This review may contain spoilers
If you think this is not exceptional, then it's just your bias!!
*Minor spoilers*This has been a good assortment of situational comedy, comedy of errors, word-play. Kdrama-Land is filled workplace centred dramas. Comedic aspect of workplace is something which is used by most of them. This one takes it to next level. All throughout the first episode it made me laugh unceasingly. Comedy like this sometimes appear as over-acting. Lots of workplace comedy has failed that way. But, this one maintains itself, avoiding that pitfall.
I've always thought Kwak Dong Yeon has been underrated actor. He is particularly adept while doing pitiful emotional scenes like in Vincenzo, Big Mouth. Here also he is playing to his strength, an underachieving office worker. His scenes with Go Sung Hee are probably the second best thing about this show, after comedy. Let's hope writers exploit these two things well.
They have given sufficient attention to supporting cast too. Be it Jang Byung whose inter-domain love relationship with robot, or Sung Nam's overly affectionate attitude towards Ma Tan or Aziz's quirky behaviour. Every supporting actor has been given attention and given some of the funniest scenes to perform.
Give it a try. You might find yourself surprised at how much you will like it.
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I gave this show an 8 because it did not fail to entertain me and keep me hanging on to watch the mysteries unravel. I just can't bring myself to lower the score any further even with some of the uneven writing.
This was my first time watching Song Seung Heon, and although I've heard some negative things about his acting, I thought he did a great job in this. Having watched Go Ara a couple of times, though, her acting I would say hasn't improved that much - or the character was just not written as well as they could have. I think the writers could have made her a stronger character. Overall the acting was done pretty well for most of the actors.
I enjoyed the music in this and will probably search out the main song that played.
The rewatch value could go either way. I probably won't rewatch anytime soon just due to the sheer length of this show and for the fact that now I know the plot. However, for some, maybe a rewatch would make seeing the pieces fall into place more enjoyable from the vantage point of knowing the final outcomes.
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pretty pretty pretty
If you want an easy and quick watch with beautiful scenery, then this is your stuff right here!The episodes are very short and it isn't exactly story-heavy. This is just cute boys being cute plus time traveling because that's fun! Don't expect very complex characters either. I was just here to watch Eun Ho and Heon sit on the ground in pretty hanboks and i got just that.
If you want complex story w/ complex character, you should look somewhere else. This is just scenery-pretty clothes-scenery-pretty people-montage after montage!
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For starters, let me mention the difficulty to assemble my thoughts about such a wonderful drama. It took me a while to know where to start but let’s begin with this: Making a Taiga about one of Japan’s most influential figures was such an astonishing idea! Once again, let me insist on the accuracy of Taiga’s, they abide to historical facts with only few minor changes that can never cause the deviation of the historical flow. There is also the very informative “Travelogue” at the end of each episode to nourish your historical knowledge on some characters with the addition of real places to visit in Japan (when my long dream of visiting Japan comes true, I will go there for sure!).
Ryoma didn’t live much but through his short life, he did many unforgettable deeds for Japan and its people. Being born as a Tosa’s Kashi (Low Samurai rank), he wasn’t handcuffed by the daimyo rules or the common traditions. Instead, he had dreamy ideas to change his country to what Japan became like in our recent days. The Bakumatsu era aka the end of the Tokugawa Shogunate was one of the most turbulent times in Japan’s recent history until the Meiji restoration came along. Our hero had to go through that period with many revolutionary thoughts in his mind. Ideas that were harshly rejected at times, hardly accepted at other times but very much acknowledged most of the time.
Ryoma character always intrigued me, being a low-class samurai who stood up for the well-being of all the people of Japan must be the main reason behind it. When the bakufu was ruling Japan for over 260 years with the same old fashioned thoughts, an air of change had to blow them up and make them realize that the world is moving on and so should they. That air was Sakamoto Ryoma, through his adventures he was able to gather the essence of Japan’s future in a new world. It’s a world where they can be amongst the leading countries instead of falling into the merciless claws of imperialism.
Ryoma’s life had many turns and countless of encounters. It started with his family, his childhood play-pals, going through his first love, his idols in life, his allies, his enemies, his teachers, his women meetings and all of his comrades. Sakamoto Ryoma always managed to leave a deep impression into anyone he met, whether they loved him, hated him or even those who wanted to kill him. I think Ryoma’s most note-worthy quality was his ability to negotiate and convince the other party of the legitimacy of his views; he does that with perfection even against the most fearsome and huge figures of his time. Many believed in him and countless supported him as he embarked his journey towards a bright future and that didn’t come from naught, Ryoma was able to capture them one way or another.
Turbulent times are full of political clashes and endless battles but that made the drama even more exciting. Every detail of the Japanese history at the time was inserted in the most captivating way. Our narrator Yataro played by Kagawa Teruyuki added more attractiveness to the events. His historical tone while telling Ryoma’s life was priceless; one of the best narrations I ever came across in any Asian drama!
Now if I have to state my little displeasure about this drama it would be the over-idolizing of Ryoma’s character. I know about that because I actually read a lot about Sakamoto Ryoma and Japan’s history prior watching this drama and his character isn’t as perfect as the drama describes it to be. I know that they want to honour a Japanese hero and a little dramatization is no escape to make an appealing drama but I felt uneasy about those parts, even a little.
When we talk about Taiga dramas, we need to pay extra attention to acting considering its crucial role in maintaining ground-breaking historical telling. Fukuyama Masaharu nailed it so bad as Sakamoto Ryoma, he was able to make the character feel pretty much alive. He once stated about playing Ryoma’s character: “His appeal stems from being the kind of person onto whom anyone can project themselves”; that explains it all.
The supporting cast was full of many incredible talents such as Omori, Tanihara, Iseya, Takahashi, Aoi, Kiritani, Oizomi, Takito, Oikawa, Maki, Kamikawa, Sato, Kaname and many others. They were able to maintain a very intriguing historical tone throughout the whole drama. It’s no secret that Taiga and historical dramas overall are what make you test an actor’s skills and this drama’s cast gave wonderful credits to the characters they played. However, the best of them all was Kagawa as Yataro, no wonder he got many awards for that role; he was able to flawlessly play the role of Ryoma’s lifelong friend with all of their complex relationship, it takes an actor from a high calibre to pull that off. He undisputedly managed to steal the lights from Fukuyama countless of times.
The cinematography was pretty well illustrated with all of those charming sceneries in old-times Edo, Tosa and Kyo. I was pretty immersed in the realistic depiction of the historical setting and the soundtrack used in this drama. However, I was displeased with the camerawork. Directing has been the major issue with Taiga dramas. Although it can be disregarded since this is a drama not a film but I still hope this can be changed.
Watch if:
-You like historically accurate dramas.
-You like NHK Taiga dramas.
-You want to watch a drama about one of Japan’s most important figures.
-You like political oriented dramas.
-You want to discover Taiga dramas.
Don’t watch if:
-You don’t appreciate historical Japanese dramas.
Ryoma Den left me with many great thoughts about Ryoma’s character even with the little differences compared to history. My second NHK Taiga adventure was a total success and now I am thirsty for more!
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Kept me glued to my seat for so long that I might need an adhesive remover to get off now—
All in all, Gold Panning has everything I could ever ask for in a mystery drama: a compelling storyline, great execution, perfect cast, beautiful visuals and an amazing musical score that complemented each scene it accompanied.✦ Story ✦
The unique premise of this drama, which is obviously about the cutthroat industry of gold panning like the title indicates, may or may not appeal to everyone but regardless of whether you're into it or not - this drama's main focus still lies in its premise. To describe it in a simple phrase, Gold Panning is about "Dog-eat-dog world" or "Survival of the fittest" as greed for gold (which everyone believes can grant them a better life) basically drives the actions of all the characters, but despite being greedy, they might not be completely selfish and have their own reasons that are unveiled at a steady pace with each episode.
And one thing that sets it apart from typical mystery/thriller dramas is that Gold Panning doesn't rely solely on gore and body-horror to make the drama dark or depressing. There's slight gore, there's slight body-horror, but neither of them is the main point.
However, this drama demands your full attention. You can't just play it in the background as you do other chores as each scene is crucial, purposely added, and greatly contributes to the plot. Sometimes you might think "what the hell is going on?" (I did too lol) but it's like completing a jigsaw puzzle whose picture you don't know beforehand; You only discover what it's all about after you put more and more pieces in place, and together, they start resembling something. The unpredictability, foreshadowing, and plot-twists here actually make sense in the end and this makes Gold Panning a perfect drama to binge watch as you're never bored while watching it.
✦ Characters ✦
Most of the characters were complex, flawed, morally grey/vague and fleshed out which makes them compelling to watch. I especially loved how the female characters were written, despite neither A Qiu nor A Lai getting much screentime compared to the two main characters, they still managed to be one of the most memorable characters in this drama; I mean, two strong women—one who's a single mother and the other who cross-dresses as a man—working by themselves in a male-dominated field, what can be cooler than that? Not to mention, A Lai has to be the best cross-dressing character I've ever come across. Every character here just felt so humane, so realistic, so alive. I simply loved it.
But talking about the two main characters, Chen Baojin and Wu Jianchao, separately - here's what I personally think of them:
♟ Wu Jianchao — It's the first time I've seen Liao Fan's performance and the amount of screen presence he has accurately described to me why he's known for his acting. His role as Wu Jianchao was so complex that I couldn't figure out if he's the bad guy or one of the good guys most of the time, it just kept me guessing.
♟ Chen Baojin — Chen Feiyu's acting has improved a lot! At first, I thought he can't portray 'vulnerability' during emotional scenes because it always looks as if he's holding back pent up anger (his acting isn't at fault, he just have fierce-looking eyes imo). But then, I realised it's not necessarily a bad thing and only adds to his character. Chen Baojin is a proud, stubborn teenager who's determined to go to any lengths for his main goal, so even when he cries, he doesn't look 'broken' - he looks angry like he's going to seek vengeance and want everyone to suffer tenfold for the suffering they've inflicted on him. In short, Chen Feiyu nailed his role.
✦ Music and Visuals ✦
The music, both instrumental and lyrical, really amplified the ambience that the visuals initiated. I also never felt like skipping the opening and ending themes because they were really addicting.
However, my favourite thing has to be the colouring in this drama, especially how most of the scenes had a tint of gold/yellow (they really stayed true to the title and concept even in terms of visuals) and some certain scenes were black & white - which made them seem more serious and sombre than they would've looked in normal colours. I actually had to delete some photos off my gallery because I took way too many screenshots...
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The story is great, you really have no way of imagining what's gonna happen next, but I won't anything more about it because otherwise I'd spoil it for those who haven't watched it yet.
The acting really blows my mind, I've always loved Tamaki, ever since I saw Nodame Cantabile, and he always plays his part perfectly wether it be here, in Nodame, in Love Shuffle or any of his other dramas and movies. The female lead, whose name I can't remember right now, also plays her part perfectly, her more than anybody because her role was really hard to play. I hate her in real life because she's one of Japan's biggest divas, in the BAD sense of the word, and that's why admire her even more in this movie-because I love her character.
The music always goes according to the scene, it makes you feel what the characters are feeling.
I've watched this movie several times with different people, and every time I watch it again I discover something new.
Overall this is one of the greatest japanese movies that I've ever seen because unlike must jap movies this one actually makes me feel something, this one gets to the heart instead of being overvdepressing, I recommend it for anyone who likes memorable love stories.
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You'll fall in love with it slowly
when I started this series I rly liked the synopsis and the little twists and turns of the storyand now after completing, it almost feels magical , I always loved this actor but felt like he needed a story and a partner that matches his emotions in the same way he does every time.
I finally found it , the actress rly did such a great job portraying the FL's emotions the story rly suited them ( it was my first time watching her drama)
I loved the pacing of it as well, contrary to popular believes that it was too slow , it's just the right amount for an introvert I do connect with them they're rly so cute together and perfectly matched each other.
the post credit scenes after most of the episodes were just as beautiful
the side characters and their story were so good as well not too weird characters just the right amount
even the SML was adorable
I consider it a rly wholesome comfort watch for when I needed the most
waiting everyday for episodes to release was a joy in itself
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1This review may contain spoilers
Not your typical Cinderella story and an unforgettable romance!
One of the bestest and loveliest love stories imaginable. A drama which not only deserves that rare 10/10 rating but makes you wish you could give it 1,000,000/10 because of how inspired, satisfying and rewarding it’s been.Promise Cinderella reminds me of the 2000s classic jdrama rom-coms (which is a good thing) aka the way they used to be until they contracted some sort of a narrative plague and basically died out, with few exceptions. Tightly plotted, well-written, brilliantly acted and with an OTP that oozes chemistry, it’s a very thoughtfully and sensitively made adaptation of the original manga (even though, I only read the first 18 chapter on Comikey so far). The drama took the Cinderella tropes and spun them on their head, breathing a new life into them.
All that is perfectly accompanied by a sublime soundtrack composed by Yamada Yutaka who delivers perhaps a first full-fledged bona fide jdrama OST with several distinct songs, not merely the insert and closing themes. Each song is written in such a way that the lyrics perfectly describe each character’s feelings and storylines.
Fumi Nikaido and her Hayame have been all sorts of awesome – mature, strong and plucky but still vulnerable and so real and relatable - and not the infantilized caricature of an adult female you often see in Asian dramas nowadays.
Maeda Gordon has been such a revelation - he does an amazing job portraying all the various facets of Issei, this boy-man on his journey to become an adult. I love how gradually Issei turns softer and more vulnerable because Hayame and his feelings for her make him shed his bravado to reveal all the insecurity, vulnerability, and tenderness he has been trying to hide. There is this amazing dichotomy of showing a teenager with what is basically a body of a grown-up man but personality that no longer belongs to a boy but neither to a man yet. It’s a great choice and casting. He has such a wide range of facial expressions and has the natural ability to act with his whole body, giving Issei so many adorable quirks, that very few actors possess, especially ones so young.
Seigo has turned out to be truly great second male lead. You can root for him and he poses genuine competition for Issei. If this were a kdrama there would be no way in hell he wouldn’t get the girl if only for the sole reason they share a past and are each other’s first love. I love how Hayame and Seigo’s relationship is actually properly developed, not some childhood sweethearts trope or them meeting a couple of times without getting to know each other. Iwata Takanori does such an incredible job portraying Seigo and conveying his conflict. I remember him from Dear Sister and stealing the whole show with Ishihara Satomi so it’s great to see him in a well-made jdrama once again that gives him a good script to work with.
Even the supporting characters are unforgettable and an absolute joy to watch, each one having a distinct personality – Issei’s cool matchmaking grandma and adoring Yoshitora, who are always there to support him, or Koya, Issei’s new BBF with who he shares epic bromance,… - without stealing the thunder from the main characters with multiple irrelevant side stories, which is something so many Asian dramas utterly fail at these days.
Even the ending is a perfect farewell to a perfect love story, completely reversing the Cinderella tale…
The fairy tale ends just like the love story for the age it is, with Issei’s proposal and promise to his Cinderella (hence the drama’s name) to live with her happily ever after - after she saved him from the evil witch - and the shoes to make up for the ones he threw away in episode 1, but, hilariously, they don't fit (turning another Cinderella trope on its head) and, just like his body and love for her, pretty much swallow her whole.
Their future lies ahead of them with one part of their journey ending where they have learned that reality and real love are much better than any games and dreams.
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STORY (No spoilers)
For me, the idea of a couple gradually growing to love each other through an arranged marriage is an appealing concept because I am someone who carries the belief that while passion and romantic love is great for its drama and high tension, it doesn't stand the test of time. What stands the test of time is the love and devotion that comes from slowly knowing a person for who he/ she is, faults and all, and still choosing to forgive and accept the person into your heart, and to strive to make things work. Warm, gentle love vs explosive passion = warm gentle love wins for me. So, the fact that this is not your average dramatic, explosive slap/ kiss Thai lakorn, already makes this a very different beast.
The story is set in a sort of 1950s setting - love the period feel of it with the fashion and the sets. The pace might be a bit slow for those who are used to fast-paced, snappy, dramatics. By contrast, it has a relaxed, dreamy feel here. The show takes it sweet time in showing us the background of the main characters, and bulk of it is focused on your everyday living during that era.
However, this show is not exempt from the some of the usual drama tropes of bitchy second female lead. I am honestly shocked at her outrageous and ridiculous behaviour. And I am not sure if it is dramatic license or not, but some of the scenes with her come across incredibly unrealistic to me. There is also a running plot through the series of a criminal group which the main male lead is supposed to apprehend. The leader of the group, the White Tiger, practices black magic and uses it for nefarious purposes. Some of this will probably seem rather far-fetched to a viewer who does not subscribe or believe in this sort of thing, but as I come from an Asian/ Oriental culture myself, I do know that some people really do believe in this sort of thing. So, if this aspect of the show does not float your boat, feel free to ignore or fast-forward those scenes. I certainly did that myself and found that it did not detract much from the main storyline which was about how the two main leads fall for each other gradually through living with each other and discovering more about one another.
There are other secondary couplings (the 2 sisters of the female lead), but I freely confess that they did not really catch my attention because my main focus throughout this series was on the 2 main leads. But these events certainly lend some drama and also break what some people might deem as monotonous from watching the 2 main leads interact.
I personally did not find the slowness and the gradual budding love and understanding between the main leads to be monotonous or boring in the slightest. In fact this was really the sole reason I kept watching this series to the end because, as I mentioned earlier, I am a sucker for gradual building of love and trust, and for gentle and warm love.
I also particularly liked the sort of themes the show explored, about the type and kind of person one looks for in a life partner, and the kind of flexing and compromising one has to make in a relationship in order to make things work. Because life can be long and paths can be difficult, and it is good for the characters to examine what sort of life partner they would want to have with them as they make this sort of journey. Not many lakorns explore such wide, over-arching concepts and values, so this lakorn has more depth and dimension in itself, compared to loads of others out there.
PS: The editing can also be rather choppy - one of the negative things about this show. Scenes are abruptly cut with the accompanying background music also suddenly ceasing and before you know it, a completely new scene and background music jumps in. This makes for a jarring watch, especially when it happens at particularly emotional/ poignant scenes. The editing could definitely do with more work.
PPS: On hindsight, those sudden breaks of scene could very likely be due to advertisement breaks during the show's airing.
ACTING/ CHARACTERS
As I was mainly fixated on the 2 main leads, this will be my main review point.
BELLA RANEE - who plays Rin aka Brulalee, did well in portraying her to be the sort of noble gentlewoman of high society. Generally restrained, gentle and refined, I enjoyed her character and personality very much. I also like that she comes across very hands-on with the housework (though who really cooks in the kitchen with those outfits?), and is not a wilting wallflower when she feels strongly about something. Rin is not a one-dimensional character, and I like that she is relatable and realistic (unlike the caricaturish second female lead).
JAMES JIRAYU - who plays Saran, looks rather young to be a Deputy Sheriff and the male lead, but I warmed up to him because unlike your alpha-male dominant character, Saran comes across confident but not too aggressive or over-bearing. He is also humanly flawed. What I do like about this lakorn is that Saran rather quickly warms up to Rin and is willing to give her a chance and make things work out with her early in the show. James makes it easier to like his Saran character and understand his conflicts. He has a sweet smile and can carry the occasional cheeky look, which makes his character rather cute at times.
Also, I thought that the 2 main leads looked good together and there is a comfortable natural-ness to their acting which makes their love and warmth believable. It is on the strength of this great chemistry that I enjoyed the series as much as I did, so well done to both James and Bella for their portrayal of their characters in making me like them and root for their happy ending.
MUSIC
I actually like the soundtrack and thought that it suited the mood and the pace of the show very well. There is this slow, dreamy mellow feel to the music which is very reminiscent of the period itself. However, towards the later half, I thought the theme songs for Rin and Saran were starting to get over-played. it would have been nice if they had changed the songs from the second half of the show onwards to prevent song-fatigue.
RE-WATCH
I probably would not re-watch the entire show again but I may re-watch certain bits of it for the Saran/Rin interactions because they were lovely and sweet. Overall, it is a lovely, sweet, warm and slow-build little show. If you like this sort of style and premise, then you really should consider giving this a try - it certainly won't disappoint you on that front.
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Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!: The Movie
41 people found this review helpful
This review may contain spoilers
The happy ending we wanted!
First, I saw this is Japan when it first came out and Japanese is not my native language, so there was some dialogue I didn’t understand. However, using context clues it was easy to infer what was being said based on the scene. The biggest things for me was that it was still a love story between Kurosawa and Adachi. Kurosawa was still just as in love with Adachi as he was in the series, however you got to see Adachi demonstrating his love for Kurosawa more confidently and openly.If you were looking for a BL filled with nonstop cutesy moments, over the top romantic expressions, or mature content scenes, then you will not like the movie. However, if you’re looking for a movie that focuses more on how Adachi and Kurosawa navigate issues that many long-term, open, same sex couples face, you will like it. Personally, I especially like that it addressed the families, instead of just glossing over the fact that many Asian families have very strong feelings against having openly gay children, especially sons. SPOILER: I especially loved that just as marriage is the end result of many long-term heterosexual relationships, Kurosawa and Adachi’s marriage was the ultimate end result of their relationship as well.
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The plot often turns violent, twisted and sexy as all of the 4 main characters become entangled in this game that is supposedly centered around "love".
The drama challenges you and there are some interesting discussions about this drama on Soompi's forums that are quite interesting to read through. Either you'll love this drama or you will hate it.
There is no stereotypical character. Each and every one of the main characters are imperfect beings, acted to perfection by the actors all across the board.
This drama is also Eric's (Shinhwa) best role to date. His character was hard to really like and his portrayal brought some humanity to his character.
To me, the highlight of this drama was the witty and strong dialogue, compared to other Korean dramas.
All in all, a lovely and intense drama that stands above the other Korean melodramas out there.
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If I had to sum it up it's a touching story about youth.
One thing I absolutely loved about the movie was the way it depicted youth. It showed you immature teenagers trying to act older than they actually are. The cast, while all much older than actual teenagers, managed to portray the childishness of adolescents perfectly, something that I find very scarce in media.
Another thing I enjoyed was the way it was shot, it was refreshing. Seeing all those gorgeous scenes made me want to watch the movie even more.
Would I watch this again? Most likely not but it made for a good experience and it was filmed so beautifully so I would definitely give it a go.
I recommend it to anyone who would like something to watch on a dull summer's evening!
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This review may contain spoilers
KDrama sure can do historical drama. Goryeo-Khitan War is another prime example of this
"Goryeo Khitan War" is a historical epic intended to honor not only the historically exceptional achievements during the Goryeo-Khitan War, but also half a century of KBS (Korean Broadcasting System). And it does. Perfectly done in all instances and scales. What's even more fascinating is how it succeeds to fill ca. 1,000 years long bygone history with life in a gripping way - close to the facts and colorfully embedded within the midst of the political milieu surrounding the royal court.If I hadn't accidentally stumbled into the filming set in the early summer of 2023, this thoroughly historical KDrama might have slipped a bit back on my list. But this personal connection eventually made me more curious. And now I'm full of praise.
32 hours long history lesson - history can be told so vividly… Complex personalities, an even more complex political context and a highly demanding challenge of war come very close to the audience. You don't have to be of Korean origin to be inspired - by its heart, intelligence, daring, perseverance and humanistic ethos. It is not about simply enumerating historic facts. It is colorful, complex, character driven – what happened about 1.000 years ago comes as close as it gets: Those years around the turn of the millennium at the beginning of the 11th century, when the 8th king of Goryeo - the then still quite young Hyeongjong of Goryeo - had to face the successive invasions of the numerically superior, Khitan of the Liao Dynasty.
What happened way back then obviously has happened a long time ago, but actually many policymakers today could be inspired and encouraged by the political attitude that is being exercised here. Even though facing the acute threat, this canny, courageous, responsible king isn´t willing to simply fly on sight, but rather acts cool-headed and with foresight. He is someone who does not shy away from complex, fundamental, unpopular, but far-reaching, forward-looking structural reforms... And then there is a government official, who not simply and opportunistically cares about himself, but about the cause - about the people, the country and the ´good´ (even if uncomfortable) decision.
The book "Sweet Rain in Winter" by Gil Seung-soo certainly contributed significantly to an excellent script. The historical greats, both large and small, impressively come to life. Romance is secondary, bromance is the theme here. By this I mean less the homosexuality of Mokjong, the 7th king of Goryeo. Rather, the intense struggle and relationship between King Hyeonjong and Gang Gam-chan, a scholar, government official, mentor of the king and crucial military commander during the third Goryeo invasion.
The KDrama offers a distinctively Korean (chapter of hi)story. One with a lot of pathos and even more ethos. One about people and their relationship dynamics, about their character strengths and weaknesses.
KDrama sure can do historical drama. Goryeo-Khitan War is another prime example of this.
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Destiny brought them together, love made them stay
This series is a visually stunning show with a thought provoking theme.I liked the way the story was narrated with flashbacks. The slow-burn romance unfolded realistically and beautifully. It made their confession worth waiting for!
The major point here is that Xu Huaisong was playing all along from school times, knowing that she too had a crush on him, to get her attention and he did succeed. On the other hand Ruan Yu was admiring him ( the person he was putting up to be) from a distance totally unaware that he too liked her.
If only it was as easy as 'Hi, I know you from school times and had a crush on you and wrote a book about it. Let's try it out!"
Or "Hi, I came back because I realised you are in trouble because of our story. Nice to meet you. Let's go!"
How one deals with the "re-appearance" of a secret crush is going to be very different with no one size fits all option
One is still lingering on the crush but can't reveal and can't afford to get hurt. The other, hesitates to show himself, being always in the weaker position in the relationship.
This is one of those shows requiring patience and a calm mindset to appreciate its nuances.
It's also quite humorous .
Visually captivating.
All around good acting.
Music is very soothing especially the 'After the rain 'song played by the male protagonist on the piano
Background sound effects were apt!
9/10
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MAMA! MAMA! Anti-Fan!
Mr Queen made me laugh. Mr Queen made me annoyed with anger, made me feel empathetic. Most of all, Mr Queen made me invested. As soon as we were thrusted in the Joseon environment, just like So-Yong, we were confused about what was around us. We were constantly learning about who the real So-Yong was, who the King was, who and what can we trust, if anyone. There was a lot of drama that was so crucial and nerve-wracking. However the drama is a comedy at heart. How Mr Queen blends the two vastly different tones is near on perfect. Any superlative would do. Tonally, the comedic elements hit hard everyone, even with the antagonists of the drama. There is one episode that is one of the most pivotal regarding the plot development, and its 90% comedy. Laugh out loud comedy. And it only enhanced the storytelling. The comedy is just as important to telling the story, explaining the characters thoughts and emotions as the serious scenes. Shin Hye Sun is the heart of all this.Shin Hye Sun and the Queen is one of the greatest performances you'll see in Television. Her character is easy and yet hard. Gender swapping characters would usually have easy tropes to go through in order to get a laugh. But Shin Hye Sun is a great mix of subtle and over the top. Not only does she have to act more like a traditional woman, she has to act like a Queen as well. To act like a lady, but with class and grace.To act like a lady, but with class and grace. There are so many layers of the character that are needed to come across to please other characters so she can stay in her position. It's quite remarkable how there are many different faces to the characters that she has to transform herself into in every scene. Shin Hye Sun’s character shined brightly not only individually but within any interaction with those around her which in turn made them stand out as well. The King, in particular, comes to mind. The King has many faces. There is a darkness there among the naive, pervy yet innocent act he has adopted. Kim Jung Hyun looked like he had the time of his life when interacting with the bizarre So-Yong, but Kim Jung Hyun delivered when it came to emotionally crippling scenes. The King has many fears and those fears become your fears throughout the drama because of the immense acting on display. The whole cast which is more like an ensemble held up their worth in weight. Bae Jong Ok as Grand Queen Dowager and Kim Tae Woo as Kim Jwa Geun were exceptional in their own right. As were the Palace employees and other friends. Chae Seo Eun, who played So-Yong’s Maid, Hong Yeon, did superbly in her debut role. Compared to those around her, Chae Seo Eun is able to stand out. Surely someone to look for in the future as a talent. The acting is well crafted as well as the writing.
There is a reason Mr Queen is one of the most popular dramas of its time and drew quite high ratings. Mr Queen, to me, is now one of those dramas that you must see. And I believe it'll stand the test of time as well.
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