Reviews

The Virtuous Husband.

In this witty satire, a modern business man finds himself in ancient China where he is Ning Yi, a soon to be zhui xu/赘婿 or matrilocal husband to Su Tan'er, the heiress of a wealthy cloth merchant. Using modern business methods, he hilariously wins his Tan'er's heart and mind as they take down internal and external rivals together and he proves his worth beyond being a useless kept man.

The wicked role reversals as Ning Yi and Tan'er navigate their marriage made my shoulders quiver with laughter, especially the darned Academy of Male Virtue. I love the way Ning Yi is written in this drama - he is cunning, compassionate, innovative, ruthless and far from the virtuous husband, he is the academy's most farcically subversive element. Guo Qilin and Song Yi sparkled together, transitioning seamlessly between brilliant comic timing and repartee, heart stopping action and moving emotional moments. The colorful ensemble characters, friend and foe alike are well dimensioned and written and acted with verve and audacity. The humble Guard Geng with a big heart and big dreams is my favorite supporting character.

I thoroughly enjoyed the first half of this drama, which is easily a 9.0+, the second half is noticeably loses its mojo and is at best a 7.5/8.0. The decision to back burner both Tan'er and Guard Geng would have been fine if comparable new characters stepped up to fill the void. Unfortunately while Xigua starts out as a powerful and interesting character, she becomes pathetic. It does not help that while she is lovely and likable, the actress Jiang Yiyi is miscast here - she not funny and has little chemistry with Ning Yi/Guo Qilin. Ditto for his shifu and the creepy Lou Shuwan; I didn't really see the point of either character. The drama only picks up again when Guard Geng and Tan'er re-emerge and our power couple is reunited. This makes it obvious that despite Guo Qilin's undeniable talent, he cannot pull off these uproarious moments when he is not lined up with the right team.

Similarly, the antagonists in the first arc are very comical but in the bandit arc, the villains were mostly trying too hard to be humorous caricatures. The attempts at comedy are also often at odds with the heavily political and increasingly complicated plot line, one that leaves scarce room for Ning Yi the maverick to save the day. The story also takes a darker and more cynical turn and even though Guo Qilin impresses with his ability to make me feel the weight of his loss and cry alongside him, the drama ends in a way that does not leave me thirsty for the heavily hinted season 2.

Overall I rate this a 8.0. I would recommend dropping after completing the much more outstanding first arc.

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Cha Eun-woo taking that next step

This is probably the best acting I've seen from Eun-woo without a doubt. Like it feels soo good to see him in roles other than the cold smart guy, seeing this new side of him is just so refreshing, and shows how versatile of an actor he really is. He's portraying his character to absolute perfection. The FL is really beautiful and her acting skills is also pretty good. The other ML is also good, but Eun-woo stole the show for me and was the highlight. Cinematography is just simply amazing and the story got me hooked on the very first episode. I highly recommend this drama if you're into suspense, thriller, and action.

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I've really been anticipating the Korean remake of the American TV series Suits ahhh. The US version has a special place in my heart because they film the series in Toronto, right in my work building. I've had many friends personally meet/see the Suits cast/take pics with them, and I've also seen them from afar (although not lucky enough to meet them -___-). I've been an avid watcher and just finished Season 7, hence when I watched the Korean version, I was able to make a lot of references and parallels to the US version.

Story: (9.5/10)
Suits starts off with Go Yeon Woo running away from the police after almost getting caught making a drug deal, and he accidentally slips into an interview for one of the city's top law firms and meets Choi Kang Suk, the best closer in the city. He takes a gamble and hires Yeon Woo after recognizing YW's photographic memory and his passion for justice and the law. The rest of the series showcases their relationship as the dynamic duo, solving many cases and serving justice together with the help of the managing partner, Kang Ha Yeon, the beautiful and intelligent paralegal, Kim Jina, KS's amazing and talented assistant/secretary, Hong Da Ham, and YW's and KS's arch nemesis, Chae Geun Shik.

Each episode features a different theme and motto, and the different and interesting cases within the episode will relate back to the motto (for example one episode's motto is "everyone gets what they deserve", and the case in that episode relates to that). The drama so far basically features the same ideas and cases as the US version, and there aren't huge differences in the story development and the content per episode. The setting is also VERY similar; the financial district and the amazing office views, and even the tiniest details such as the hotdog stand that Harvey goes to and the little toast/fish pastry parallel in the Korean version, the fact that both YW and Mike travels around in a bike, etc, etc. There are endless similarities that I could draw from the 2 versions, and the Korean remake was very refreshingly different, but also very similar at the same time (if that makes sense).

The only thing I'm unsure about in the drama is how everyone will react/find out about YW being a fraud, and how this will play out in the show, since in the US version, he gets caught and he eventually goes to jail for while and then getting out soon after. I'm not sure how the drama will show/solve this issue, so I can't comment on that topic yet.

**EDIT**: i felt like the show kind of ended abruptly in the last 2 episodes, and the ending was a little rushed. However, considering there was only 16 episodes total, I do understand how it all played out. I'm satisfied, as there were no loose ends, however I do wish that they showcased more of GWY and Jina's ending. Other than that, it ended off fairly well, and also very similar to the US version.

Cast/Characters: (9.5/10)
Choi Kang Suk vs Harvey Specter: ahhh, harvey is my ultimate bias, as I just think he is sooo extremely attractive, not just appearance wise, but also his personality. Jang Dong Gun did an amazing job at portraying Harvey's cockiness, his quirks, confidence, and his raw talent. He's Kang and Ham's (the law firm) ace, their best lawyer, and he definitely lives up to his reputation in every episode, as he somehow figures out a brilliant solution (along with GYW) to every problem that they encounter. His bromance with Yeon Woo doe..... you can really tell that he cares about YW even though he's known to be heartless and very cold.

Go Yeon Woo vs Mike Ross: i have to say that I am extremely impressed with Park Hyung Shik's acting. I've only watched a few episodes of Strong Girl Do Bong Soon, so I can't really comment on his acting there, but in Suits, he did a fantastic job portraying GYW! Especially at the fact that he was able to memorize all those difficult legal terms/definitions and pretty much recite the law. Although GYW and Mike Ross are the same character, Hyung Shik made this character into his own. There are so many similarities between the 2, but I do like Hyung Shik's portray better. The only thing I didn't like in relation to the character GWY was that in the Korean version, there are a few times he just makes (kinda dumb) decisions on his own that Mike didn't, and it was just a little unnecessary to me and it was a lot different than the US version, since Mike Ross pretty much never messes up/makes a mistake (apart from lying about his law degree LOL). But all in all, greatttt character.

The rest of the cast was also a joy to watch, particularly Chae Geun Shik, their arch nemesis. This character is sooo funny and hilarious, he's a workaholic partner at the firm, and he constantly tries to get the managing partner's approval/respect, but he somehow always falls short compared to Kang Suk. He tries extremely hard to make Yeon Woo's life as difficult as possible, always waiting for YW to make a mistake, and their relationship is just so funny to watch. Also the fact that the Korean version also talks to a dictaphone, has an admiration for Kang Suk's secretary, and can sometimes be downright cruel. Kim Jina and Yeon Woo's budding romance is so cute and bubbly too, and their interactions with each other are always a joy to watch, kind of like watching a first love blooming. The managing partner, Kang Ha Yeon, is a total badass bishhh, just like Jessica Pearson. They always put the firm's interests on top and always want what's best for the firm. KS's secretary, Hong Da Ham, is also very much like the infamous Donna, extremely witty and pretty much knows everything going on in the firm and also knows everyone.

Music: (8/9)
The OST is quite good, especially the 2 main instrumental songs that play in the backgrounds during certain scenes. Some other songs play in the more emotional and romantic scenes, but they weren't that memorable in my opinion.

Re-watch value: (8/10)
It's a very entertaining show to watch, however since I already watched the US version, the Korean one has many similarities in terms of content and the cases they solve, so to me personally, I probably won't watch it anytime soon, just because I'm already quite familiar with the plot and storyline.

Overall: (9/10)
If you haven't watched Suits, whether the US version or the Korean one, I highly recommend that you go watch it, especially those who like law shows. The story is quite unique and different, and the cast/characters are amazing and their interactions and their relationships with each other are so dynamic and interesting. Don't miss out on this amazing drama!

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The Best Korean Neo-noir, with action packed bromance ！ A New MASTERPIECE In K-Neo Noir !

Reminder :- “ This work will not be about who is evil or who is good, but about everyone becoming empty and lonely in the end” . It will penetrate the hearts of viewers with noir action with deep emotions set in the 1990s, Totally It's an intriguing story of betrayals, loyalty, and allegiance in which each character strives to achieve what is important to them.

➟ Critical Analysis :-
While “The Worst of Evil” is an exceptional series, it may not be suitable for those seeking a light-hearted watch. Its unrelenting darkness and morally ambiguous characters can be unsettling. Additionally, the series’ brevity leaves audiences craving more, but perhaps this is intentional, leaving room for speculation and discussion.

➟ Conclusion :-
In a landscape filled with crime dramas, “The Worst of Evil” Season 1 stands out as a gripping and thought-provoking masterpiece. Its exploration of moral decay, outstanding performances, and impeccable direction make it a must-watch for fans of the genre. Brace yourself for a visceral experience that will challenge your perceptions of good and evil

➟ Emotional Resonance : -
What truly resonates with “The Worst of Evil” is its unapologetic exploration of morality. It doesn’t shy away from depicting the darkness that resides within its characters. As the lines between good and evil blur, it prompts viewers to question their own moral compass. The series leaves a lingering sense of unease, forcing introspection long after the credits roll.

Themes and Tone: “The Worst of Evil” grapples with themes of power, loyalty, and the blurred lines between good and evil. It’s an unflinching look at the criminal underbelly and the corrupting influence of power. The tone is dark, gritty, and unforgiving, perfectly complementing the story’s exploration of moral ambiguity.

➟ Acting and Characters :-
The cast delivers stellar performances across the board. Ji Chang-wook’s portrayal of Park Joon-mo is nothing short of captivating. His transformation from a dedicated cop to a cunning infiltrator is a testament to his acting prowess. Wi Ha-joon as Jung Gi-cheol brings an eerie charisma to the leader of the criminal organization, making him both menacing and oddly charismatic. Im Se-mi’s Yoo Eui-jung adds depth and emotional complexity, BiBi's Hae Ryeon role contributed more buzz to the series, it's her first drama( small screen appearance) but she delivered magnificent performance ..

➟ Direction and Cinematography :-
Han Dong-wook’s direction shines in “The Worst of Evil.” His ability to build tension and maintain suspense is commendable. The series is visually striking, with a noir aesthetic that enhances the ominous atmosphere. The cinematography captures the neon-lit streets of Gangnam and the shadowy underpasses, creating an immersive experience, it's complete masterpiece in Neo-noir genre

➟ Score and Production Design :-
The haunting score elevates the series, enhancing the sense of foreboding. It’s a perfect companion to the dark and moody production design. From seedy nightclubs to dimly lit alleys, the attention to detail in the set design is exceptional, corridor action

➟ Special Effects and Editing :-
While “The Worst of Evil” doesn’t rely heavily on special effects, when they are used, they’re seamlessly integrated. The editing is crisp, allowing the story to flow smoothly across its 9 episodes. There are no wasted moments, every scene serves a purpose


➟ finally :-
"It is not a story that you can watch with the family for a good laugh, but you would be able to feel something new,"

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ENDING SPOILER :-

After completing the drama everyone's question is

1) Why did Joon Mo kill Ki-chul ? ?

From What I understood is...

" Jung Ki-chul's suicide is a curse aimed especially at Yoo Eui-jung.He is a man who has liked her since childhood.He's a man who tried to get out of the dark for himself. The guilt of driving such a man to death can last a lifetime to Eui Jung. Park Jun-mo shot Ki-chul because he wanted to free his wife Yoo Eui-jung at least by taking responsibility for Jung Ki-chul's death alone.

2) Did Park Joon Mo Yu Eui-jung broken up ??

In the last scene Joon Mo visits Jung Ki Chul's grave, he left his wedding ring, hinting that he and his wife had broken up. At same time we can watch the chain of Eui Jung ( Ki-chul gave her to in their teenage) on Ki-chul's grave it means she ends Ki-chul's love there , this the chance for their new life. Hope they will meet again after sometime and start new life.


brought by:- Shinnosuke_Lee

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SOKP: Where Royal Intrigues Are More Complicated Than Your Ex's New Relationship Status

HOLD ON TO YOUR IMPERIAL HATS, DRAMA ENTHUSIASTS!!!
Because "Story of Kunning Palace" is the kind of show thats more addictive than a caffeine IV drip. SOKP is not your typical tea-sipping romance-infused drama, its a captivating enigma wrapped in a historical conundrum, with more plot twists than a labyrinth. Its a tale where reverse harem meets mystery, and every character is so swoon worthy, even the palace walls are blushing <3

Bai Lu, our badass heroine, here as Jiang Xue Ning isnt just conquering hearts; shes slaying political foes and looking fabulous doing it💋There r 2 handsome dudes Zhang Zhe and Yan Lin, both vying for her attention like contestants in a royal reality show. Its a reverse harem showdown & jiang xue ning is the unwitting queen bee, swatting away admirers like theyr pesky palace mosquitoes. Jiang xue nings heart is like a rubiks cube & the poor guys—Yan Lin, Zhang Zhe, and Xie Wei are all trying to crack the code. Basically its a love triangle turned hexagon.

Now our man Zhang Ling He as Xie Wei; handsome as a greek god and jaw sharper than a ninja throwing star (HAD TO MENTION THAT LMFAO) isnt just part of the harem circus. Hes the unsung hero, & a guardian angel silently dropping nuggets of wisdom and occasionally facepalming at the chaos around him. Hes the guy secretly supporting jiang xue ning like a lovestruck ninja in the shadows. Beneath his sarcastic remarks & harsh words, lies a love so deep it makes Titanics jack and rose look like they had a casual fling. It felt as if watching a superhero show where the hero doesnt realize hes the hero, and the audience is collectively screaming, "Dude, shess right thereee!!!!!!"

The Xie wei mens trio, they are real comedy gem in this drama. The hilarious sidekicks, the MVPs of comedic relief, and the reason you'll be snorting your tea while trying to keep up with palace politics.

But lets talk plot, Jiang xue ning, after a bad ending in her past life, is back in the same palace, courtesy of fates twisted sense of humor, i guess. As if someone hit the "replay" button (quite literally) on her royal misadventures, and shes trying to navigate the maze of intrigue on her own.

Xie wei, our handsome badass, is so oblivious to his own feeling, he doesnt even realize hes fallen in love. Jiang xue ning is the oblivious queen, zhang zhe & yan lin are the competing court jesters, and xie wei is the dashing main character with a heart so hidden even he cant find it. Jiang xue ning remains blissfully unaware of the love vibes radiating from him & xie wei himself is probably wondering why his heart does the cha cha cha every time shes in the room ✨😝

Theres another baddie xue shu, the queen of making you simultaneously root against her. Shes got more schemes than a bond villain. Is she the villain?? the antihero?? or just a girl boss ahead of her time?? The plot is so mysterious and intriguing that an award winning storywriter would be taking notes.

Now, lets talk about the cast; stellar performances that could make a stone statue emote. Its like watching a masterclass in acting, with every eyebrow raise and dramatic pause deserving an award.

"Story of Kunning Palace" isnt just a drama; its a royal rollercoaster of emotions, a comedy of errors & a mystery that'll have u yelling. Seriouslyy. the chemistry is so palpable m surprised the screen hasnt caught fire yet. This drama isnt just good; its SO good its suspicious. its almost like finding a four leaf clover in a field of dandelions.. rare and borderline unbelievable.

As the grand tradition of slow burns, 'Story Of Kunning Palace' leaves us with a burning desire for more, more romance, more drama, and definitely more zhang ling he & bai lu moments that have us reaching for fire extinguishers. If ur not watching this drama, ur missing out on a hilarious, heartthrobbing, and mysteriously addictive masterpiece. I had alottt of fun watching this drama so i bet u will have too!!!! so GRAB ur popcorns & prepare for a journey so entertaining, even shakespeare wouldve been jealous ;D

Signing off
Thanks for reading the review <3
Yours, Angel

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Still 2Gether: A Damage Control or How 2 Save Your Series

This season was clearly done to save this series after lackluster finale/final third of season 1. It very obviously addresses most of the complaints and comments we as viewers had while watching the original series and brings back everything we loved at the beginning.

And you know what? I liked it! I had a good time watching this!

Thanks to this bonus season, the first season of 2Gether wont leave such a bad taste in my mouth anymore, because i know this exists!

This is the first time in my life that i have seen such an attempt to save a piece of media that went downhill. And i honestly respect it, no matter if the driving force behind this season were money or actual genuine effort to save this series that stems from love for the source material. We could discuss their intentions ad infinitum but simple existence of this bonus season means they care about it.

The story was simple but entertaining. Besides damage control, the script focused on all the things we as viewers enjoyed - be it silly comedy or cute moments (or doubled-down on things the writer very obviously stood behind such as distinct TineWat love language). There were quite some plot holes or cheap plot set-ups like the two club rooms being directly next to each other or Tine missing Wat super hard after like… a week of separation. There are still some glaring issues from season 1, if you want to nitpick.
But lets just be generous for now and overlook these for a sake of general entertainment.

Acting was good and i think the overall cast chemistry was improved in this series. My only complaint is that some of the characters became caricatures of themselves at some point but at the same time it was, again, probably necessary evil so the series could be so entertaining.

I hope Still2Gether will become a case-study for any upcoming series. Not in a way that i want to see a shitty s1 followed by a damage control special season ever again but because im sure there are many ways a filmographer can learn from success, fall and eventual redemption that was 2gether the series as a whole.

My rating is probably a bit too high but i unexpectedly enjoyed this bonus series and i appreciate the amount of thought that went into “saving” 2Gether as a series.

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Best 2019 drama. It’s very warm and realistic. A story about mothers, society and relationship. Mothers sacrifice a lot of things for their children. Responsibility as adults too. Sometimes people’s tongue can hurt other people so we should be careful of what we say even though it’s not intentionally. Some mothers can be selfish because they want the best for their children. Relationship will cause friction and it’s only natural that way, but we learn to stand up for ourselves, learning to set up boundaries. This show has a lot of lessons for us to learn from.

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This is one of the few dramas that I've managed to complete this year. For me this was an enjoyable watch and I liked tuning in to every week for new episodes. Initially this drama started off as very interesting and fast-paced. Since this drama is a murder mystery I was only hooked to it till the end for its revelations. So did it live up to the expectations it set during its run? Somewhat yes and also a major no.

The plot is quite ridiculous honestly. It makes little or no sense. However, the cast is lovely and the main actress played her role quite well. I have seen her works previously and trust me, she has improved immensely here. This was a drama for me in which I stopped caring about the romance after midway. The murder mystery and villain was what it was all about! The villain is damn good and it helps that he was so, so attractive to look at. :D

This drama had some high-riding moments where you'd wonder who did what and why. A lot of things were wonderfully executed. For me this drama was a solid 9-9.5 till the last four episodes where things happened out of the blue.

This drama is no different from any other Kdrama because like every drama out there, it starts out with a bang and ends leading upto nowhere.

The OST was nice to listen to. It wasn't my favourite but it wasn't bad either.

I recommend this drama to people who don't mind mindless fun. Watch the first couple of episodes to judge if you like it or not.

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Moon Lovers and I go wayy back. When Scarlet Heart first came out back in 2011, it was all the rage. At that time I was into my second year of drama-watching and I hadn't watched anything much besides Korean dramas. But I remember a bunch of my online friends strongly recommended me to start Scarlet Heart. In fact, 5 years later, I still haven't been recommended a drama like that, with such intense passion and by so MANY people. But sadly, I never got around to watching it. I was really uncomfortable with the language, the historical setting, the bald-look of the princes (okay, I SAID IT, I'm sorry, I was shallow). But somewhere, at the back of my mind, I had made this little tale that the drama is going to be made into a Korean drama one day, with all these hot actors as leads and I'll just wait it out and watch it then. And okay, a remake is pretty logical because they go around making a lot of remakes but when they announced this, I swear I got goosebumps. Like "I don't believe this--this what I have been dreaming of all my life--someone please pinch me--I should star in the next Final Destination movie now" sort of goosebumps.

So yes, saying that I was excited for Moon Lovers was putting it very mildly. I was exhilarated. Ecstatic. A lot more words with an E. And they made us wait even longer by making it a pre-produced drama and waiting a whole year before it actually came out.

But the best part? It didn't disappoint one bit. I mean, after such high expectations, it is only natural to feel a little let-down just because of all the hype you've been experiencing. But Moon Lovers actually ended up surpassing all my expectations. The drama was perfect from the beginning till the end.

Coming to the plot, it was extremely well-paced. I mean, for dramas it is rare to find such consistently well-paced dramas. Sometimes the beginning is not that good and sometimes the plot dies down after ep 12-16. But here, you never feel like there is too much or too little. It is really hard to skip anything. You just don't want to. Another important fact is that because an older version is already out there, viewers are prepared for a possibly sad/tragic ending. Even if you come without knowing anything about the parent story, the vibe of the show itself whispers the possibility of an un-fairytale-like outcome. There is an intense and gloomy feeling in the show.

The characters are the strength of the drama. I mean, can we talk about the fourth Prince? He is going down in history as one of my favorite characters ever. Firstly, he is so sexy. I mean, you simply can't get enough of him. I have never really been into Lee Jun Ki before but after this, I plan to check out all his dramas. I have seen a couple of his shows but I never realized he was THIS good. The character of Wang So is so complex and so hard to deliver. And yet, Lee Jun Ki plays him so effortlessly, becoming one with the character. What is even more surprising is that he is such a cutie in real life (lol). I really don't know anyone more perfect for this role. I mean, Kang Ha Neul's character turned to the dark side too but it was nothing compared to Wang So. Wang So was simply..addictive!

Coming for Hae Soo. IU faced a lot of flack for her poor acting skills but I felt she was good in her role. I mean, she wasn't as good as Jun Ki or Ha Neul but she did really well. You could feel her transformation from a 21st century person to Goryeo lady to a woman with a lot of scarring experiences. In her previous works she has only done cutesy roles. I really enjoyed her work in this, she showed her versatility as a serious actor. The 13th Prince. He was gentle and kind and the most perfect friend. I loved his chemistry with Woo Hee. It was surprisingly great!

Wang Eun was a big baby but he was a sweetheart too. I wouldn't say Baek Hyun is a good actor but he was given an easy role and it was handled well. Ji Soo was a delight to watch! So far I have loved him in all his roles (I think I have watched everything he has starred in). The rest of the cast was really good too. My favorite among supporting characters was General Park. His acting was so on-point even though he only starred for a few episodes. I liked his daughter too. Ji Mong was a delight to watch. And court lady Oh Sang Goong, I loved her! I can really go on and on about the characters - the good ones and the bad ones, all did well. The acting was so good here, I just couldn't get enough of it. I cried with them and laughed with them.

The music. OH MAN, the music. I love each and every song. This hasn't happened to me since Dream High (I think). I really can't pick a song that I like more than the other.

I am definitely DEFINITELY rewatching this. I know for sure.

The biggest tragedy that comes out of this drama is that the Korean audience could not fully appreciate the perfection that this drama was. The ratings were so low there. Thankfully, it did well everywhere else and made up for it.

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I like the concept of “playing devil’s advocate.” But when it comes to examining dramas, I don’t play around (usually. Get some sugar in my system and we’ll see otherwise). Thus, this review will consist of me gravely defending the “devil’s” opinion that Hotel Del Luna is an okay show...but also that it's not too much beyond that.

If ghost stories lie within your watching preferences, perhaps you would have a better time with Hotel Del Luna. As for myself, I was not a fan of the overall plot. It came off as a tad too shallow. For one, there’s a severe imbalance between plot filler (which is how I classify every individual ghost’s story, each of which occupies 80% of each episode) and the truly interesting main plot, which falls off to the wayside. Unless you enjoy brief appearances of random guest ghosts, you’ll probably end up like me: sitting through over an hour’s worth of time per episode, helplessly asking when the Hong Sisters will address Man Wol’s story—which is rarely, until you cross the halfway point of the entire show. What the writers do with Man Wol’s history when it is addressed feels lackluster, if only due to all the unnecessary time buildup prior to it.

The real problem is that we are hardly given reasons to care about each visiting ghost in any major emotional capacity. Although they have interesting stories, it’s a bit like walking down a city sidewalk: you see someone with a pretty wardrobe, “ooh” at it for a second, and then forget your appreciative impressions of it an hour later. Maybe it seems as if I’m being coldhearted, but as much as the Hong Sisters try to emphasize that these ghosts were human with human sufferings, the way the show frequently relies on shock value and horror elements over the ghosts’ pain and healing resulted in me not being able to build true sympathy for these souls. Imagine repeating this apathy for every episode: it’s exhausting trying to force an emotional connection.

The only saving grace of Hotel Del Luna is Man Wol. The way IU presents her character’s conflicting ego and heart is as poignant as it is mysterious, and she executes the identity of a CEO with a low economic IQ with hilarity. Had it not been for this quirkiness of Man Wol’s character, I would not have stuck around until the end. And that’s despite my love for Yeo Jin Goo: though his acting is excellent as always, Chan Sung is a perfect example of a supporting character who hides behind the guise of being a “main character.” There’s only one protagonist in this story, her name being Man Wol. There’s nothing wrong with this, but it is a bit of a letdown that everyone else has the potential to be equally interesting, yet doesn’t get nearly enough development. Chan Sung, for example, is a nobody—beyond pushing Man Wol to address her emotional wounds, he doesn’t possess the individualism that a lead character should have. This means that while the interactions between him and Man Wol may be compelling to watch, the moment that you isolate Chan Sung away from her, he devolves into a character who’s mediocre at best and painfully boring at worst. Seeing as I view Chan Sung like this, that should give you a pretty good idea of what I think of the other supporting characters: meh.

That all being said, I can see the reasons behind the hype. I just wouldn’t say that they’re justified: gorgeous cinematography, a cast list riddled with famous names, and an amazing soundtrack are all great assets to have within a drama. If future shows could continue Hotel Del Luna’s ability to create an effective atmosphere, I would have zero complaints. But what use is all of that if the show at its core doesn’t match up to the level of its decorations? Hotel Del Luna is almost sadly entertaining in that it may be fun in the moment, but doesn’t leave a deep enough impression to be phenomenal.

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pretty faces, no value.

overall, boring. i mean, i did like that in some ways, but there shouldve been more to it.

considering this show takes place on an island you think they would take advantage of their surroundings and maybe go on hikes or zip lining, or challenges for contestants like surfing or something. instead there were like three “challenges” where they ran into the water or push each other around in mud. all of the contestants also just stay on the beach and complain how hot it is all day. which btw, how will they call this hell when everything is provided for them and there aren’t any actual hardships besides lack of phone lol. like why didnt they have them explore together or do something challenging?

it felt like i was mostly just watching them have excessively deep convos about their feelings for each other. it’s ridiculous how attached they get to other contestants because theyd have been there for a day and theyre obsessed. i wish the series had taken longer so the relationships made more sense. and none of the contestants were sincere, it was clear they were there to promote their social medias or business. the ones that were sincere had no screen time.

as for the commentators, they kept trying to make drama where there wasn’t any. like a zoomed in shot of someone’s face suddenly meant that they were torn apart on the inside. plus, they kept excusing a lot of the male contestants behavior, calling sehoon admirable for chasing after jiyeon even though she stated she didnt like him.

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"She'll thrive, and through her a family will endure."

In her 2007 novel “The Sweet Far Thing”, Libba Bray has says, “There is an ancient tribal proverb I once heard in India. It says that before we can see properly we must first shed our tears to clear the way.” Indeed, our past is what holds us back from things that we wish to accomplish, but what matters is how we learn, acknowledge and grow as better human beings from it. We are healed of a suffering only by experiencing it to the entire. There is no beauty in sadness, no honour in suffering, no growth in fear and no relief in hate; it’s just a waste of perfectly good happiness. “Pachinko” depicts all that through the saga of a family over generations. 

"Pachinko (パチンコ)" is a Japanese gambling device resembling a pinball machine but with automatic payoff as in a gambling slot machine (merriam-webster). Pachinko parlors are widespread in Japan, and, mostly owned by Korean immigrants, and usually also feature a number of slot machines so these premises resemble and operate similarly to western casinos. Modern pachinko machines have both mechanical & digital components. As stated by the writer, Pachinko, in the show, is depicted as a metaphor to life, when it's very unfair to go ahead, but you still continue to play, because you can't turn back or give up either. Pachinko is a game of chance and survival, both figuratively and literally.

Created by Soo Hugh and co-directed by Justin Chon & Kogonada, "Pachinko (2022) is an American show from Apple TV+, adapted from the original book of the same title authored by prominent Korean-American writer Lee Min Jin, released in 2017. Co-produced by 3 companies: Media Res, A Han.Bok Dream and Blue Marble Pictures, it's a 4 year long project, that started with Apple Inc. acquiring the bid for the series in 2018. The production took 7 months for casting and all of the cast were in fact auditioned and chosen, as informe by the team. The filimng started in October 2020, and was done in different phases, at different locations, and in fact different countries (South Korea, Japan, USA and Canada), that ended in April 2021. Reportedly, the showrunner Hugh has the objective of creating 4 seasons in total, which gives us the idea that the show we just finished is apparently one-fourth of the original novel.

"Pachinko (2022)" follows the mettlesome multigenerational chronicle of a single family, in parallel, who are immigrants of Japanese invasion & colonization in Korea. Their pursuit for survival and happiness, with hopes & dreams have led them to prosper and thrive over decades though their foregone days of sufferings and scars from the past remain fresh in their hearts. The show presents stories from different timelines from 1910 to 1989.

Kim Sun Ja (later Baek Sun Ja/Bando Nobuko) is played by 3 actors: Jeon Yu-na (childhood), Kim Min Ha (teeange), Youn Yuh Jung (Old), whom the author keeps at the centre of everything that takes place throughout. Steven Noh plays Pastor Baek Yi Sak (Sun Ja's husband) while Soji Arai (Korean name: Park So Hee) is in the role of Baek Mo Se/Bando Mozasu (Sun Ja's son) and Jung In Ji takes part as Yang Jin (Sunja’s mother). Ko Han Su (Lee Min Ho) is a cold-hearted fishmonger with a dark past and plays an important fuelling factor that impacts Sunja’s life. Baek Yo Seb (Han Joon Woo) and Choi/Baek Kyung Hee (Jung Eun Chae) are brother & sister-in law of Sunja, respectively. Baek Solomon (adult: Jin Ha and young: Yoon Kyung Ho) is Sunja’s grandson from Mozasu, who is an efficient employee in a top corporate bank in New York. Etsuko (Kaho Minami) is Mozasu’s girlfriend whereas Naomi (Anna Sawai) is Solomon’s collegue.

The opening was the highlight of the TV series and definitely a favourite. While looking at the opening credits, it’s unclear whether this is a Korean, Japanese or Western drama; the main cast members gathered in a scintillating & evocatively coloured pachinko parlour as if it were a paradise, dancing to "Let's Live for Today" by The Grass Roots. This is the only time the actors from different timelines intersect, which was mainly due to Hugh’s love for opening credits.

“A child is coming. This one will thrive, I assure you. And through her, a family will endure.” : describing the birth of Sunja, the central character, this line epitomizes the pneuma of Pachinko’s premiere. In contrast to the book, which is ordered chronologically from the 1930s to the late 1980s, the filmmakers of this series made a bold change. The nonlinear construction of time in the series jumps between past and present.

“Pachinko” tells us a spellbinding story of colonialism & subcultural nationalism, war & peace, love & loss, and victory & sorrow, exclusively from a meta-historical human perspective. The historical accuracy and the detailed representation of adversities experienced by the people of Korea, due to the brutal consequences of a ruler's greed, is of immense value and definitely deserve all the noble words that exist in the world. From making aware the contemporary generation about their history to generating nostalgia & cognizance in viewers by enabling them to look back and consider the affinities between realities of different times, Pachinko does all that, if not more. 

Enumeration of Sunja’s journey particularly feels nostalgic yet melancholic as it serves as a reminder of the wartime and post-war stories of 1st generation Koreans and their descendants. The nuance of these memories, however, forces us to acknowledge what they’d, in truth, gone through in the course of history and how it affects the current Zainichi Korean generation. It also shows us how resilient and strong people can be despite what life throws at them. Though the cornerstone essence of the story remains the same, adapting it into live-action demanded some changes, and these changes are brought forward from the development of the series; you can clearly experience it if you have read the book already.

In "Pachinko," the representation of Solomon goes with the complicated colonial history his grandmother navigated first-hand and the reverberations of which he continues to grapple with as an adult. This also captures his links with the Korean heritage, and both challenges and intertwines with his Japanese upbringing. Indeed, Solomon is the 2nd most focused character in the drama, for the latest time period portrays the saga of him trying his best to become a corporate slave, while his links with the foregone history of his family’s sufferings hold him back and enables him to make decisions, unsuitable for his career and his ambitions.

“Pachinko” is magnificently and aesthetically recountable, particularly while illustrating 1910s Korea. Shots filled with dusty hanboks of the Koreans and pristine uniforms of the Japanese are entirely accurate to their time period. The show is filled with panoramic landscape shots of golden grain fields, dense yet bright forests, diaphanous water bodies and inky oceans. The opaque and uncanny fish market and dark-timbered boarding house are fascinating to extents. The combination of both pitch & pale hue, with varied compelling colour palettes, provides immense pleasure to the viewers and its enormous production values which has resulted in stupefying cinematic values, can be witnessed and heartfelt, from the very beginning of the show. The camera beautifully captures the vast sea separating two countries: Korea and Japan, and their highrises, with the movements remaining easy on the eye. The meticulous set designing, development of premise and eventually bringing them to life, have paid off.

The use of sound and language is also beguiling and bewitching. The use of the comoosed sounds and themes in “Pachinko” is perhaps the most heart-felt since they possess the power that enables the viewers to connect to different time periods, accurately. Various instrumentals composed bring about the souls of the essential contexts that the author and makers have attempted to project upon the audience. Sometimes it pulls the heartstrings to levels, but for most of its parts, the background scores are caliginous, shadows, weighty and substantial.

Reportedly, Hugh also took care of the character outlooks in an effort of using beauty im order to create a timeless period piece. The extensive studies with collection of photographs and clips of the contemporary time was a great help for illustrating appropriate hairstyle and makeup; starting from looks to attires, everything was developed with sincere attention which is obviously reflected in the show.

“Pachinko” offers us a reality check on the assumption that the age of globalization may make life easier. It shows how globalization can also push us further away from our roots and ancestors. This story is truly extraordinary and unique, and one that should not be watched as a typical migration story. In “Pachinko,” identity is not defined in terms of binary codes. Each story is different, and each individual is different in spite of their shared historical experience. This has enabled Hugh to go for a standalone episode, portraying the life of Hansu, through a terrifyingly real incident. Hugh’s research also led her to the Kantō earthquake, which hit the Tokyo-Yokahama area on September 1, 1923, with the magnitude of 7.9. The impact of the disaster was massive, with a death toll of aprox. 140,000. What stimulated as a consequence, was the spread of rumours about the Korean immigrants adding to the destruction and trying to overpower Japanese, turning them to scapegoats, which led to massacres, which was unforeseen and heart-wretching. According to several unanimous reports, an estimate of 6,000 Koreans were killed as a result. Nevertheless, Lee Min Ho gives the best of his career in this and honestly it's the first time I liked his acting, he has improved, indeed.

I think I have already thrown light upon the direction and related tasks throughout, in my piece, like sound editing, cinematography, setup design as well as composing, etc. The directors Justin Chon & Kogonada have done their job with great care and their efforts are visible. The rest members of the team should also be credited their due words of appreciation. Congratulations of creating a masterpiece.

Writing the show, for Hugh, hasn’t been just about bringing the epic of the Zainichi family onto the screen, exceedingly, she has attempted to a great deal to showcase their thorough experiences & emotions in accuracy and get the facts right. Her immense research and fact-checking has also enabled her to get her script reviewed by 20 or more historians, including those specializing in Japanese history, Korean history, and colonization. Its notable that their opinions and voices were unanimous and this has surely helped to elevate the quality.

Exceptionally, in the finale, the opening credit is performed by the Korean pop Pansori (traditional) band LEENALCHI, which recreates the same song by modifying the lyrics with Hangul.

My most favourite quote from the show is:
"Even if you're scared, let's be scared together. If we do that, won't we gain some strength?"

You must look forward to the ending of the finale episode, for it shows us the interviews from several Zainichi Korean Women, currently residing in Japan and their stories of suffering, tolerance, resilience and resistance. The 5 minutes long edited clip is enough to move your heart and make you cry.

Final Remarks... Pachinko is a brilliant tribute to the resilience & forbearance of survivors from an era of oppression on small lands, that was not often discussed, previously. It is a very complex part of history which ties in with one of the best shows to have been brought to life. The grandeur of Pachinko is, in many ways and on many levels, a reminder of how time can affect our lives. It sort of redefines the standard of a story that can move millions of hearts. Pachinko is the life-altering story that should have been brought to screen much earlier. Please go ahead :)

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The best way I can describe this show is by asking you to picture a house. It's a very nice house, but over time the foundation seems to crumble. Then one day, the entire building can't hold itself up anymore and collapses in on itself until it's just a pile of separate, broken parts that used to make a beautiful whole.

Beautiful Gong Shim began as a drama with infinite promise in the rom-com area. The two main characters are quirky and at first glance, you just expect a cute little romance that you can enjoy without much thought. I'll also point out that the first few episodes included some of the most ridiculously funny moments I've ever experienced in any drama, so my expectations were incredibly high as the rest of the episodes came out.

A little past halfway through it, though, the plot tried way too hard to be serious and suspenseful, thus losing its initial humorous merits. The feeling is somewhat like listening to your grandparents tell stories: at first, you're pretty interested, but it quickly gets boring, yet you feel an obligation to sit there until the very last word. I stopped finding things to laugh at. The romantic moments were less rewarding in the midst of the mess of the conspiracy plot the writers drew up for no apparent reason. The characters deteriorated and lost every trait that made them unique.

If there were one redeeming aspect of this drama, I'd have to say that it's Nam Goong Min. Usually a professional in depicting a psycho serial killer in other dramas, this time he's the lead male with a fair amount of goofballness. He was a joy to watch, but his character was not spared in the enormous *let's-make-everyone-generic* massacre. Everyone else fulfilled their roles nicely, but Goong Min's really the star of this show. (Which is interesting, as I thought the directors would give Minah more of a spotlight but she really dropped off the radar late into the drama. I could say less of the wig they made her wear though.)

The music was fun; there were multiple tracks that cheered me up along the way and altogether, they were nice to listen to.

In general, I'd recommend watching maybe the first ten episodes, if not less. The beginning is worth watching, as it puts a smile on your face pretty frequently. It's just the second half that becomes appallingly boring (trust me, you probably wouldn't even miss anything if you skipped straight to the last episode as soon as the story even starts to drag).

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THOMAS!

Fluff, fluff and fluff filled with so much fillers and sprinkled with a few unneeded NC17 scenes.

This is hard to write - there was a lot of hype and i must confess that i fell inlove with the series in its first few episodes that i kinda overlooked all its shortcomings. It has all the elements of a Domundi series - extra rich leading men paired with very young (immature) boys; the extra super cute boys; and the almost obligatory sex scenes. However, through all the sheen and all the beautiful faces, it is an overstretched storytelling aimed to check all the BL boxes and offers nothing really new.

First let me discuss the good things i loved:
1. The very good looking cast - Thomas, o Thomas, where have you been hiding all this time (he actually caught my attention in that ill-fated The Middleman's Love Story but since he was just almost just an extra there i immediately forgot about him) - this series has poised him to be a star. Kong is just adorable. Do i need to mention how cute Por and TeeTee are? And of course Save ang AuAu.
2. Marakot's Babe!
3. If you put your critical thinking hat off, this show can be really enjoyable - Its just light and easy series to watch. And oh, have i mentioned Thomas?

Now the things that i find a little eyerolling:
1. Teerak is just too bubbly of a character for me - almost like he is living in his own Glinda bubble. This very child-like behavior also makes me think that the guy is not ready for a mature relationship -he is like a 13 year old boy wanting to be an adult all of
a sudden. The kiss-me-on-the-hair antic is ok at the beginning but it turned too cringy and borderlined overacting - imagine having a college dude acting like that in real lfe - it can be really really annoying. Plus, that fake girlfriend angle, can you really imagine Teerak having a girlfriend - the dude is a walking flower dashed with a few drops of mist and with its own ray of sunshine. THe girlfriend angle IS SO UNNECESSARY.
2. Can somebody please tell these recent wave of writers that a teenage-looking boy isnt believable as ultra successful CEOs or high level executives? They just arent. Even if you are from a rich family, it takes a certain pedigree and maturity to actually run a company. Muenfah is still just a baby. Somebody in Domundi has a fetish for hot looking young CEOs, i get the appeal, but a line has to be drawn somewhere - and they didnt have to use the same character type in every show.
3. Mike is too good for this role and too out of place in this series - im sorry to say but he looks too old to portray a college student next to the other members of the cast.
4. The school project exhibition. After making Muenfah an impossibly young college student/business owner the series came up with a story line for Teerak that he and his friends are suposed to present (and exhibit) their big big project - only to come up with Teerak's strawberry eating fox figurines in that snow-filled forest (which by the way they didnt even bother to make a snowy background), Joy's crochet keychains, and Punlee's silkscreen printed shirts. Really? They are college stidents and thats all they can come up with? And they passed with flying colors? Muenfah is closing big business deals and thats the arc you come up with for Teerak?
5. With the materials and footage that they had (and lack thereof) they could have compressed it to an 8-episode series and it will still be an enjoyable compact series. If they really needed to make it a 12-episode series they could have elevated the 2 other pairs to secondary lead status because for heavens sake they already casted 3 (or 4) very good looking pairs but did not utilize them all properly. I would have loved to see more of Real-Hia, Babe-Dom, and my babies Punlee-Klaijai (i could have used more of that flirting scene at the coffee shop).

Overall, its an easy series to watch. I would love to see more from these actors in the future, but Domundi has to spend a little bit more money for good script and extensie acting workshops. Will i recommend? A big-fat YES! WIll i rewatch - just to ogle at those cute boys.

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I felt more frustration than "love" unfortunately

*UPDATE: Finale was a big MEH for me as predicted. Sad Panda.*
I will likely come back and update this once the final episode air.
SO, the acting is wonderful. I love the characters and the storyline and this is definitely one of the steamiest shows on Viki. I love everything this show could have possibly been. I still love the show but feel more frustration than "love" a lot of the times which is why I'm giving it 7 stars instead of 10 for right now.
My issues:
1. For a drama romance to work, there has to be a bit "more" to keep the main characters apart. In my personal opinion, after 10 episodes, the "why not" just isn't there and it drags the entire storyline down in a major way.
2. The Chu Kehuan's ex is a bit of a one-dimensional & psychotic/dependent/weak character on ALL levels and it makes her whole storyline aggravating to watch. Since they also keep shoving her in our face as a "reason" the main character's don't just get together already, it makes episodes painful to watch and honestly, cringe-worthy. When she keeps repeating the same shit over and over again about "10 year relationship" and "but I love you" and so on. So. Painful. Already.
3. Speaking of #2 above, we all know from little hints that she has some hidden secret of WHY she got an abortion all those years ago and broke her man's trust in their relationship, but IF & WHEN she finally reveals it... do we even CARE??? No. No we do not, so that plot point is null and void and won't make any impact on us as viewers because she's a douche and we couldn't care less at this point.
4. ZWW's ex, 321. He might be CLUELESS and a bit of a bore AND he has 0 skills when it comes to knowing what a woman thinks, and so on, BUT I feel like the writers turn him into a bit of a manipulating, violent ASSHAT in a single episode because they didn't know what else to do to vindicate ZWW's decision (as if she needed any other reasons) AND to keep the plot moving along with drama thrown in for good measure in nearly the last episode. Now, with ONLY TWO episodes left and the previews showing 321 still showing his ass in the next episode, well, I don't foresee us getting MUCH actual ROMANCE/happiness between ZWW and Chu Kehuan that we've all been anticipating with bated breath.
OK... I have more issues with the show than I realized. And, sadly, I'm only watching the last episode because I love the actors and have invested way too much time NOT to see the ending. :/

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