I'm relatively new to K- and T-Dramas, but I've been watching Telenovelas all my life, so at times I feel jaded of the topics and cliches that are shown. This drama did not make think about anything else but what I was watching. I was so into it, I was not thinking things like: When is this arc going to be over? Why are they dragging this so much?. It seems they had a firm hold on what they wanted to express from beginning to end.
This drama varies from many, as the Heroine of the story seems to be more "alpha" in personality than the male. The growth shown by her character and the way this actress portrayed it, was outstanding. I was at first hesitant about the acting by VanNess Wu, he seemed overpowered physically and performance wise by the main actress, but in a way this suited the characters so well, that it made it even more believable.
I liked that you get your "grew up in an orphanage" heroine, who instead of growing up to become the maid of a big hotel and a giving soul; becomes a strong, self centered, materialistic person who works hard for what she wants. Even if these things are brand named clothes and diamonds. Unlike most dramas this heroine is not the one spreading love and rainbows of happiness wherever she goes. She has a lot to learn about love and life, but has had no one to teach her. Nor has she been willing to learn.
In juxtaposition, our Hero is the one who is gentle and idealistic.
I liked the side characters and that the second female was not some mean girl who was going to take the man she wanted regardless of his feelings. The greatest hurdles that our characters went through were self created. Wounds that had to be healed. The main villain in our heroine's life was herself. I LOVED the characters of Peter and later on Moses.
The Parisian backdrop, the clothes and jewelry shown were amazing. It really did help to take me in and suck me into the world presented even more. The music was so beautiful and right when presented. It did not overpower and only aided to express what was going on in the scenes. This drama makes you fall for the sounds of the violin and makes you want to listen to what else is out there with this instrument. I even liked the opening score.
In short I really, thoroughly enjoyed this drama. Was it perfect? I don't know. I was too tunneled visioned while I was watching. I was buying EVERYTHING they were showing in an AS IS manner. To me, that is the best compliment I can give any sort of movie, book or drama. If the point of watching is to let go of your own reality for a few moments, this drama did it for me in a way I was more than willing to just go along. This drama really feels like a brand name, luxury item. I highly recommend it.
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This review may contain spoilers
LIFE
This drama is completely different from typical modern dramas. We are presented with characters who have real life problems and are dealing with them. We are given a broken family and the daily dealings of those in it. Moral of the story: life isn’t always how we plan it!We make plans to graduate school, get into a univer of our liking, graduate and join the workforce, meet someone we want to spend the rest of our lives with, marry them, advance in our careers, have children, etc… But tomorrow was never a guarantee.
For Lin Tuo his diagnosis was a sudden and inevitable change to those plans, but as the fate would have it also for the people around him.
I will be honest I didn’t want to give this drama a shot. I like to use C-Drama Land as an escape from reality, and this drama did just the opposite, however I am a huge Lin Yi fan and after only getting one drama from him last year I chose to give Angels Fall Down Sometimes a shot in between watching Everyone Loves Me which was simultaneously airing and also had Lin Yi in it. To say the least, it quickly became the other way around as ELM became my ray of sunshine after the many deep emotions AFDS made me feel. I cried in most episodes and related one too many times with at least one of the characters. It truly is a blessing to have people who love us and chose to stick by our side through the thick of it.
My takings from this drama, live the life you will be proud of every single day, because tomorrow is uncertain and also be the friend/ family member that sticks it out despite the storm raging on.
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heartwarming and heartrending
Overall: this is a prequel to Unintentional Love Story (ULS) with a focus on the side couple from ULS. Originally released as a movie and then broken into 6 episodes about 18 minutes each on iQIYI https://www.iq.com/play/the-time-of-fever-episode-1-18mbzov4oiw?lang=en_usContent Warnings: past death, child abuse/beaten up, homophobia, punch
What I Liked
- acting/chemistry/tension
- sweet and caring moments
- cameo from Unintentional Love Story actor Gong Chan
Room For Improvement
- because it's a prequel the ending is open, I still would love to see what happened to the couple after ULS but we'll likely never get that (this is a rare time I would have been okay with a time gap in order to get closure on their story)
- too much blur filter
- I don't totally understand the actions of 1 character at the end because he must have realized what the drawings meant, maybe internalized homophobia played a part in not communicating/telling the truth
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In terms of historical accuracy, Gohatto is right on the money for everything except the subject it's primarily dealing with.
In a way, it's modern-minded characters in a historical setting.
I won't give an entire Japanese history lesson here, but homosexuality was not fraught over as it is in the movie. For example, there is a lot of concern in the movie over who "swings that way" and who doesn't. In reality, shudo was considered a higher form of bonding and there was extremely little concern over who participated in such acts and who didn't. It's also important to note that sexuality was much less... fixed. It was not seen as such a solid concept as it is today.
Again, this could arguably be the intention of the director, handling a modern issue on a different platform.
Historical accuracy has never been huge for me, though. I do feel it's important to understand if something is or isn't.
A lot of this movie is left open to interpretation. If this is a big pet peeve of yours, I don't recommend this movie.
While artistically I understand why so many questions were left hanging in the air, a big part of me still wouldn't mind some filling in of the blanks.
Something I didn't hugely care for was that large chunks of time were "skipped over", explanations of what has occurred given textually. I just felt it didn't work for this film.
I do want to give due credit to the costume and set designs which were excellent. The swordsmanship was also well choreographed.
The music, on the other hand, just wasn't noteworthy.
The acting just didn't stand out to me. I felt the actors did their job and they did it well, but it wasn't anything more than that. It's difficult to tell if that is a reflection of their skills or a director's decision; I'm leaning towards the latter.
As a last little peeve, most of the actors keep a relatively flat affect the entire movie, especially Kano. While this can be chalked up to how samurai actually behaved at the time, my problem with it in this instance is that because so much of the plot is left up to how you interpret it, I was hoping for emotional cues to lead me in the right direction. So yes, I think the director made the right choice, but the selfish part of me wants to know what the characters actually felt.
I personally felt this movie was more about the corruption that goes with desire rather than homosexuality. Nonetheless, the director does a good job of presenting the issue in an interesting and relatively unique way.
Overall, it wasn't my favorite, but I do think Gohatto is worth watching.
Note: There's truly no sexually explicit scenes in this movie. There's only one that's even questionable. I do advise anyone who is squeamish of gore to proceed with caution, though.
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The actors mostly shine, the director shows talent, and there is sex appeal for a while, but...
Yes, Bad Buddy is good. Let's put that out there before I get attacked for not giving it straight 10s.With that said, there are also some huge holes in its story, unneeded or unexplained awkward gaps in time, some poorly executed moments, and enough drawn-out product placement to question if it's an infomercial or a television show.
Sold and packaged as a Romeo and Juliet story, Bad Buddy, in-the-end, shares very little in common with the over-taught, and over idolized, tale. Yes the two main leads, Pat (A sexy and charismatic Ohm Pawat Chittsawangdee) and Pran ( A Soft, cooing, emotional Nanon Korapat Kirdpan) come from warring families and friends that just refuse to get along. However, everything else in this series is its own and does not use anything more than this basic plot device to create the age old trope of enemies to friends. For a while you may be trying to decide who is who with all the side characters in play and maybe MOST importantly who is Romeo and who is Juliet, but the story never lends itself to those rigid character constructs (For our male/male leads this is a good thing and recognizes the differences in homosexual relationships) and the tale never allows any of these side characters, or main characters, story arcs to play out in any meaningful way, Thus, in the end it will be a fruitless endeavor with time better spent on not trying to match these characters up but to just toss the Shakespeare play you know away and watch the series as simply an Enemies to Friends story. (To be fair it IS adapted from a novel and not the age old play so this fits)
Our two main leads spend the first couple episodes lost in the chaos the story is trying to design around them and create a base of why these two just can't like each other or be together. Yes, you will get their introductions and a helping of some backstory (that stays muddled so future episodes can put it more into clear focus), but you will not really spend time with the leads in any truly meaningful way while this is happening. These beginning episodes are repetitive, long winded, and obnoxious with only some golden nuggets of moments for the audience to cling and see that their may be something worth staying for here. It was enough that the MDL rating dipped almost out of the 8's into the humdrum 7's at the time, and the director took to media to tell everyone to just sit tight and stay tuned that the show was about to leap forward.
So it was a rough start that mainly only the attractiveness of the stars and the rabid fan base kept afloat, not to mention the BL industry being so disrupted by Covid that most 2021 projects found themselves delayed or canceled and such Bad Buddy came along in an anorexic marketplace. Also, the music in these episodes is by far the best. Not only the theme song and the introduction to Nanon's single (Which I will say I liked) but the score of these episodes is a fun techno crunch of leftover 90's and early 2000's synth kits that are energetic and fun to hear. I missed them in the latter half of the series.
Trying to steer clear of spoilers, in broad strokes the center of the series, or middle episodes, explode into some great story telling, exceptional acting, truly emotional moments, and amazingly choreographed scenes that possibly may be considered meteoric and will be ensconced in the "Greatest Ever Moments" annals of BL fandom. Or ya know, maybe they won't. But, it is, in all honesty, this portion of the series that awards Bad Buddy with a rating in the 8s. What comes before it is very average 5-6 area. And what comes in the later episodes is much more 7-8 range. Meaning that if the middle hadn't been so incredibly strong this would probably only be a level 7 rated series at best.
Unfortunately, the creators cannot keep this momentum or strong storytelling going, and it all collapses into the heinous episode 7 which is set to restart the story in an ACT II design. Yes, it covers, or hides, the very poor writing under heaps of sexiness and flirtatious moments that had the fandom reeling and social media in overtime with edits and clips of these scintillating moments. But, these distractions were layered over an illogical time jump that makes the "game" the leads are playing seem to last for months of time off screen, while changing nothing of the actual story except to bring Pat's younger sister Pa into the University for a side plot. This jump comes out of nowhere and is awkward to watch and swallow. The fact that at least a1/4th of the episodes runtime (or one whole section since the episodes are delivered in 4 part installments) is taken up with product placements is shameful and cheapens the overall feel of the show. It is, by far, the largest disappointment the series comes to offer and its juxtaposed in an episode that highlights some of the great chemistry the main leads have with each other, which makes it one hell of a frustrating watch.
The ending of the series will finally follow the story lines built in the beginning episodes. One of the friends of one of our leads will do an unforgivable act. Long rivalries will be discovered but left unhealed or left in their toxic states. Pa, Pat's sister, (Played motherly and humble by Love Pattranite Limpatiyakorn) comes to cement herself in the series as one of the MVP's along with (Head strong and kind Milk Pansa Vosbein) as a mutual friend to all in her wining role of Ink.
The final episode is, like many I have watched, both satisfying and disappointing. Overall, the series has always put their strongest moments and best parts of every episode mostly in the part 4/4, or end of each episode to get you to come back the following week. That is, for the most part, the beginning of each episode is throw-away that eventually grows into something of more importance by the end. In fact, it could almost be said that you could watch Bad Buddy as a series of part 4s and have a very strong almost level 10 viewing experience. That rings true even up through the final episode which starts off very awkwardly, again with a time jump that is mostly not needed plot-wise, but ends very winningly.
I will give this show the benefit of having some excellent chemistry, acting, and directing choices. While the end starts to feel more perfunctory, and as some have stated, Bromancy (With sexual acts inferred and talked about playfully, but never attempted to be shown in even a G-Rated way and kissing moves more to cheek territory, and you just start to feel like you are watching best friends play around with each other) at one time it was palpable and exhilarating with some truly strong moments. Nanon and Ohm show they are a head of the pack in their acting chops and capabilities than most Thai BL's casts while Jimmy Jitaraphol Potiwihok as Wei gives a star making performance (Already with a new show for 2022 announced). Bad Buddy brings a lot of goods. But it only hints and has moments of Greatness, its own story the weakest part of production and dragging it down. But boy how moments of greatness can elevate an otherwise average encounter into something noteworthy. Bad Buddy could be a case study.
8.0 = B+, 4-Stars. A solid all around entry that will likely not disappoint.
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Promising start, total chaotic letdown.
The first two episodes gave us an entirely different character and story than what would unravel in the last ten. We could have had a badass female lead who has skills, resources, and support. Instead it’s a story about a really evil greedy villain having to deal with a messy bunch of opponents who keep foiling her plans, but not because they’re clever, just because that’s how the story drags on. I really wanted it to turn around which is why I tuned in every single week. And every single week I just got more frustrated with the characters and the writers.Was this review helpful to you?
You Taught Me All the Precious Things
31 people found this review helpful
We get to see the story in two parts- one where the story begins and other six months later. It had me entertained, frustrated, depressed and happy. But only when a story manages in getting the right reactions out of you, you can say it was successful. And this definitely was. I was on a ride with all its characters throughout the span of 10 episodes. I can't believe how quickly it ended.
It has one of the most well-shot emotional scenes I have seen in dramas yet. The last two episodes had moments which had me close to tears. Some scenes were plain beautiful. Plus, the dialogues are exceptionally well-written. The OST was also great. Pink is one of my favourite singers and I liked the songs they picked. The background score is beyond amazing. I will keep listening to it until I get bored.
This is the kind of drama that you either love or hate. It might require some patience towards the middle of the story, but it is all worth it in the end. The plot loses its colour in this part, but I still wanted to know what would happen. I was very invested in the characters. Though its ending is predictable, it is difficult to guess anything in between. The writer will manage to provide you with a good twist every other episode.
It has some pretty solid characters. It reminded me of how humans really are like. All characters act in a way that would turn you off, but at the end of the day they are presented as very ordinary human beings. And that is how we all are- flawed. And we all make mistakes. This is exactly what the characters do- they screw up, but they also learn from their mistakes and move on. The character depth of Hikari was tremendous. She is initially presented as a thoughtless, immature bad girl to us. But in fact, she is lonely and has serious abandonment issues. I really loved how she grew up by the end. Also, the struggle of Natsumi touched me. She shows how important it is to keep fighting and never give up hope. On the other hand, I was pissed at Shuji. He was hard to like till the end. He has some good things about him too, but the bad ones really annoyed me.
There were some scenes of the school which didn't get through me. I don't know how it is in Japan, but isn't the private matter of teachers to not be discussed with the students? I didn't get why Shuji was so openly talking about his personal problems with the students. That was super weird. Maybe it had to with his honesty? I am confused about that.
As for the ending- it was perfect. Just how things should have been. This is the first ending that left me totally satisfied because it provided closure to each and every character. And every one got what they wanted. What better way than this to end a drama?
So, this drama is not just for light viewing. Unless you have the patience to sit through a story where you can't enjoy unless you think- this isn't for you. If you're up for complex stories, then go ahead. It will surely not let you down.
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The kind of show that says too much without truly saying.
The most underrated show in 2021! This is the kind of show that will definitely stick around in your head for quite sometime.It might not be for everybody, but those who can enjoy melodramatic shows as much as I do, will understand what I mean.
Realistic, full of emotions, deeply written with some class acting.
It just leaves you thinking about the numbness we feel while we are living in autopilot mode and how a sense of belonging can brings life back even if it’s in the prohibited desires.
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A lot of shock value, but little story value
After seeing the high ratings this drama has on pretty much every platform I had pretty high expectations and was unfortunately kind of let down.While the beginning (especially the first episode) starts off pretty strong, the drama soon wastes most of that potential within its first 4 episodes. A bunch of strikingly different characters are introduced very quickly, but instead of deepening their characters with detailed looks into their past the drama just gives a few superficial (and pretty stereotypical) glimpses of their backstory and never really developes past the characters being rather one dimensional and predictable. We have Sieun being a psychopath, Suho being a loyal, but mostly unserious cool guy and Beomseok... well, he is just kind of there.
Many interesting characters disappear as fast fast as they appear (for example Seokdae) and instead of taking their time to develop the story through more subtle changes of character we get fight scene after fight scene, with characters unrealistically changing within minutes and crossing, double crossing, triple crossing each other faster than you can blink.
All of what is happenning in these 8 episodes could have been easily spread over 16 or more episodes, giving more backstory and letting friendships (and enemyships) develop more slowly and naturally (and not pull so many last season of Game of Thrones moves).
The reason my rating is still relatively high after all this criticism is that nonetheless the acting is pretty good, and the teenage angst, insecurity and despair to belong definitely is palpable. And although the story seems rather rushed, it does keep you on the edge of your seat... even though that is mostly only thanks to the shock value of the extreme violence depicted.
Besides that the use of music is subtle, but effective, the show is beautifully shot and the fight scenes are well choreographed.
Overall it's not a bad show, just not as deep as people make it out to be, and not as interesting as to justify its astronomically high ratings.
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The leads were cute as kittens and it really just made me smile for the majority. Though it did make me wish it was a little bit longer but that always happens with web dramas.
The OST has introduced me to ASTRO and I will save this drama for one of those times I need something short, sweet and cute to watch.
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This review may contain spoilers
A good show to clear your head:)
What I can say about this show:Now that I have finished this show, i can tell my whole judgement. This show is actually good, its not as bad as what most people say in the comments. I’ve been here since release of ep 3 so i can safely tell you that if your planning to watch this don’t get discouraged and go ahead and watch it. It’s a good watch, don’t over analyze it that much:)
Chemistry:
I LOVE IT, Nana and Jang Dongyoon made me stay. Their chemistry is EVERYTHING, hoping for more projects of them together. They compliment each other really well!!
Plotwise:
Now for plotwise, I do agree that it’s not the best of all. It had a good and promising start but the writing went sloppy towards the end.. There was
A LOT of filler moments which sometimes I enjoyed and sometimes not. There was also plenty of moments where something actually progresses but not really, basically dragging it. Like for example they finally knew smth in ep 12 which felt like should’ve been revealed in ep 8 or 9. It was a slow yet just right paced, i really think they could’ve pulled it off if it had proper scriptwriting or writing in terms of transitioning each scenes/story.. Personally it felt like there was two different writers who couldn’t agree on one thing. It made sense but also doesn’t. Anyways, Its good and enjoyable, they had some scenes that made me go 🤯
FINAL STATEMENT:
It’s one of my favorite comfort show and would watch again. Despite everything, I’ll miss this show.
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Don't Look Back: The Legend of Orpheus
31 people found this review helpful
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This couple grows into you that you can't stop watching till the end.
One of the best.
Highly recommended.
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This review may contain spoilers
Welcome to Thunderdome - Challenge Accepted!
Wuxia, wuxia, wuxia! Score! To be honest, I wasn't even going to pick it up originally because other then Xing Fei a bit, I didn't know anyone in the cast. But the fact that recommended sources told me that if I wanted a real wuxia that was written by someone well known for the genre, this was it. And I'm so glad I did. This was close to absolutely everything I had hoped this genre would be. Welcome to Thunderdome - challenge accepted!Pros: Though I usually start this section with outlining my favorite characters, I have to begin by praising my favorite portion of the series; the martial arts! Absolutely fantastic and in just about every single episode or every other one. Every character performed very well when it came to those scenes, it made you just want to cheer for our heroes when they bagged another slime ball. I can't say enough about how much I personally loved the physicality of each sequence, each fight, each battle. I'd give those scenes 10s easily.
Favorite character was MRF; he was beautifully written and executed to perfection by his actor. This man was essentially living or existing in self-loathing and torture over the death of his sworn brother and wife. Running all over the world trying to find the truth of who the real killer was, was evident with every slump of his shoulders, every fruitless trip he made; seemed that with every betrayal, his eyes got gloomier and more despair filled. Only when he had his daughter did that ease a little bit but even until his dying breath he was protecting the ones he cared for and swore to protect and executing his revenge on the villain who sadly was right in front of him the entire time. A real man of honor. Didn't hurt that he looked like D'Artagnon from The 3 Musketeers with the long hair and goatee.
HF, our ML was also great especially as they showed him growing and maturing. Do wish he was less gullible sooner but those are small fries. As he traveled around and met more martial artists and just soaked up the knowledge and won each time he was put to the test, it was a cheerful moment, kind of like a goal at a soccer match. Probably the most touching moment for me in the entire series was when MRF knelt down and put his hand on HF's neck before he went to finish off TGN in episode 39. That real connection between sworn uncle and nephew, I wish it lasted forever. HF by that time knew MRF was innocent of his parents' deaths and MRF was finishing his vengeance and honoring the oath he made to HF's mother, to protect him. MRF's ultimate sacrifice to save HF and the others, I felt was a bit unnecessary as they could have escaped together as is. Though perhaps to him, death was actually more suitable to release him from all of the agony he'd lived with mentally and psychologically through the years knowing his daughter had her mother to take care of her. He could literally rest in eternal peace. So that one is a catch 22; what's better for the audience or the character.
Both of the female leads did very well. I really liked that though there were romantic feelings whirling around, romance wasn't forced into this series. It was a sad ending for all in that capacity but it did serve a purpose. I do wish things were written differently and that will be discussed below. If I had to choose, I do wish HF ended up with ZY as they had the most chemistry and there was no need to show sparks and whatnot; subtle love is fine too. Both women had their own strengths and helped HF grow while they were with him. Just like other people he met along the way, he became a hero in his own right because of the experiences ZY and CLS gave him.
Other favorite characters included official Zhou and his brothers; they were very smart when it came to their own self interests and when it was time to come and go; they were quite comical at times. The other sect leaders and brothers HF met along the way who taught him stuff and backed him up. I did like MCH but she really wasn't a smart person. In the absolute plethora of villains, the most convincing ones were vampire poison and TGN, though I do wish TGN had way less screen time.
Production was beautiful; from costumes, weapons, styling, sets and some of the OSTs. Very little to pick apart in this section.
Cons: This series nearly became the second costume drama to get a perfect score if it wasn't for the final episodes. This is where the really awesome pacing of the entire series became a runaway horse of we need to tie up every loose end somehow even if it looks completely bizarre. How did MCH know what was happening that she appeared on the gate tower to keep the gates open only to jump down and get shot with an arrow? They were so determined to kill her that this completely in-cohesive situation was created. Did she grow wings, learn telepathy, manifest a sword? It was so out of left field, one had no words. Also the swords vs rifles scenes just seemed very weird; bullets will kill a lot faster then a sword will unless you're a master martial artist or sacrificing yourself to protect others like MRF did.
Let's backtrack a bit to the idiot father-son duo whose arc took forever to end, the nun who essentially manipulated her disciple aka ZY into following her into becoming a nun too, instead of letting her follow her heart and be with HF. I hope the nun doesn't turn MCH's kids into monks but lets them choose their own paths as was decided by both their father and HF. There seemed too much heavy-handed approaches to situations that didn't need them. TGN and NL had way too much screen time and that was really the only time the drama got slightly boring; though she learned the truth in the end and chose the right path, she was too dumb for too long. Though TGN was one of the biggest villains, he was so annoying and childish, you wanted to shove him off a cliff the minute you met him. You knew immediately he was not a good person and that just snowballed from there.
Returning to the last episode, why couldn't CLS's death be written better? They literally waited until then to have her face off against vampire poison and his puny disciples; then when she starts to save HF who of course intervened to save her, she paralyzes him leaving him struggling, gaping like a fish out of water while she does her final monologue? It was all very inconsistent and haphazard. I think she deserved a better end since they decided on that. Killing vampire poison in a flashback HF has in the final maybe 5 minutes of the show was also very lackluster and unsatisfactory considering who he was and what he had done. Literally the last 1.5 episodes of this entire series botched what would have been a perfect score but otherwise the show was/is really great!
Would I recommend it? Absolutely, 100%! The last 1.5 episodes notwithstanding and a few parts in the middle, this series hit every aspect of a terrific wuxia. As far as I'm concerned, the challenge was met, accepted, and won!
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It's sweet, but not too sweet
This drama has pretty good elements, from cast to story. As you can expect in the title, perfect and casual, there's a character that is taking on the role of perfect and there's another that ruins everything with their casual ways.For a contract marriage, I did not expect Si Nian to actually be this sweet throughout the drama. There are moments where you can see the way he treats Yun Shu is all for her best interest which is great and he doesn't do it in the "I'm going to bully you" way but in a caring way that lets her understand.
I honestly forget that they were in that student-teacher relationship throughout the series because it's both their first loves and it brings on that perfect first love vibe.
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