmas Tree.
HILL: Let's go on a date. I like you, like a lot. Let's make out.
TER: OMG, North, I am sooo confused if P'Hill likes me or not. Yes, we made-out and basically act like married couples, but we are not together. I don't think he wants me as a boyfriend.
ME: Go hug a tree you Easter Bunny.
Like??? Arrrggg, they dragged the whole plot with unnecessary mediocre drama that in the end, I just rolled my eyes whenever one of them started talking. Just, No. Also how the hell didn't Ter know he was the guy in the face-mask? And who the hell was taking those picture collages of Hill in Ter's mother's restaurant during that time he was in the face mask? Man had a whole photo album as proof and I was like hmmm, how?? Hahahaha, alright, do you I guess. Though, I did like that backstory, it was so heartwarming and sweet. More of that from the beginning would have made some good difference.
Listen, is it just me or did Pond not wanna be here? I don’t know if it was the way the director wanted him to play the role or not, but he came off as disinterested and flat-out lost throughout this drama. Sometimes it felt like he wasn't sure where he was or what was happening, which made his acting stale. Very unfortunate, cuz he’s one of the best bl actors out there. Please, watch '180 Degree Longitude Passes Through Us,' if you haven't, Pond was amazing in it.
Earth (Cooheart) playing a childish adult character… literally why are uni students acting like children? He’s a talented actor, and they turned Ter into a whiny overthinking child. And all the sound effect. Gawwwd, please let 2025 be the year thai bls leave the cringy sound effect and grown-up childish behaviour behind. Yes, I’m asking for a miracle, I’m optimistic, we only 9 days into the year, let me have this. Anyway, I loved the friendship of Ter and North, loved all their antics and conversations.
All in all, I felt very disappointed with Hill and Ter's plot. Their story dragged and became uninteresting really fast. I wish it could have been better. It’s sad, cuz these two actors had good chemistry and could have done so much more if they’d gone in a different direction, or they’d at least given them a better script to showcase their talent.
JOHAN & NORTH
First off, yes, Johan is going to Boston, just a heads up. Now, this two lifted the rating of this drama for me. Sure, they didn’t have much going on, but at least their story wasn’t boring, and I liked North’s character a lot. That scene in episode 15 when he cried, I felt every emotion, it was such a beautiful scene. He was my favourite. But dayum Susan, did everyone and their mama have to have a crush on North? Also, did anyone else go, 'Kamol, come collect your man, Kim is out here wildin' when Ton showed up as Day? Lol.
Anyway, I loveddddd the chemistry between these two leads. I’ll argue that the second kiss in A Time of Fever was the best bl kissing scene of 2024, but that kiss in the cafe between Johan and North is worth mentioning. And their backstory was also so interesting, like how long Johan waited for North and didn't want to steal him away from his girlfriend. When North cried after hearing it, I was like, same Susan, same. No, these two deserves more episodes and like another season.
That being said, I was not a fan of the whole money playing a bigger part between them, kiss me and get so so, send me a video and get so so, my brother you like him, just give him the money without all the strings. And the part where North suddenly became sad and quiet, and basically unable to function because Johan went to Boston made me roll my eyes. Sure he missed him, and not getting a call from him made him anxious but damn Susan, y'all doing too much.
Speaking of Boston. I’ve heard astronauts going to the freaking moon talk less about their travels. Did the scriptwriter enjoyed hearing people say Boston, or like it was a big deal in their novel? CUZ, I GET IT, JOHAN IS GOING TO BOSTON!!! They mentioned it so much, I legit thought something was going to happen to him when he left, only for us to not even see him at the airport. Dude went for like two screen changes and like three sequence of North looking like his husband went to war with his left foot. Like??? Give it a rest.
OTHERS
The other two couples didn't have any or little to no screen time, so I'm looking forward to their stories in the part two, heard there was gonna be a second season for them. Though we did get Fah and Typhoon looking real hard and sad at each other for like a couple of seconds, so I'm curious to know what's eating them. I legit laughed out loud when Arthit said he got bitten by a piranha and all the friends were like, that's your friend. LOL, the way no one wanted to claim him.
OH, I lowkey liked Ger and Nao's side story. I kept screaming for Ger to just tell him, cuz dude was clueless as eff. Ger being in love was so cute, and North teasing him for it. Wish he was braver and didn't waste so much time pining.
FINALE:
The story was wrapped up nicely for the two main couples, so there were no loose ends. They both had their happy endings. North and Johan's mother being snitches had me laughing. The dinosaurs finally came around, so it seems the happy ending is gonna be forever and ever. That last scene with the Hill and Ter and the necklace was cute. Seeing the scene of the four friends together at their drawing club, I wanted more of them, the way North said 'huh, that's how your face always is?' had me rolling, the poor sleepy cat. As for the side couple, Ger and Nao are apparently going to Boston together...seriously, what's there? Hopefully he braves up and confess in Boston.
All in all, this could have been waaay better than it was. The beginning dragged and just when it picked up and got a bit interesting it ended. I'll still recommend it, if not for anything, for Johan and North's story, cuz those two did their thing, but that's like towards the end of the series, so you gotta sit through all the other mess. I am looking forward to more work from these four leads. Pond already have ResetTheSeries coming soon, so I'm excited for that. I'm always down for anything Cooheart, and I want more MaxzyBas, so I'm seated for them all.
Season two was announced so I can't wait to see the story of the two others, and hopefully get glimpses of the old couples.
Was this review helpful to you?
Ep 1 to 20 was just so good. You watch effortlessly seeing the sparks fly between Jia Yang and Qiao Fei. The ingenuous ways he come up to make her life miserable and try to make her quit as trainee in the field of French interpreter. They clash and butt heads but Fei was resilent and refuse to give up her dream.
Then all that mess from the brother being the old flame and has a obessive nature when it comes to Fei. To the second female lead who was a tad pathethic in her love for Jia Ming but then retracted to wanting to be with Jia Yang.. mess and more mess
Then comes the mother who does extreme things like ruining her own son just to break up Jia Yang and Fei. Who does that? And to such extreme. It felt like this drama plot purposefully over inflate itself to generate angst, to fill in episodes? To drag it to pass 40episodes?
I felt like a masochist sticking with this drama to the end. Ep 28 to 36 was so hard to watch. Like 45mins of episode and only 10minutes or less worth watching.
I tell myself i need to see off Jia Yang and Fei's ending so i stuck with it til the ending . but oh boy instead of being awarded with my patience (which really is painful and teeth grinding). The last episode (heads up) isnt satisfying. It was rushed, cramped and jumbled. Didnt flow well and they try to make it dramatic but not believable. Its hard to believe the ending episode is rushed when the last 15or so episodes were so draggy. I still believ the first half that was good was written by another team of writers. If there are the same people then someone must have zap out commonsense from their heads. Like they run out of ideas what to do with the second half of the drama.
If you are wandering to watch or not. I recommend no for several reasons.
The last 1/3 compeltely deviates from the original story of being interpreters
The cliche part of being sick and the high noble road of sparing your loved ones from grief was not written well. Yes alot of dramas commit the same mistake but the way Fei did it just felt wrong. I felt it create needless grief for Jia Yang. Personally i think its selfish when you run away from your loved ones without sharing the truth and deliberately lets him misunderstand you. Her love didnt respect Jia Yang and made that decision for both of them without his knowledge.
Jia Yang's character actually went backwards in terms of growth. Yes it was nice to see him being less demonic and so loving to Fei. But then he became unprofessional when it comes to his work and career. And it was also annoying that he kept saying their love can survive it but i didnt see real actions to solve the problems. Your girlfriend keeps saying there's a big gap between them and that he didnt understand her difficulties.but he carries on as is and with regards to xiao hua and her dad. Although yes his words that their love can withstand it all, there was no action ... It was like him allowing the realtionship to fail eventually.
Jia ming, xiao hua and the guy he married. All characters i dont care for.
Qiao Fei bestfriend was ok but her love line was also not properly developed. Theres too much childish behaviour and they left it too late to the end to show changes.
If you do want to give this a try because the truth is Huang Xuan was really good and engaging as Jia Yang and sparks do fly when he sparrs with Yang Mi's Qiao Fei. Then i recommend you watch the front half of the drama up until he confess and they start dating. The second half will only make you scratch and then bang your head in frustation. So please dont suffer as i did..
Was this review helpful to you?
