This review may contain spoilers
One of the most important contemporary directors of today, Shunji Iwai gives us a suspenseful emotional ride in his latest film "A Bride for Rip Van Winkle". It reminds me a lot of "All about Lily Chou Chou"(also directed by Iwai) on how it uses the internet as the main element in the movie, how it affects characters minds and their relationship, simple chatting before social media now. This movie will make you realize how social media affects our society, how most of us make it our safe haven and sometimes create a fake identity and how that fake identity would factor in constructing our own, not giving much of a story away, the theme would be so obvious if you compare the 2 relationships of our main character had here, one living with lies and the other ironically real. Having said that, the theme in this movie was so strong and possibly the first time that was explored to this extent and just like Iwai said "I would like to show how we take to living in this world that our ancestor left us", so thought provoking indeed.With 3 hours long this is perhaps the second longest Japanese movie I've ever seen next to Love Exposure and that is mainly because most climactic scenes were all shown in slow motion, it seems the director reiterates the point of what we should feel, some may be bother by it but I'm not as I see the reason for it, scenes before those slow-mos were so subtle so it's like a storm after a calm sea. Another reason is the criticism he is known for which is his film has a tendency to drag and some scenes were like that especially scenes that has metaphor in it or with meaningful dialogues, if you're like me who is into that then this will make the movie more engaging to you.
The film is basically a character study of a Nanami(Haru Kuroki), a part time teacher who is like a shadow, she has no personality, the film lets us follow her as how her character develops throughout the story, with Iwai's directing and Haru Kuroki's acting this film is an immersive experience. You can separate the movie into 3 parts the classic fall, perserverance, and finding happiness. The first act started when Nanami meets this guy on social media then without much thinking she eventually marries him, but the problem is she didn't have the ideal family, her parents were divorced and seems like their relatives broke the ties between them. Then she decided to hire Amuro(Gou ayano), a guy she met on social media, a jack of all trade ala Gintama, it is Amuro who provide fake relatives to her wedding. The end of the first act is strong as Nanami is humiliated and defeated and that first act sets up to a more interesting second and even third act. When I said suspenseful emotional ride I mean it as plot twist after plot twist, lies after lies got revealed but the biggest mystery is the title itself "A Bride for Riple Winke", what is relevance of that title in the story? Who is Riple Winkle? Well the way the movie reveals it is so clever, it's a work of a mad genius and definitely I didn't see that coming at all. Just like most of Iwai's films this film features misfits characters, those cut from society, this movie will depict their engaging journey and how will those character find love and happiness. Although with that engaging premise and roller coaster of emotions I had, still one important question in the movie remains a mystery although I'm sure that that was intended, I experienced that in All About Lily Chou Chou and I experienced it again here, I just don't know what to feel, I just thought of giving you a heads up cause that might annoyed you as well.
Great Cinematography to me is not just beautiful but also meaningful, it's just like in painting great painting should fascinate you, it should make you look closer to examine the details and not just stare at one and says "this painting is beautiful", you could have all the colors on your palette but if it's dull it's dull. Movies by Iwai are the best example for this they have the best cinematography I've ever seen that makes the movie so immersive and this movie is not an exception, his emphasis for lighting was really obvious here, it is stunning, extracting the natural colors in a scene, a perfectionist he truly is. Music really adds up to the emotion in those melodramatic scenes, particularly is that one scene with Nanami after the first act, the Visuals, the Slow-mo, the Music, the acting, it is perfect, I literally pause the movie and gather myself, stupid smile left on my face, instant goosebumps.
Iwai really loves using subtle actors in his films and the reason for that is because that kind of acting is most suited for his style of filming, before he had Aoi Yu and this time Haru Kuroki. Haru reminds me of Aoi Yu a lot they can even switch roles here and the strength of the character will remain the same, of course I'm not saying Aoi Yu is better, they are equally talented and Haru might even have some edge in drama and definitely in comedy. About haru's performance, I am one hundred percent convinced that this was her best performance I've seen from her and mind you I've seen a lot where she is considered great namely "emperor's cook" "juhan shutai" "little house" "solomon's perjury". The character she played here is so complex that one wrong move would make that character annoying, one wrong casting and the movie would be ruined, hard to explain it without laying spoilers, only you would realize what I meant when you watched it. There is one character I can't reveal here because of spoilers and it's a shame because I was equally impressed with her with haru and her name is not even included here on MDL. The character is crippled yet strong; she's like a playful spirited fairy and those eyes omg. The chemistry between them was magnetic, a total contrast to each other yet they share similarities, they want happiness. Gou Ayano although not as good as those two, it is his charisma that makes the character more mysterious and that is really important as that character is somewhat the one who drives the story. I have this theory about him that I will post on the comment section if you want, just click the spoiler button.
Movies like this makes me realize why I was fascinated, why I admire Japanese cinema so much, it is just that there is no other country that can offer me a story like this. Movie like this make me realize what kind of taste I have for movies, why I crave for original plot with clever twist, why I love thought provoking themes as those makes the movie to me an immersive experience. With that said, even with some draggy scenes or things remains unanswered I just couldn't give this lower than 9. Not a masterpiece but a must watch.
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This review may contain spoilers
Richly layered. Excellently staged.
"Melancholia" is silently impressive. If you're just looking for a sweet romance, you'll be disappointed. Still, the story is a tribute to love. It's also about school, education, South Korean madness about education and the market around it, the arrogance of the top 10 percent of society, as well as bullying and intrigues for optimal certificates. Altogether it´s ambitious in several respects."Melancholia" is about the love for mathematics. Mathematics is for the protagonists what notes are for music lovers or colors for artists: a way to capture and express the beauty behind the beauty of life and the aesthetics of life on this planet. In "Melancholia" there are two people (and actually two more) who recognize this beauty with their mathematical 'sense organ', feel it deeply, understand it, and want to delve even deeper - thus see and meet each other and understand how they feel inside.
"Melancholia" refers to "Melancholia I" - one of the three master engravings by Albrecht Dürer - mentor and student look at it together in the context of the story and communicate about it, understand it, and doing so get closer. The Dürer artwork is an allegorical composition peppered with geometric elements and symbols. There are a wide variety of interpretations in the professional world. The two protagonists in the KDrama are inspired by this and enthusiastically help interpret. In connection with "Melancholia I" by Dürer, his sentence "But I don't know what beauty is" has also been handed down. This creative crisis, through which every creative person (whether mathematician, artist, etc.) has to go through at some point, is processed in the KDrama in its own way - in the first half the male protagonist and in the second half the female protagonist is struck by this question. Individually both are thrown off track and have temporarily lost sight of their joyful creative power. They inevitably stand in the face of melancholy - to some extent a dark, black tunnel, that opens up the passage to a new, luminous dimension of their creative power.
With regard to the student, the first half of "Melancholia" focuses on a variation of Weltschmerz, which is at the same time an expression of suffering from the beauty of the world. The protagonist can't help but see this perfection of aesthetics in everything everywhere. And yet he is alone in this. He cannot convey his perception, cannot share his experience with his fellow human beings. That's way too high for the others. Family, friends and even some teachers cannot relate or really understand what he is about. Some of his classmates may misunderstand him as a show-off and envy his genius. In fact, he suffers from the loneliness in which he is stuck. Not the beauty of the world. Yet all this changes after he meets a mentor who in the face of his 'brilliance' isn't (like many others) out for her own gain. Rather, she recognizes his rare ability of perception and gives it a grounded direction. She did not promote the genius, but the human being, who should not exploit his talent, yet learn to enjoy it. The mere experience that he is not alone with his way leads him out of his suffering. This is how he finds his place in the world and no longer has to withdraw and hide from it.
However, "Melancholia" also shows the mentor as she herself is stuck in an aloof, depressive phase. The motive is the same: also lonely, isolated, trapped in her feelings that she cannot share with a world that cannot understand her. And this time it is her student who can remind and encourage her to step outside and back into the world.
"Melancholia" is a hymn to higher mathematics, with which the beauty of life finds an abstract form(el) - but also to art, which tries to aesthetically translate the formulas and mathematical knowledge into new colors and new forms.
"Melancholia" is a homage to the love between two kindred spirits who recognize each other in their kinship and can't help but love each other (selflessly and unconditionally).
But "Melancholia" is also one of many stories in the shade of a brutal South Korean education industry that unscrupulously rides on the hopes, fears and worries of parents and students and repeatedly bears the bitter fruits of bullying, abuse, meanness, despair and fraud produces. In this context, a variation of it is once again told in an exciting, at the same time moving and excellently staged manner.
Finally , this story of the two main protagonists is both a new edition and a contemporary free reinterpretation of the relationship between of two historical mathematicians: the Tamil Srinivasa Ramanujan and the British Godfrey Harold Hardy. The KDrama refers to the extraordinary, intuitive mathematical skills of the historically real Tamil math genius, who was professionally recognized and promoted by the British Hardy. In 1913 Ramanujan came to England under the wing of his mentor and subsequently became known for several important discoveries. It is said that when asked what his own greatest contribution to mathematics was, Hardy said without hesitation that it was (his mentoring for) Ramanujan. He described their relationship as his only romantic experience in life. And with that he refers first and foremost to the very special form of eroticism of their shared, highly concentrated, soaring flights of intellect. Anyone who has never had this experience of a shared 'Eureka' will probably struggle with the romance aspect of this KDrama. Everyone else might experience it differently... .
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From the first episode I knew I was going to like this drama. It starts off with Yun Hee as a high school student, taken out of an orphanage by a friend of her father. She's taken into his rich family and inherits an arrogant step mother, an annoying step sister and a creep step brother. Typical Cinderella start out. But the story progresses little by little until Yun Hee is already half way through college. The time gaps, I will note, did confuse me a little. They're implied by change of hair or change of events, it's not stated how much time has passed, rather something you have to pick up on yourself.
The story overall was good. While nowadays it may be clichéd, Star in My Heart was one of the dramas that paved the way for modern Kdramas. To me, I found it really refreshing and a nice change of pace. There wasn't the over amount of angst and drama, but rather just the right amount. Another thing I loved was the lack of confusion between the leads. There was some, but they understood each other. And the love triangle is really hardly there at all. But it didn't take away from the drama at all, actually it made me like it more.
The acting was done really well. Choi Jin Sil did an excellent job as Yun Hee, and I was really sad to hear about her death. Yun Hee was a character who stood up for herself. She had her limits and didn't let the petty things get to her. And the actress also portrayed someone else in the drama, really contrasted her original character. Ahn Jae Wook as Min Hee was also really well done. I loved his character! He has such an amazing voice, too, and I'm pretty sure he was singing live during the show. Most of the times in modern dramas it's often lip synching through audio when it's supposed to be live. Cha In Pyo as Joon Hee was also a favorite. Not getting as much screen time until later on, but becoming one of the most important characters in this drama. His character was always supportive and he knew what he was doing as a leader.
Other characters, such as Yi Hwa, Yi Ban and their mother did their roles fine. Yi Hwa was probably the most annoying character in the drama, but her mother followed closely behind. Yi Ban was annoying, but I found his character pathetic and wimpy and couldn't help but laugh at his character on screen at serious moments.
The music was the best part of the drama. The soundtrack has become a favorite of mine now. As I mentioned above, Ahn Jae Wook has an amazing voice! Such songs as "Forever" and "Hurt" have lingered in my head even after I finished watching. The theme song "Always Beside You" is also nice. As are all the instrumentals.
I don't normally rewatch that many dramas, simply because there's always a drama I haven't seen calling my name, but I can see myself rewatching this one some time down the road. As I mentioned before, it was a refreshing and nice break from the modern Kdrama.
Overall, I would recommend this drama to anyone looking for a change of pace or something that would nowadays be lesser known. If you're the type who doesn't like to watch older dramas, maybe because of the quality, then maybe this is not for you. The quality I found to watch I felt was good for a drama 15 years old. You're not going to get much better than that unless you buy the drama.
I think I'll always picture the leads look the way they did in this drama.
If you do decide to watch it, keep in mind that the fashion may not be what you consider "good" simply because the styles have really changed since then. The lack of cellphones as well. Only one character had one in this drama. And the difference in the sound of the music. I, personally, love a lot of things from the nineties so I loved the music. But I understand that may not be the case for some.
Anyways, hope this review convinces you to check it out! It's worth that much at least (:
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This review may contain spoilers
It is really impossible to write a review for this drama without getting my blood pressure up. The people that waited week after week for this drama will truly understand my pain.All the writers of this drama need to be under some kind of witness protection program because they have succeeded in angering so many people including myself that had to sit through 20 eps of this BS. This drama was written under the influence of some serious narcotics.
The acting gets a 9 because they did a good job of conveying the foolishness the writers were spilling out.
Trying not to give away any spoilers, I'm a strong believer of the saying "don't bite the hand that feeds you". Well in this drama there's a lot of biting and chewing and an attempt to amputate the hand that was doing the feeding.
In this drama you get to witness ungratefulness at it's max and decisions that make you question the way some men think.
The drama was good and cute up until about episode 10 when the writers decided to play "how far can we piss off the viewers". In all honesty, the drama could have been done in 16 episodes or better still 10 episodes.
We could have done without all the crap from ep 11 to 19 and 20.
The only take a way is the OST. There are some really good songs in this drama....The drama had some good potential that was played with.
If you want to sit through this be my guest but make sure to drop by for an "I TOLD YOU SO".
Writing this without spoilers was seriously challenging....off to take my blood pressure meds
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This review may contain spoilers
No No No No La La No
WTF!!!!!!!!!If someone I loved pretended to be dead for 5 yrs and suddenly appeared in front of me, I wouldn't even want to look at their face.
The grief from death isn't the same as the grief from a breakup.
The writer had been playing with this since the beginning by giving the doctor a case of pills to carry everywhere. Writers should stop trying to make the audience cry. At this point they just seem like the bad teacher that hits you so you become better. This is not a healthy way of creating emotions in people.
The last few 4 or so episodes seemed like fillers with lots of throwbacks and nonsensical plot lines.
It's ok to make dramas shorter. If a story can be told better in fewer episodes, do it! It's better than spoiling a story that was good to begin with.
This idea of going through hard times alone even if you have loved ones is an Asian ideal that I can't really understand and I believe it's so damaging considering the mental health and suicide issues that are so prevalent there. Especially in South Korea. We've seen so many idols die to suicide. Pushing this idea that you have to endure hardships alone and come back to your loved ones when you're "not broken anymore" and not cause them "trouble" is something that might make this issue worse.
I can't stand by this drama anymore. The ending message is very damaging to those suffering from any sort of illness.
I'm not even going to speculate about the ending. It doesn't matter. It is what it is. And it doesn't do it for me.
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I started this hoping for action and serious topics. I wanted plot and not romantic shenanigans. The drama starts off being pretty much all about a cop looking for his kidnapped daughter. This guy, however, is far from likable, and I found it difficult to sympathize with him in his plight. Why? Because he was, to put it simply, crazy, violent, and screaming. Lots of screaming. Lots of swearing. Lots of beating up suspects without evidence, heavy police brutality. This dude cared for nothing and no one but his daughter and wouldn't hesitate to brutally assault anyone he perceived to be in his way.
That's where Clone #1, Sung Joon, comes in. Don't worry, I won't spoil anything. He has no memory of who he is, but Chief Jang decides poor Sung Joon is the key to finding his daughter. When these two meet, this is when the story really kicks off. I hated the detective for the first 2 episodes, but he does become more tolerable thanks to Sung Joon, who is kind and warm and patient where Chief Jang is crass, rude, and prone to fits of random rage.
So for the first part of the drama, I watched because I was invested in the development between Jang and Sung Joon. I thought they were a great pair and really balanced each other nicely, and I'm a sucker for any kind of non-romance relationship focus. Chief Jang treated Sung Joon like a tool at first and didn't see him as a human being at all, and I wanted to see that change. There was some mystery and plenty of action for the first 6 episodes, but then it slows down and becomes mostly just drama and mystery with action sprinkled in.
Eventually, the plot moves away from the father-daughter focus and we realize that ultimately this is a story about two clones. It's a sad story. Don't watch this if you don't want a ride on the rollercoaster of emotions. One clone is "evil," selfish and out for revenge and the other is kind, selfless and willing to put his life on the line to help near-strangers. But the characters are not simple, and evil clone is not actually just an "evil clone," but is a deep, complex character that will remain in my mind pretty much forever.
What is the story really about? It's about clones learning to be human. It's about a father and his daughter. There's also an evil dude who wants to cure his illness and there's his evil spawn who aren't really worth mentioning but the story isn't really about them. No romance, just friendships and family relationships. Yay!
Without Yang Se Jong, this drama would be nothing. His portrayal of three characters is something you really have to see for yourself. But let's say I had to keep reminding myself that it was the same actor. He brought the clones to life in a way that made me feel like I personally knew them. The other actors are good too. And JJY is so much more tolerable when he's not screaming his head off.
It's not a perfect story, and there are aspects I wish had been different (more interactions between the clones, more father-son bonding with Jang and Sung Joon, less of the secondary cop characters), but these factors don't change my love for this drama. I can't stop thinking about it and have already rewatched most of it 2-3 times.
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A refreshing journey that won't fail to bring a smile to your face.
What a journey it has been! it initially started with 0 expectations but ended up being one of the most memorable rides. And it actually raised my standards much for fluffy rom-com now, as it has nothing which I truly despair or get annoyed by, but lots of sweet moments and cute fluff that will give you absolute pleasure.. and pain in the muscle of cheeks.If I talk about the plot or the theme of the drama. It's quite simple without any complexity. Bit or I'll say a lot unrealistic coz of the number of coincidences it has.. or should I call 'Fate' that brought our leads together.. not just together but living under the same roof hehe. Having a bit cliche story I actually liked its pace and the direction with perfect execution from character personality development to the story progression. Being 36 episode drama plus rom-com it had the most chances to become draggy or have unnecessary parts but actually, nothing happened like that, it never left its track consistent till the end. So the story is really cleverly written and stick to its main concept until the last moment.
Now let's talk about the soul of the show its characters. Wow, what can I say about them? I liked the characters more than the story itself. Having three-dimensional human-like characters (Which many writers forget almost all the time) who act like humans, can do mistakes, and not fit in the mold of 'Perfection.' Chu Li at first glance you might feel ah another naive, innocent FL are we getting here? I mean drama doesn't have a 'Strong Female Lead' tag not to forget she is such a cutie pie and adorable, but being badass, rude/arrogant, having power, or physically strong doesn't make strong female leads for me. Hardworking, passionate about their work, strong-willed, having their own goals, principles for life and actually working on them this defines a strong character in my opinion and Chu Li nailed it with being cute and having that bubbliness in her what a balance it was!
Zhou Chuan no I'll say, Mr. Fox, okay I love him.. not him his character lol. Mr. Fox was such a sweetheart and MOOD. I mean there wasn't any moment or scene of him that I didn't enjoy or had good laugh at. He just brightens every moment. He can be a jerk for everyone totally arrogant dude but when it comes to his loved ones he becomes a sweetheart lol...His awkwardness, not able to express what he feels in the starting was felt so natural. The writer did a great job in case of portraying his character as a 'Writer'.. like his stubbornness his passion for his work all things were dealt with in the right way realistically.
So when Mr. Fox and Monkey come together it's a perfect match.. they have quite different personalities but they compliment each other. Their bickering, fights, the development in the relationship with being each other's first love it's quite enjoyable to watch. The chemistry rocks, and how can I forget how much they trust each other and form such a strong bond together... Surely the best aspect of the drama.
Talking about second leads... I'm the type of person who actually doesn't care about second leads at all most of the time I'm not even interested, but honestly, I was invested in the plot of the second lead's story too! they had great chemistry having their own interesting plotline which actually doesn't try to overlap with the main concept of the story.. so yeah I enjoyed their screentime too!
How can I forget the sizzling chemistry between our Mr. Fox and Jiang Yu Cheng... I never craved for the screentime of ML and SML together but I actually did here.
In the acting, they did a really good job portraying all characters I don't think I can imagine this different cast.. and yeah another fact I was glad that dubbing was with the original voice of actors.
So I was engaged to the story from the start to end more than that I was much invested in our main leads who never disappointed me or let me down... for me, it was an amazing drama which I loved thoroughly... I don't rate any rom-com 9.5.. actually never lol, but it was worth it!
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However, here on MDL, this drama officially goes by its best and most appropriate title "Doctors". If you're looking for a straightforward, romanticized show about what it really means to be a Doctor, this is the show. If you want lots of action, lots of drama, and lots of clichés, you're in the wrong place. While it starts very fast, this is ultimately a very dry, low-key show that bucks typical drama conventions in favor of telling a "more realistic" story. Does that make it less interesting than other popular dramas? Perhaps. But it doesn't make it valueless. There's a lot to like here.
STORY
You're not going to find a kdrama story quite like this one very easily. While it's a romance, they don't drag the will-they-or-won't-they all the way until end. While there's a love triangle, it's a very sharply angled isosceles: one of three arms of the triangle is really short and it's clear from the beginning that it has no chance. While it's a drama, it has no mustache-twirling villains, only complex characters that make serious mistakes and end up hurting others simply because they struggle to face the reality of their wrongdoing.
These things aren't necessarily going to work for everyone, but for this reviewer, they all combine into an enjoyable and, most of all, refreshing experience. The flip side of this is that often times the plot seems to lack teeth; it doesn't grab you and hold on, forcing your heart to come with it. While the first few episodes are action-packed and energetic, the show mellows out immensely toward the latter half, eventually getting to the point where the directing felt almost lazy. This show is largely a leisurely stroll, which can be very pleasant but simply is not the experience we're set up for in the first quarter.
The main romantic pairing quickly becomes the driving force of the show and remains such for the entire 20 episode run. However, it's not your typical kdrama relationship full of peaks and valleys and Noble Idiocy. It's clear the writers wanted to tell a more sensible and realistic romance story, for better or for worse. The combination of almost complete focus on this one relationship while simultaneously making that relationship feel very "normal" definitely results in an end product that lacks dramatic punch and hurts the secondary plot threads. Those secondary threads, however, are delivered with the same understated feeling as the main plot. If you want "larger than life" storytelling, you're not going to get it here at all.
On a random side note: at one point, about halfway through the story, we're teased with a possible side romance with one of the nurses, but that plotline goes literally nowhere and is completely dropped by the end of the show. This kind of sloppy handling of the material makes me wonder how much of the script was being rewritten during filming. It is possible, though, that it was simply a matter of a needed actor/actress suddenly becoming unavailable.
ACTING/CAST
Definitely the strong point of the show and possibly the only reason it's as popular as it is. The four leads all do a great job. PSH is as good as ever, which is kind of surprising since she's never done a role quite like this one. You'd think she'd have some yips or letdowns for her first time branching out into a new character type, but nope. She's lovely and wonderful, and her portrayal (like most of this show) is especially strong in the early episodes.
Kim Rae Won, who plays the first male lead Hong Ji Hong, is one of the most charming actors I've yet to discover in kdrama. A great voice, interesting face, and lovely smile, he performs the first lead here perfectly. I can't imagine another actor playing this odd and unique role, a character who values self-control and communication above all. Imagine that, in a kdrama! Compared to the usual selfish and emotionally infantile male leads we often get in typical romances, the Hong Ji Hong character is a most welcome change.
Yoon Gyun Sang seems to be very popular, even if he perpetually looks like he's had an allergic reaction to something. Although I didn't like him much at all, at first, he won me over by the end. A good performance to go with yet another unusual character. if you ever wanted to know what it's like to be on the losing end of a love triangle IN REAL LIFE, his story is basically that. It's worth seeing.
Last but not least, we have Lee Sung Kyung. Although her character is the trope-iest one (mostly just your typical Mean Girl trope, but with a more sympathetic twist), it really doesn't matter too much because.... well, I'll be honest, Ms. Lee is ridiculously attractive. Seriously. She's surrounded by beautiful women and even among them she stands out. I'd love to see her in a role where she can smile more.
All that being said, the supporting cast here is strong enough on their own to make the show worth trying. My two Honorable Mentions for the Supporting Cast go to:
1. Baek Sung Hyun as Yeong Kook, who I dubbed "Dr. Glasses". He starts as a very odd and (somewhat) forgettable character, but when the writers found an interesting hook for his character, Sung Hyun took it and ran with it. Sung Hyun seems to be particularly skilled at delivering subtext with his eyes.
2. Of course, I have to mention my new crush (I get one almost every show), Pyo Ye Jin, who plays a character I affectionately referred to as "Nurse Cutie Pie". Although her role is very minor, her portrayal was stellar. You'll never tire of her smile. The writers gave one big scene to her character early on and, after she utterly blew it away with her adorableness, they wisely gave her at least one speaking scene in every episode after that. Ye Jin is 24 years young and would be great in a starring role in the future. I may soon watch my first ever Family drama because of her.
MUSIC
Strong but standard kdrama fare here. Lots and lots of vocal themes, so there won't be too much repeating. In fact, they re-use themes here at just the right pace; enough to get the songs in your head, but not so much that they start to annoy you. Special mention to the tracks "It's Love" and "No Way", which are the best of the best here. If music is a deciding factor for you, just listen to those two tracks to get a good sense of the quality of "Doctors" in this category.
REWATCH VALUE
Unfortunately, there's no getting around the fact that there is absolutely very little RWV here, especially the closer you get to the climax. While most kdramas try and build toward a climax that is exciting and satisfying that you want to see over and over, this one does the opposite. Early episodes are full of exciting character moments, culminating in perhaps the most rewatchable scene of the whole show involving a rooftop, a helicopter, and the best romantic character reunion ever.
However, toward the latter quarter of the show, almost every episode can be described thusly: "two or more characters chat about plot with each other, then someone gets a phone call, they answer it, then it cuts to another scene where there is more chat about plot, and then someone gets a phone call, they answer it, and they cut to a new scene where they chat about plot, and then YOU GUESSED IT, someone gets another freaking phone call and the cycle starts over."
All of that does not make for a high RWV score, as it's bad enough to sit through the first time.
BOTTOM LINE
Despite being better than most kdrama in many areas, this only gets a solid 8/10 from me, and no more. It has too many issues to justify anything higher, despite how strong it is in other areas. However, on the flip side of that, it's way too good to be lower than 7.5. If you're looking for a solid 2016 drama with a great cast that delivers lessons about communication, professionalism, and relationships, you won't go wrong here. Just don't expect the plot to blow you away.
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This review may contain spoilers
If you're sick of the typical tropes in Taiwanese romance novels or in Taiwanese/Korean/Japanese romance dramas, then this one is for you.Kind of like Extraordinary You and W: Two Worlds in that main characters travel between a fictional literary world and a "real world," but more focused on the love line and hilarious references to other works in Taiwan, Japan, and Korea.
The leads are all eye candy and the dialogue is friggin' hilarious. If you have been watching Korean drama in recent years you would understand some of the references a little more -- they paid homage to Crash Landing On You, Secret Garden, Goblin, Descendants of the Sun, and more. The way the main characters describe drama tropes is A+ and if you regularly consume rom coms you'd understand -- "oh, shower scene again?!" "how do people kiss in the morning? did they even brush their teeth?"
Unfortunately, while the story spends so much effort making fun of tropes, it later on becomes tropey in itself and thus slightly hypocritical, with a nasty second female lead and unexplained attraction between male and female leads. It's almost as if the leads are in love because "the writer wants them to be," so that was disappointing :( (especially since the female lead is a regular consumer of romance novels and would understand the power of warm second male leads! Why she falls in love with the first male lead is ???? to me, though I see why it's necessary for plot development LOL.
I would also appreciate it more if Qing Feng could make a greater comeback in later episodes -- as the real world writer, for example.
Still would recommend for the comedy factor, and if you like to ship leads -- the second male lead here is superb. I love his character so much and the script didn't do him enough justice :(
The rewatch value goes to the many joke scenes, like the certain kdrama remakes :0)
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STORY
The drama is equivalent to all the dramas that center women, namely Sex and the City, Mistresses, Gossip Girl, Girls, I Need Romance ect. The show revolves around a pack of 4 girlfriends, depicting their lives, the problems, the difficulties and implications of dating and other relationships for people in their 30s. The main premise of the show is that everyone, no matter what has happened in their lives or what mistakes they have done, deserve a happy ending, and if they fight hard enough, they will get it! Secondly, the show presents a very realistic -if you ask me- image of the dating scene nowadays -not only in Korea per se-, how unrealistically high people's standards are, and how picky they are, being materialistic, searching for, money, visuals, other than character in their potential partner.
We get to see the life of each woman, and each story makes a point about relationships. Even if all the characters are in their early/mid 30s, i think it is safe to say that everyone can somehow relate to the problems they depict as they are universal.
Story 1: A divorcee who is afraid that she will end up forever alone, kind of scared to let herself be free and enter a relationship, and deep inside feels she doesn't deserve to be happy because of her divorce. This story is the main story of the drama, like 70% of it. It features a love triagle, that you will hate, believe me, but in the very end, it was the most essential love triangle i have ever watched in a kdrama. It wasn't introduced just for the ships, but it depicted serious realistic facts like love vs friendship, which love is valid and which isn't ect. At the same time this story presents several realistic questions a person in a new relationship may have, they can be stupid like 'why doesn't he/she want to kiss me - Is he/she the right person for me?', or more important like 'does he/she have money issues? Does he/she want to scam me?'.
Story 2: Forever single. A girl in her mid 30s having been single in like... forever. I believe many people could relate to her, she was introduced as the 'funny' one of the quartet. We get to see all her struggles to find true love, along with several questions (and reminders) that i could sum up in this proverb 'Whatever shines, isn't gold!'- and vice versa.
Story 3: The more serious, borderline melo, sub-story. A married woman who goes through a divorce and faces serious health issues. Her story is touching, and moving and could have been a great stand-along/spin off show. Her story poses ideas like 'Don't give up on yourself, on your marriage and generally on happiness. Problems are there, pain will always be there, but we have people around to rely on, don't give up on them or yourself, pain will pass!'
Story 4: The (Wanna-be) femme fatale of the quartet. She was also supposed to be funny along with story 2. A woman with attachement issues, but what happens when she meets her match? This story was left on the sidelines, but yet it managed to make some worthy points like 'no relationship will work without trust and letting your guard down. You should know which person is worthy for you to do that, and you should take on the responsibility of getting hurt and of hurting that person'. This story had the potential to hit issues like career problems for people in their 30s, but it didn't which was a waste.
I, generally, don't have any drawbacks to point out, other than the fact that the drama spent too much of its time overanalyzing the first story, hence the rest of the stories being somewhat underdeveloped/underapprecciated. It is arguable to say that stories 2-3-4 were more interesting than the main one.
ACTING
Exquisite acting, as expected by such a talented ensemble cast!
Jang Nara was a worthy leading actress, her character was superficial and fluffy, maybe too much at some points. I loved her more emotional scenes and i wished she had more, she has more to offer than this.
Yoo In Na, was lovely and adorable, expressing the mindset complexity of such a person perfectly. Yet she was cute and only a teeny tiny bit stupid and just too good of a person for her own good. Great acting, for a character and a side story that needed more screen time.
Yoo Da In. My personal favourite, as a melo lover, her story moved and touched me. She expressed difficult and unique feelings perfectly, she was luscious and easy to understand and relate even when she didn't have as much screen time as she deserved.
Seo In Young. Her story was pushed to the sidelines, it comes, therefore, as no surpise how her character was kind of forgettable as well. She was good and i have nothing bad to say, other than she was kind of overshadowed by Yoo In Na, as they were both the 'funny' characters.
Kwon Yool, was very good, his acting could be described as emotionless or/and cold, but i do believe it was his character being like that. I cannot say i loved him, but i had no problems with his acting.
Jung Kyung Ho. And we finally get to the king of the show. You know what is amazing? How he managed, in a show that focuses on women, and had 4(!) female leads, to rise above everyone and have the most important, interesting, touching, funny and adorable character of everyone. His acting could have been as forgettable as KY's but he managed to own the show! True king!
RECOMMEND/REWATCH
Many people argued how this was boring, i disagree, this actually had so much more to offer than other soulless rom coms, it actually had something to say other than just cheesy romance or insignificant comedy. However, this is not a show for everyone. People who know and like the shows that i mentioned above, or/and like rom coms in general, will, probably, like this one. Other people don't spend your time meaninglessly, move on. As for me, someone who generally dislikes rom coms, i loved this one, i don't know if this says something about me or the show...
I loved it, but would i rewatch it? Not really, it was great for the 16 hours i spent on this, and i will savour it for what it was.
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This review may contain spoilers
YESSS
this show reminded me of 2521 so much that i thought the ending would be bad, but personally the ending wasnt a bad ending since they didnt breakup which i find most important, but they didnt serve yk with that ending, but anyways this show would definitely be a good show to binge if thats what youre looking for, whilst watching it i wouldve wished someone told me it was a good ending so i didnt have to be so scared watching them fight or anything, i think 2521 left us with trust issues lmao, i definitely recommend this show btwWas this review helpful to you?
This review may contain spoilers
The thing about this show is that starting from the first scene right to the end, there is nothing that can be considered filler content. Nothing is done without reason. You are given a puzzle of a story but the truth is it's not about the answer to the puzzle but about the things you learn getting to it. In a time, where people only want guilty pleasure and happy happy happy, this show gives a voice to so many children who are ignored every day. I'm one such survivor and this story got to me in a way that is hard to explain. Children of Nobody. Can there be a more heartbreaking phrase? The actors made it so you get lost in the fantasy and even root for the villain at times I believe that was the point. That people lose their way. N's story was the saddest and no spoilers but I'm glad finally in a TV show this topic was touched. Honestly just a phenomenal script and acting I wish there were more like this one. Was this review helpful to you?
TRIGGER WARNING!
An excerpt from Desmond Tutu's book goes like, "If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality." Courage could be as fierce as fire, but bullying is as weak as smoke. For some, it could be a foregone past which they might forget as a flowing wind, but the it hunts down the victim for the rest of their lives. The consequences of such cases can be as serious as a war and it's been evidenced. The drama depicts this through the tale of a revenge game.Adapted from an animated movie of 2011 of the same title by the same author, "KING OF PIGS (돼지의 왕) [2022]" is a revenge cum chase thriller drama. Produced by 'Studio Dragon' & 'Hidden Sequence', the drama was distributed by TVING as an original OTT content.
The story follows a series of mysterious murder cases, that connects to one single person namely Hwang Kyung Min (Kim Dong Wook), who was a victim of heart-wrenching, continuous school bullying incident, 20 years ago. As the police attempts to track down the culprit and assemble pieces from the past, the circuitous involvement of one of their own people, detective Jung Jong Suk (Kim Sung Kyu), comes to surface, who was also the victim of the same. Kang Jin Ah (Chae Jung An) is a quick and intelligent detective who is a part of the investigative team. While the thrilling quest and chase for a criminal furthers, the unfolding of truth takes us, into the depths of school violence, the roles of different people in it and their outcomes.
There are many other familiar faces in the supporting roles as well but remarkable praises should be credited to all the child actors, playing the teenage counterparts of the current characters, all invoved in the school violence case. Special mentions for Lee Chan Yoo, Shim Hyin Seo and Choi Hyun Jin, playing Kyung Min, Jong suk and Kim Cheol, respectively.
Plot development was amazing. The Story straightaway starts with a death and gradually leads to subsequent investigation and then to another series of killings. This enables the furtherance of investigation and facts about these events start surfacing in fragments. The pilot episode served its job of captivating the attention of the viewers, and the further evolution is engaging. I don’t think there was any episode which didn’t have me awe, the performance, the characters, the stories and everything else was so masterfully drawn, that it makes you keep going. There were also many instances which I found triggering and had to pause or put on hold, so that I could recover, but thankfully I was able to bear them. There are several peak moments in the drama, from both the past and present, the former enraged and saddened me to extents whereas the latter made me relieved and angry. Coming to the ending sequences, it was magnificently plotted and excellently executed, leading to satisfactory outcomes. In simple words, the way it ended was very good and in fact, atypical and rare of the Kdrama trends; I am beyond convinced. In a way, I wish it were longer than 12 episodes but on the other hand I was relieved the trauma was over.
Tak Jae Young jakkanim debut as a young and budding writer through this drama, and though the drama is adapted, we must not assume that his job had been easy. Book to live action adaptions being the most difficult task, we could tell that an animation film to drama adoption would have been less unchallenging, however, they are still different. I wish jakkanim all the best for his future endeavours.
As one of the most talked directors, Kim Dae Jin PDnim has been active for over a decade and half, "Kill Me, Heal Me" being the most acclaimed. In my opinion, this drama is his second best though it was released on a web platform and poorly marketed, otherwise would have gained more attention. Oweing to his skills, the execution, screenplay management, scenario establishment, flow of story, connecting plots, revelations and flashbacks between past & present have been well handled. Tbe cinematography with dark hue was a great fit and exhibited visual pleasure through the acts. The sound and screen editing are of high values as well. The pacing is perfect.
What I liked…
# The plot development is compelling and intriguing, for it uses unique methods of revealing and unfolding truth, of the past, through detailed investigation in the present by relating to the foregone story that took place 20 years ago. The storytelling method with two perspectives, of Kyung Min and of Jong Suk, the differential narratives, and the monologues are what make it an interesting & engaging as well as a nail-biting watch.
# Kim Cheol, the character, is something that all of us unaskingly fell in love with, no? His existence itself adds to the value of this show as a whole; his rise in the class, from a mere slacker to the king of pigs and then his downfall finally leading to a forever memorable (for the characters of the drama) god, is a journey that I will never forget. The way his story was told, especially through the acts of Kyung Min, was gripping and enthralling. He is the real hero of this drama.
# Kim Dong Wook as Hwang Kyung Min, has, once again, left me baffled with his skills, no doubt he is one of the best in terms of acting. He, in both sane and insane state, performed so smoothly and comfortably that it helped me to survive the traumatic events in the drama. His emotions, his angst, his eyes, his expressions, his dialogue delivery and everything he did was so on point, it’s like his act felt the only hope left, for the world he lived in. Kim Sung Kyu and Kang Jin Ah also did very well, for they are already good actors.
# The young actors have great importance in the drama as they and their story of the past share about 45% of the screentime the approx. 600 minutes show. Again, special mention must be credited to Choi Hyun Jin who played Kim Cheol, for he delivered a justified and splendid performance, and I don’t think anyone else could have match him. Other than the ones playing Kyung Min & Jong Suk, the actors playing young bullies also did a good job portraying their parts and it felt real and engrossing.
# The song sung by Lee Ji Hyun (Kim Pu Reum), Park Sung Jin (Hwang Man Ik)’s niece in the 8th episode (the only song of the rdama) was melancholic, touchy and enraging at the same time. It was a call for help, to rescue the souls of the ones who has to go through the unfortunate and heartbreaking days, spending their time in school with fear and trauma, dismay and terror of which also follow them for the rest of their lives.
# Kdramas based on school bullying or having the elements in it has been very common, being placed in over hundreds of shows over the last 2 decades, but this stands out for many reasons. First and foremost, this is solely based on school violence, as it tells a foregone story of 3 victims of several bullying incidents that took place over years. Secondly, the present day events, that has caused headache to the cops, roots back to the past incident only, resulting in an extremely brutal revenge game. The show attempts to dissect the entire scenario by performig RCA (root cause analysis) and shows to a great deal, the consequences, the bullying cases can inflict for both the victims and the perpetrators.
# I loved the way the title of the show has been justified throughout, from the beginning to the end, through the storytelling and the acts by the characters. The immensely dark story with portrayal of real bullying cases could be hugely triggering but it is truly thought-provoking and, in a way, demands reforms in laws and awareness in society. Provided that it is based on a real story, makes it a sad thing but I feel, everyone needs to witness it in order to be made aware and learnt.
What I didn’t like…
# The character arch for adult Jong Suk is very roughly done and not llikable. I mean obviously, for the story, he has his parts of flaws, but as an audience watching a story, I could not get used to many a things that he attempted to do. It did not indicate his insanity to me, rather some technical drawbacks which could have been avoided.
# The investigative methods felt absurd sometimes, particularly after the 7th episode, there is little to no contribution by the other members of the team. It was only Jin Ah and Jong Suk who were doing everything, that too independently; plus the state of mind in which Jong Suk was, he should not have been a part of the investigation to begin with, also provided that he was somehow related to the incident.
# I wanted moreeeeeeee.
Final Remarks… “THE KING OF PIGS” is a solid and extremely heavy watch, and a treat for whoever is into such dark genres with a cogent story and plausible plot development. Screenwriting, direction, performance and the overall outcomes are praiseworthy and all the efforts have been reflected through the mighty values and well paid off. This actually deserves more attention since not many were watching when it was on air. If you are planning to start it, make sure you are mentally prepared to receive what it offers, and watching in small doses might make it easier. MUST RECCOMENDED!
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the drama revolves around lives of 3 couples in their 30s. It narrates how the difficulties that they face in their lives can be explained in the most plain yet deep words. Also the relationship b/w different couples and how they try to overcome it. The best part about this drama is the way how unexplained feelings are explained in simplest way. How a loveless marriage can make 2 people fall for each other more deeper and yet maintain their space without intruding each other's privacy. It explains how the society is still cursed by discrimination, nepotism and gender based inequality. At times it was able to give some honest views about how the female leads felt by expressing their true self and not covering up their tears behind makeup or a mask. Because nothing haunts you more than the things and feelings left unexpressed.
Although it was a good drama but there are still some drawbacks which I want to point out.
1. The episodes were too long because the writers were suppose to focus on all 3 leads.
2. The storyline was unpredictable in start but it became a bit predictable after some episodes.
3. It got bit monotonous after few episodes because it started following the story of clichéd kdramas. So I would watch it after piling it up then watching it fresh.
So lastly I would say that more then the story or acting, the way each dialogue of this drama was carefully knitted to the scenes or people associated with it was beautiful. Each line of the drama depicts the struggles and hidden meaNing that could be read from our surroundings to overcome it. Also how some plain lines can express a person's emotions and his personality in a raw and simple form.
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1Great Story, Amazing Acting, Best of Chen Feiyu
Just as I thought Chen Feiyu’s acting somewhat lacking in Ever Night, he gives me a bombshell here in this drama. While I thought only Song Weilong has those eyes with words that cannot be spoken, Chen Feiyu possesses those similar irresistible gazes that make the viewers' heart ache. As I thought this drama is "just" another youth drama with immature characters and silly storyline, this story touches the real challenges of youth in the cutthroat IT world today.Lighter and Princess or L & P, is adapted from a popular novel. "Lighter" depicts the lighter that the male lead possesses whereas "Princess" is the nickname given to the female lead by the male lead. The story is narrated by Zhu Yun (Zhang Jingyi) of her encounter starting in her freshman year in college, 2012. The story has a span of 7-8 years with four years in college, 3 years in adulthood (not shown in details), and the current year of 2019. L & P has also come to mean "Lucky and Power" in the story.
In college, Zhu Yun is an innocent girl, but she is not naive. She is intelligent but unafraid to ask questions and to admit errors. She is obedient and responsible, at home and at school; she is the perfect daughter all parents want – an obedient child who never lies nor defies the parents. Having said that, Zhu Yun later begins to tell white lies and secretly defy her mother who is judgmental. I wish Zhu Yun had stood up to her mother and given her an ultimatum: “accept us or lose a daughter”. Zhang Jingyi puts up a perfect performance here as an uncertain and yet determined Zhu Yun. The actor’s adorable adolescent look and demeanor make her so convincing and lovable.
In romance, a perfectly good girl has to meet a totally opposite character. Here, Zhu Yun meets Li Xun (Chen Feiyu), an outrageous, arrogant, untamed, super intelligent, confident and unconformable character. Li Xun is a very misunderstood character, not only by people around him, even many viewers also don't understand him and therefore condemn him.
Here, I want to address some criticisms from viewers about Li Xun. Many viewers complains that Li Xun is misogynistic. Li Xun is definitely not a misogynist. He looks down on people not because they are women but because they are being mediocre. Those people he looks down on are usually people who get to high positions through connections, either they have powerful relatives, or they bribe their way through; these people do not have substance. This is a common phenomenon happening around the world. People buy their credentials and tout themselves as the experts, sitting in high positions, receiving high salaries and benefits, claiming credits for everything, while the real people doing the actual tasks receive measly compensations and no recognition. This is what Li Xun despises. He despises people with no substance but still have no self-realization to try to improve themselves further. And to improve, he laughs at those for reading and memorizing from text books. For him, improvement means getting your hands dirty, making mistakes and learning from the mistakes. Contrast his attitude towards Ren Di. He likes Ren Di because he feels she is authentic, pursuing her passion even against her father's will. He helps her in every way he can: financial support, a place for her to live, and extra school credit points from his coding club, etc. All these prove that Li Xun is not misogynistic.
Despite how Li Xun looks and behaves, deep down, Li Xun is a decent and kind person who loves his mother and sister dearly, and cares for all his friends even he himself is in a dire position. He is compassionate but doesn't give a damn how others think of him. Only Zhu Yun knows how he thinks, puts up with him and stands up for him throughout.
Both Zhu Yun and Li Xun are classmates in computer programming. But Li Xun is well ahead of his class as he is a computer whiz kid and a brilliant programmer but he doesn't use this skill for hideous crimes. He humiliates everyone as they seem childish to him with their shallow knowledge of the course. Everyone hates him for his badassness, and yet loves him for his ingenuity. Li Xun doesn’t follow frivolous rules; he finds generally people only care about how things look on the surface and not the substance inside, so he calls them fake. I love how he looks at everyone, a classic condescending look. Li Xun is a person with an attitude, and for me, that's Chen Feiyu’s natural look; Chen Feiyu fits into the Li Xun character seamlessly as if the character is written for him. In real life, if your boyfriend is such a character, I empathize with you, but in a romance, this type of personality captures the viewers’ imagination. I am so in love with this character.
According to readers, in the novel, Li Xun is flamboyant and has many girlfriends but none last long. Here in the drama, the Li Xun character has been whitewashed – instead, girls throw themselves at him, but he doesn't even look at them as if they are non-existent; they usually leave him alone after getting humiliating scolds from him. None of the girls attract Li Xun’s attention, until Zhu Yun comes into his sight. With her, he experiences jealousy and longing, and with him, she always believes in, no matter what. I really love how their relationship develops, slowly and steadfastly. It takes half of the drama for the trust and love to blossom before the couple is officially together.
College life ends at Episode 22, and the kids graduate, each starts their work life, further education, or something else (spoiler). Three years whizz past, present life continues. Our characters struggle with life, career and revenge. This is the beginning of romance 2.0, mature, steamy and sensual. Here we can see the growth of the characters compared to their college years.
The official sound tracks and background music are beautiful, capturing the ups and downs of our characters, and the mood of the story. I'm so glad that my favorite singer, Zhou Shen, sings one of the songs, Fireworks.
My Verdict
For me, not one episode is considered redundant or boring as I relish every scene and every moment. I really enjoy watching how the characters being carefully explored in detail, giving viewers multiple dimensions of the two main characters, both have flaws, both learn from their mistakes, and grow to become better person of their own. The writing of the characters is very realistic. In life, all of us could come across many of these characters: a child with outrageous hair color and an attitude, a sister who is also the perfect daughter, a classmate or a colleague who sabotages your projects and stabs you on the back, even the parents of Zhu Yun are the typical Chinese parents that many Chinese viewers can empathize with. There are many fine and sweet improvised moments of the love birds; this is candy for any romance buffs. The love is pure and deep, and reciprocated. The sacrifices are relatable. The humor is subtle and delightful. Not least, Chen Feiyu is a heartthrob.
In China, the Li Xun character is an outlier, but in the west, he’s a norm. Therefore when he's being called a "bad boy", my heart aches. What bad boy? Just because he doesn't conform to the norm? It upsets me that such a beautiful soul is being treated so unfairly by a society that demands conformity. Many people are fearful of making life changing decisions. Li Xun is decisive and fearless. Once he makes up his mind, he doesn't look back. For me, this is a highly valued quality and is well depicted, among others, in the multiple times he helps the hesitant Zhu Yun in clicking the submit button.
As Zhu Yun puts it, “He never looks back, confident, courageous, energetic, care-free. Forever with a determined direction, never with self-doubt.” These are the qualities all viewers would be inspired by the character.
Towards the last few episodes, the writing becomes soften with somewhat conflicting messages; everyone, including Li Xun, compromises in achieving a win-win outcome. The writing even has Li Xun get back in line with what society expects of him, and what it means by success - wealth. Nonetheless, this slight change of tone has not reduced my excitement of the Li Xun character and my enjoyment of the overall story.
This drama captures my heart, my imagination and my emotions, hence deserves a 10/10.
TWO THUMBS UP!
BRAVO!
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