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Personally, I think Pegasus Marke't s kind of humor is more common on Japanese dramas than on Korean dramas. If you don't mind Japanese dramas, I highly recommend "Mr. Nietzsche in the Convenience Store". It also features retail workers, and it's even crazier than Pegasus Market.
There's this scene on ep.5 where the floor manager (I forgot her name, sorry) ran after Director Oh with the bike and then berated him after she caught up with him. It was hilarious, until Floor Manager almost choke up with tears when she realized once again how dire their situation is.
It's like whenever you got too comfortable with the comedy, the drama reminds you of how grave the situation that the characters found themselves in. And when it got too overwhelming, there's always a bit of levity so you as a viewer can breathe more easily.
I can't say that I'm fan of Sailor Moon, but I did enjoy the anime enough to watch it almost regularly when it aired on our local terrestrial channel back in the day. Pretty sure it was the first magical girl series that I've ever watched, which might explain why I loved the transformation scene so much (I'm simple that way). I was indifferent to Usagi and Mamoru's romance, though.
I'm going to watch Chief of Staff and Arthdal Chronicles once I get some time off. I might watch No Second Chance, Tale of Nokdu, Melting Me Softly, VIP, When Camellia Blooms, and Secret Boutique too, after they finish airing and if their reviews are good.
For now, I'm eyeing Yuganda Hamon, Kekkon Dekinai Otoko, and Motokare Mania (for Kora Kengo and Hamano Kenta; I'm not familiar with Araki Yuko). Let's see when the new drama season starts if there's any other that piques my interest.
So, if you really, really like at least one of the actors or if cop-drama is your thing, definitely check it out for now. If not, just skip it and wait until it's over so you can get a general verdict on this drama.