This review may contain spoilers
This darn tear-jerker.If you're looking for a real horror, this isn't it.
If you hate crying, this definitely isn't it.
I'd say for this movie, it's tragedy before horror. Sure, there are some horror elements, however- it's really more sad than scary.
The story is subtle. It's not deep. I have to remind you that this show's literal title is TRAIN TO BUSAN. It's a whole show about characters doing their utmost best to reach the safe zone- Busan. On a train. It lived up to its title, i'll give it that.
The acting and characters were great. Gong Yoo's acting is excellent, as expected. His character's development was amazing. He went from a selfish to selfless man that learned to truly care for others more.
Ma Dong Seok's character is as likeable here as his character in Bad Guys. You'll get fixated with his character for sure. This actor deserves more recognition.
And the most unexpected- Kim Soo An. She's an adorable and talented little actress. Then again, most Korean child actors and actresses raise the international standard for acting capabilities amongst children.
Kim Eui Seong's character is extremely unlikeable, proving that he played his role well.
The music is good. It's suitable when it's suitable.
Rewatch value: 10
Heck yeah i'd watch it again.
I can tell you that I am definitely not a fan of zombie movies but as I said earlier, it's more of a tragedy than horror. So if you're a major zombie-apocalypse-kind-of-movie fan that finds value in the horror aspect and expects this movie to fulfil it to its best, don't expect too much. The makeup is realistic and well-done.
Even if I cry my eyes out again, it's worth the watch.
If you enjoy a little bit of horror, action, thrill, a little wincey bit of comedy and quite a bit of tragedy, give this movie a go. It's one hell of a ride.
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This review may contain spoilers
Powerful plot. Solid & unique. Four-dimensional. An enrichment on the KDrama crime thriller market
A solid thriller, laid out across time and space. The fourth dimension has a hand in the investigation. There's a bit of magic involved too.You can expect an suspenseful, opaque story with edgy characters - in particular a cheeky, blustering, stroppy anti-hero as male protagonist. As a writer he is ambitious but probably rather untalented. However, he is also someone who doesn't easily give in and doesn't like to be fooled. And there is this delicate, gifted, mysterious stranger crossing his path…
The criminal act and the perpetrator as such may seem rather familiar, sort of. But pretty much everything knitted around this crime is off the beaten track! With strong characters and powerful plot. An enrichment on the KDrama crime thriller market! With time and space becoming relative...
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Bad Buddy is the BL drama that WILL END ALL BL DRAMAS!!!
ALL ELSE BEING EQUAL, this is the BL drama that will end all BL dramas – PERIOD! No one or not everybody will agree with me but if you look again closely at all those previous (and watch future) “popular” BL dramas and compare them with Bad Buddy, you can tell the difference (truly no offense meant to the fans of other BL dramas). I thought Dark Blue Kiss was my all-time favorite UNTIL I watched Bad Buddy. Bad Buddy is unique by all accounts and I will not elaborate this because if you are truly a Bad Buddy fan, you know what I am referring to.You can start combing through any discussion threads/comments/etc. (in all social media) about Bad Buddy and 99% of all the comments are in unison having the same voices and sentiments THAT... (1) You can’t or don’t need to watch another BL drama after watching Bad Buddy because it will be very difficult for you to move one AND (2) You will need another BL drama that is “better” than Bad Buddy before you can get over Bad Buddy drama, but it’s highly unlikely. Bad Buddy drama has set the bar so high that you will not watch any other BL drama if its not as good as (or better than) Bad Buddy!
It might be too early to consider Bad Buddy drama as PEERLESS, but it will be!!!
All our lives, we thought the best things that Fridays can give us are rest and enjoyment (after studying or working hard) BUT Bad Buddy has totally, immensely, and overwhelmingly changed that!!!! Fridays will never be the same again after watching Bad Buddy drama!!!!!!!
Watching Bad Buddy is a marvelous way to end 2021 and start 2022…
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You can't bring a sword to a gun fight.
Like many wuxia fans, I consider Jin Yong / Gum Yoong (Cantonese) the greatest wuxia writer of all time. Side Story of Fox Volant 飛狐外傳 is one of his early works. It was written shortly after The Flying Fox of Snowy Mountain 雪山飞狐, which is both a prequel and a sequel. Unlike many versions that combine both novels, Side Story of Fox Volant is adapted as a stand-alone story. Despite some meaningful changes, this adaptation captures the essence of the original story, the spirit of martial heroes or daxia/大侠 and the vagaries of jianghu/江湖.The drama is action packed with fast paced, intense, starkly violent and brilliantly choreographed combat sequences that will satisfy any hard core wuxia buff. Slow motion is used sparingly for maximum brutal impact. No one has magic qigong or special powers. The main fighters - Hu Yidao, Miao Renfeng, Hu Fei and Tian Guinong are swordsman with distinct combat styles and battle advantages. When they clash it is very muscular and lethally up close. The nimble Yuan Ziyi's weapon of choice is a whip, which minimizes close encounters to compensate for the physical disadvantage of being a woman. With each episode I think the action has to be as good as it gets but to my surprise and delight, the production keeps delivering into the final wulin arc. The wulin arc in terms of both plot design and action is the best I have seen. While Miao Renfeng and Hu Fei's martial teamwork in episode 22 may be the best of the best, the ending battle encounters are inventive, exhilarating and savagely satisfying. The action scenes are this drama's strongest point and are worthy of multiple thrilling re-watches.
I am not a fan of the trend of whitewashing characters, especially Jin Yong's characters. Jin Yong is the master of multi-faceted characters. His heroes are flawed. His villains have redeeming features. Nobody is perfect in the Jin Yong universe. So when writers have the audacity to tweak his characters, they usually muck it up. When it comes to earlier, less refined works like this, I don't mind so much as there is room for improvement. While this version does a good job with Yuan Ziyi, Hu Fei is disappointingly adapted beyond recognition. The attempt to make Tian Guinong and Nan Lan empathetic is nauseating and boring. This is one of the four don'ts Jin Yong specifically warned against in the preface to the latest edition of the novel.
This is one of the author's darker, more cynical works. Most of the characters love too well but not wisely - Hu Fei, Miao Renfeng, Cheng Lingsu, Ma Chunhua, and Nan Lan. The heart wants what the heart wants, consequences be damned. Nan Lan and Ma Chunhua are selfish and don't care who they hurt in the process while Cheng Lingsu, Hu Fei and Miao Renfeng are noble idiots. They all pay a terrible price for following their hearts. Yuan Ziyi is the only exception; she dares only to hate but not to love.
Yuan Ziyi is one of Jin Yong's most under appreciated and saddest heroines. She is the only heroine who is not an extension of the hero; she is on her own independent path to salvation. Born from an act of violence, she is consumed by self loathing; doomed by unkind karma to seek justice and then live a life of atonement for the sins of her father. In the context of her beliefs, if she breaks her solemn oath she will only prolong her bad karma. In the novel, she acts out and does very controversial things. These actions drown out her piteous backstory and make her a widely disliked character. This adaptation deftly writes out those events, enabling us to see her in a more empathetic light. Her shifu should have been left offscreen as her pressure obscures Ziyi's own resolve to keep her vow. I always feel terribly sorry for Ziyi; she never had free will. She is alive but she does not live. I am not sure that chanting sutras into oblivion is a better fate than death, which is final liberation from all suffering. I don't love Liang Jie's acting but her Ziyi impressed me. The slightest shadow of regret in her eyes in a stone cold face and her ability to convey so much beyond her words moved me to tears several times.
Even though Cheng Lingsu is a clever character, I never found her relatable because her entire reason for existence is Hu Fei. But to my surprise, I like Xing Fei's warm and personable rendition of Lingsu. Her Lingsu is devoted to Hu Fei without coming across as a doormat and she gets him out of many tight spots with her quick thinking. The complex entanglement between the three of them is well portrayed. Hu Fei's chemistry with Ziyi is tangibly different from his dynamics with Lingsu, making it immediately obvious who he loves and who loves him. He is much more of one heart with Ziyi and they instinctively act in unison with little need for communication or explanation. Whereas Lingsu is constantly reining Hu Fei in and giving him instructions that are at odds with his natural instincts. When he can't help disobeying, he appears reckless and unintelligent. This character flaw arguably contributes to what happens to Lingsu at the end. There are better ways to show that Hu Fei is less in sync with Lingsu without throwing his character under the bus.
Lin Yushen's Miao Renfeng steals the show in this drama. Criticism that his Miao Renfeng is too much like his Yang Xiao in Heaven Sword is fair but he is so cool and he pulls off the character's inner conflicts and emotions so well that I don't mind. This performance anchors the drama for he is the martial hero of this story, His code of honor demands that he does the right thing even when it is the wrong thing for himself and those he loves. I wouldn't object if they call this the Legend of Miao Renfeng because of this compelling portrayal of what it means to be a daxia. Even though he is movingly handsome when he is suffering, the story wallows in Miao Renfeng's betrayal and loss for too long. The tawdry Nan Lan/Tian Guinong arc is a boring extended digression. The opportunity missed is that Hu Fei and Miao Renfeng do not get enough scenes together. They have remarkable combined chemistry and their joint fight scene is the one of the drama's best.
As for the titular character Hu Fei 胡斐, (which is a homonym for fox volant or flying fox), I always loved his character design. Far from being infallible, he is a work in progress - young and smart with tons of potential but a bit hot headed and too idealistic. He is the people's hero; the guy who demands justice for the underdog regardless of the cost to himself. His best traits, this strong sense of righteousneous and his willingness to fight the unfair fight is dumbed down to recklessness and even stupidity in this adaptation. He is written off as a bull in the China shop whose hot headedness could wreck the Red Flower Society's mission to save wulin. He doesn't accomplish much on his own and without Ziyi and Lingsu, he'd have died many times. It does not help that despite his phenomenal acting, Qin Junjie looks a bit too mature to play an 18 year old.
Despite good pacing, the plot digresses into too many dull sub-plots and arcs. This is an issue with the original work, which this adaptation already cleans up considerably. The Nan Lan and Poison Valley disciple arcs are the least interesting and Hu Fei deserves to be less peripheral in the reveal of the conspiracy behind Hu Yidao's death. The wulin arc brings the story to a climax, one that exceeds that of the novel on some fronts but is a let down in other aspects. Good characters die in wuxias, it is par for the course. But their deaths must be worthy and not gratuitous. What I dislike most about the ending is that it unnecessarily sacrifices a knight errant after they capture the king. It is a futile sacrifice because you can't bring a sword to a gun fight. Sadly, the advent of guns heralds the demise of jianghu and martial heroes.
This is a good adaptation overall that is limited by original works that lack the finesse of Jin Yong's subsequent masterpieces. The novel is already too dark and unbalanced. It is not necessary to outdo Jin Yong in how incredibly cruel he is to Hu Fei. Despite its darkness, the novel still ends on a note of optimism because Hu Fei's journey continues. But in the drama Hu Fei seems to be left to live largely in the past with two women, one too old and too icky for him and another so young it would be too icky. Thus to me this is at best an 8.0 in terms of storytelling that I bump up to an 8.5 for the not to be missed fight scenes. Nonetheless, this wuxia takes you on a stirring and addictive journey that is well worth it - as long as you do not need a Disney ending.
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This review may contain spoilers
Cute!!!
This is such a cute drama, the kid alone makes it enjoyable to watch. The mains chemistry is great, their interactions are adorable. They are also quite natural with their roles. It is quite cliché but whatever, you will find yourself grinning. Extremely fluffy to say the least.The editing is crap tbh, the characters are not realistic at all. Such as the things they do concerning their occupation is beyond questionable. I'll just say that the Aunt is pain! I find it frustrating to watch couples break up after confessing, makes the ending feel rushed and unnecessary plot device. There are inconsistencies but other than that, it is a good watch. I suggest switching off your brain cells tho.
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Superb!!! The story revolves around the 2 families which under unfortunate circumstances had to try to get along with each other. Through fights and more fights they were eventually drawn closer as one real big happy family. Each family member has his/her own story to tell and you will love everyone of them. Romantic relations were comically and beautifully grown amidst the chaos in the family. The chemistry between the main couple was awesome, it felt real and not just acting. All the characters were so funny that you will burst into laughter every second of the episodes. But its not just about being funny it also has a huge amount of crying moments, laughing and crying with only minutes of interval. I even found myself laughing and crying at the same time, it was like a roller coaster ride watching this drama.
Overall I give this a rate of 10 :)
This is my favorite drama so far..
Don’t hesitate, WATCH IT! You wont have any regrets..
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First, our 2 main leads stay in line character throughout the drama. Their character grow, but in a more subtle way which is what I love most about them. Their coming back together is convincing because we get see little by little what made them separate in the first place, and we see how each one of them resolve the issues they had, and how it brings them back, only to be there for each other, and for no other reason. It feels organic and you're with them all the way, and they stay true to their character that you have come to love. In the end, you feel that it's a healthy relationship where both are equal and working together to make it work this time
Second, the comedy stays throughout the drama, up until the last episode. Each episode has a few funny scenes involving our male lead who can be adorably petty. He might be petty, but it was never done in a dramatic or serious way, but mostly in a comedic way. It's actually amazing for a korean drama since most rom-com turn melo half way through which annoys me in a way that I'm like "I didn't sign up for this". So basically this drama gives you what it promises in that sense.
If you are looking to watch a drama for those 2 reasons, then I'd recommend it. Its totally for you!
IF you are looking for a story about how a man turned millionaire overnight, or about details on smart business decisions, if you are looking for interesting 2nd leads that don't turn cliché and show growth and dignity, if you are looking for camaraderie or even bromance, well you won't be finding any of those things here. The bromance was sorta a let down but that wasn't the focus of the story ;)
Overall I really enjoyed the drama for the 2 reasons mentioned above even when everything else went crazy at one point (those are what FFW button is made for :P).
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It has the overused tropes that most kdramas always has; college setting, hate to love, opposite attract. But it's developed really well!
The acting was good
Tbh PJC's acting was kinda robotic at some parts, but i think it was part of his character so it doesn't bother me much. Main leads chemistry was amazing.
The pacing wasn't rushed like most kbl does. The cinematography were well done
Music was good, my favorite would be Romantic Devil by Coldin.
I don't usually rewatch dramas. But this one is an exception. There's not much episode, so i could finish it in one sitting.
Overall -
If you like to watch some light hearted romance with overused tropes, i recommend you this
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Why can't people seem to appreciate flawed characters?
This review won't be a review per say but moreso another perspective of the show when compared to the majority of the negative reviews on this site. I feel the need to do this especially because a handful of these reviews almost made me decide not to watch this show. I won't go into a lot of details regarding the storyline since so many reviews have already done so. However, I'd like to leave my two cents here because most of the reviews shown here are negative and most of them are based on two things - Joe's naivety and Ming's toxicity.One thing about this series is that it depcts toxic relationships with very flawed characters. It's been advertised since the beginning, it's based in an infamously toxic chinese novel (by an author who's well known for her toxic main leads), there's sinopsis, tags, trailer, etc. And yet people still seem to be hiper fixated in complaining about it, as if it hasn't been advertised at all.
Don't like these themes? Don't watch.
This is the same issue with Kinnporsche (which has two directors in common). So many people review bombing with negative ratings regarding the toxic storyline. There was even a review that complained so much and at the end considered this one of the best series of this year - giving this a 6. At least be coherent with your words and your scoring.
I understand the issue people have with Ming, he's an obvious red flag who is toxic from the beginning, a very flawed character who is depicted since the beginning as such. Flawed characters have existed in stories, series and movies for a long time and oftentimes they give way to intrigue storylines and help capture the viewers attention to try to understand how this person behaves the way they do. Flawed characters are real and human and I don't understand how so many people fail to appreciate that this type of representation is needed in art too. Yes, Ming is a huge asshole and a toxic narcissist. That makes him an even more compelling main character.
As for Joe, he's an absolute cinammon roll. He's someone who falls in love with someone he shouldn't. I see so many people stating how he's naive for liking Ming and that it's not realistic. Excuse me? How many people end up in toxic relationships despite the clear signs? How many people fail to see the red flags because of the rose-colored glasses? It's as realistic as it can get. Fortunately, My Stand-in still manages not to be as toxic as some relationships in real life get - and not as toxic as the original novel, thankfully. I feel like this show actually managed to tell the story really well, they allowed for Ming's character to grow and for Joe to realize that no matter how much he tried, he couldn't escape his feelings for Ming.
Sure, y'all can say Joe's dumb - he is. But it feels weird to reduce his feelings and struggles to just that - naivety and stupidity. Joe and Ming are such complex characters and to reduce this complexity to just being dumb or toxic is like missing the whole point of the show. The story isn't told just by dialogue or just by nc scenes. There's so many small details the directors focused on to conect the storyline. The actors were amazing too, the change in Up's eyes depending on Ming's emotional stability in different parts of the show was mesmerizing to watch - he's such a great actor. Poom was also absolutely amazing as Joe, reflecting his emotional maturity before and after his death.
Flawed and difficult characters are extremely complex. They're harder to understand, harder to act and harder to love. It's a challenge for the actors involved in these storylines and it's a challenge for the whole team. Yet, they're the most intriguing, the ones that make our brains work to understand, to fill in the blanks. There's a reason why we love villains. It's the same train of thought. Flawed characters are relatable, even if only a tiny little bit. Sure, in Ming's case, I really hope he's not as relatable to everyone out there, but there's realism to his character, like it or not.
This is why I don't understand the hate. I understand the constructive criticism and I have my own too, but to review bomb a show like this based on something it has advertised since the beginning? I don't get it.
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I want to start this off saying that the undeniable stars of this drama are the leads, played by Kwak Dong-Yeon and Park Se-Wan. Those two have some of the best chemistry together and they were the reason I started watching this drama in the first place.
That being said, while they were the reason I started, they weren't the only reason why I kept watching. There are two families at the center of this drama's plot. The first isn't a biological family unit, but one of circumstance. Several different individuals wind up staying at the Nakwon Inn (or Paradise Inn as it's translated to) and develop a tight-knit family of their own. The second, the Na family. They're a chaebol family consisted of some (mostly) egocentric individuals, and Hae Jun (he's the only one that doesn't suck royally, in fact, he's pretty cool). Both families filled me with a different set of emotions. The found family was beautiful, the love and support that they provided for each other is enough to give you the warm fuzzies. I was particularly a huge fan of the brother-sister relationship between Woo Jae and Bak Ha. The chaebol family, as expected, pissed me off quite frequently. What I wasn't expecting was to find all of them (well, almost all of them) to have charming aspects to themselves. This doesn't typically happen when I watch a chaebol family in a drama, so it was quite refreshing.
Now, let's talk romance. The central romance was definitely my favorite, but all (but one, Woo Jae and Hae Ri are my ultimate NOTP) of the other romances were also interesting to watch. They had so much chemistry and it was fun to watch their relationships gradually develop. For sure one of my favorite parts.
One of the cool things about this drama is that all of the characters' stories are linked. In the beginning most of the central characters were at the area where the prime conflict (the death of Bak Ha's husband) took place. What's also interesting is that each member of the Nakwon Inn family has some sort of bone to pick with members of the Na family.
Last, and not least, we have the other star of this show, an adorable baby named Yeol Mu. Yeol Mu manages to make everyone love and take care of him. He has an incredible charm that will make your heart melt.
Overall, it's a great drama filled with family, love, and growth. If you're good with longer format shows, it's worth giving a shot.
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Another Satisfying Youth Drama
Story reminds me of "Go Ahead" (which is one of my favorite dramas by the way). The main plots are similar wherein two people have that non-blood related sibling relationship. But this is lighter and shorter than Go Ahead, and also has less heartbreaking issues/stories so if you liked Go Ahead, When We Were Young, With You, then this would also be a satisfying watch. Transitions of the characters emotions was well planned, and nothing seemed hasted, or dragged.Since it's a lighter drama, and I personally like re-watching heart wrenching ones, then this has a lower rewatch value than the similar dramas I previously mentioned.
Hope to see more of the actors, they were good even if they are newbies
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Retro romance balanced well with harsh history.
I absolutely love when historical tragedies are humanized. That's what you get with "Youth of May". Yes, this is a love story, but more than that this is a look at a horrible moment in Korean history from the perspective of characters we grow to love through the series. Is this frustrating to watch? Yes. Is it heartbreaking? Absolutely. Is it inspiring? Also, yes. This drama does a great job of showing various perspectives, many possibly romanticized, but also relatable. I knew nothing about the Gwangju Uprising before watching and it immediately led me to want to know much more. You don't need to know the history to follow this drama, just prepare to be shocked.The story revolves around Go Min Si as Kim Myung Hee, and Lee Do Hyun as Hwang Hee Tae. It's their love story, meant only to be a brief fling, that draws you in. Together they are super cute and have great chemistry. Myung Hee is determined to have a future in medicine while Hee Tae takes life less seriously and is more focused on a music contest than academics. Hee Tae also has serious anxiety based on past guilt and trauma, and Myung Hee has daddy issues. These are 2 fully developed characters, and that's what made me care about them so much. Initially, their story is what you would normally expect when people from two different statuses try to date, including obligatory controlling parents, but simmering in the background there is political conflict ready to explode. Both actors were really good at keeping the romance story fresh while still handling the more painful and action-packed scenes. They are a very memorable couple.
The rest of the cast is great as well. Since the point is to get to know this city I think they did a good job of giving us time to get to know everyone before the story shifts. I also liked that many of the characters are imperfect and make mistakes or become unexpected heroes throughout. Even Oh Man Suk, as the worst dad ever, didn't just feel like a caricature of a villain. This is a melodrama so some of the acting and scenes are over the top, yet it was all still completely real. Even the kids were super impressive, and I loved that they had their own part in the story as well.
Would I watch this again? Yes, but next time I would love to watch knowing even more about what happened 5/18/80, what followed, and how public opinion evolved. I also would be better prepared in a rewatch for this to not just be a nostalgic romance but a real tear-jerker. It's also the perfect length for a story like this. Not too long or too short, and easy to binge. It has a satisfying ending without being idealistic or heavy-handed, and knowing what happens doesn't ruin anything because the message at the end is so strong. I'm also sure I missed so many details.
This drama also inspired me to finally watch "A Taxi Driver", another great perspective on the Gwangju Uprising and its victims. This drama has a similar, easily digestible, style.
Overall I would definitely recommend "Youth of May" with the warning to know what you're getting into when watching. Its 80's nostalgia and retro romance balanced well with harsh reality, but it's not all tears. It really does aim to give honor to victims and survivors while not reducing them to only that. This isn't a drama about revolutionaries, it's a haunting look at how the revolution can come to you whether you are ready for it or not and no matter where you stand... even if all you care about is a spring fling. Gather your tissues, and prepare your heart.
"Youth of May" is a historical melodrama done right.
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This review may contain spoilers
and so the monster was me
This film I believe is intended to be watched without spoiling or going into what it is about in depth. Take in all the promotional on the surface and you will get the full viewing experience. I say this because of the promotional materials that lead you in one direction, take it in that direction at first and then go in depth.. which is what I did. So spoilers.I definitely did not get what I bargained for when I decided to watch this movie. I watched the trailer, read the synopsis, saw the poster, and thought I would get a good scare out of this one. The ratings and reviews are well enough that I thought it would be perplexing, a psychological horror.
The first two-thirds of the movies had me, but in the back of my mind, the answer to the allure and mysterious tones was pretty simple and clear. To put it simply, this movie isn't a slasher or a horror. It is a coming of age queer film beneath two layers.
There are three acts to this movie after the initial setup. With the synopsis, firstly you have a story of a single mother who cares deeply for her child, a devoted and misunderstood teacher, and two kids that have the answers to the overall premise of the film. Minato is the child of the single-mother and is being abused as school, by either a teacher, or something else is at play.... so that is what I thought. I thought there could be anything, even a fifth element that added supernatural. This film was anything but, it was so real and thought-provoking, and in the end I found so many details that clearly show what was really going on the whole entire time.
The third act shows the perspective of Minato, and slowly it shows that instead of an abused boy, you find a boy that is scared of his blossoming but very real feelings for a student of his that was shown to be connected to this mystery within the school. There was no abusive teacher or secret being held by the higher ups, there was a boy who was scared of his feelings, and enough to think of himself as a monster. So in the end he made a lie. This film weaves together several elements to knit it into one final conclusion. Instead of going on about that I'll point out a few details that show how brilliant this film really is.
I must say, I was hesitant to conclude that this film involves two boys that like eachtother, but by the end and looking into the screenplay and its intent, I realize that was the point. Minato was just as scared as his feelings and it brings the question as to why it is seems as sexual when it is innocent love between two people that are the same gender. There is an innocence with Minato and him coming to terms with his feelings for Yori, and it's heartbreaking to witness how scared he really is of them.
You can see this through dialogue, and specifically with scenes where Minato says he is shifting into a monster, and where he is in the MRI scanner, truly scared that it will read his mind and his mom will be aware of his developing feelings. Why is he so scared thought? Yori is why he is scared, he is constantly tormented for his behaviors that don't suggest he likes a girl, he is abused by his father and told he has a pigs brain. Yori's father would rather he act out and be bad, than be an obedient child who is good at school. There is this whole spectrum of what a boy acts like and what they shouldn't.
What got to me was the part where the two boys find a safe space together, and I started thinking about their feelings for eachtoerh when Yori got too close to Minato. Although in the end Minato never wanted Yori to go anywhere, and what was cool are the little details. Minato goes back to the empty safe haven and texts Yori, where Yori says he won't go back because he wants to touch Minato, in the ways where he patted his hair or hugged him, but Minato says he wouldn't mind. I love how the ending doesn't have them fear, and instead they get past the gates of the railroad and are happy and free... there's just a lot to talk about with this one.
it seems that this topic is a taboo and that's why I didn't see it at first, but that is the point behind this film. To have you question why it is seen that way, and why you view an innocent feeling and curiosity as sexual or not normal. There is no romanization between them, the director and screenplay had the intent to share a story of two boys that grew to love eachother and coming to accept in regardless of the heteronormative society they were placed in. Any opposition to that shows the point of the film again and societies failure to accept it.
Below I'l several links that goes over all the details of this film I couldn't go over.
https://www.reddit.com/r/TrueFilm/comments/1761z26/little_details_in_koreedas_monsterkaibutsu_2023/?rdt=39846
https://x.com/wyvernhood/status/1745418419368055276?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
https://x.com/korokketto/status/1745376701188825596?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
https://x.com/haeinfleur/status/1744727092586246244?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
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ACTING/CAST: It's literally an All-Star cast! All of the actors, and the one actress, were superb. You just can't get too much better than these people!
MUSIC: It was good for a show like this, certainly. That ending song is quite good, check the comment section for a link to it English Subbed.
REWATCH VALUE: I will watch it again down the road.
OVERALL: Absolutely fantastic and heartwarming movie about a very powerful subject (Kar?shi) and two guys just trying to save each other.
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