A Fantastic Reinterpretation of the world of Parasyte
Parasyte the Grey somehow managed to tell a compelling story with great characters within a short six episodes. Every single scene moved the story forward. Exposition scenes were well done and did not overstay their welcome. Character introductions and motivations were precise. You're quickly told who everyone is and what they're here to do and the story starts running and never stops.The actors themselves did a terrific job. Especially Jeon Sonee as the lead. Her mannerisms and the inflection in her voice switched between two roles brilliantly. You quickly get attached to her character and want to see her be in her better place and show rewards you (breaks your heart too) for that. And it's not just lead who develops but the side characters as well. Particularly Koo Kyohwan and Lee Junghyun's characters.
I don't see this show as a horror but it definitely delivers on the action, sci-fi front. As to be expected with such a great director. The action is fast paced and well shot. The brief worldbuilding that we get is enough to get you invested in this changing world. The music was nothing special but definitely fit the atmosphere.
You definitely need no knowledge of the original manga or anime adaptation to watch this. It's a splendid story on its own. But it does excite them with that ending scene in the finale.
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“If it's something only a few people can have, it's not happiness."
Monster (2023) directed by Hirokazu Kore-eda who's very famous both in Japan and internationally for his heart-warming and humane stories. I watched this in theaters and it was one of the best experiences of my life. To think I'd be able to watch Sakura Ando and Nagayama Eita on the big screen is a dream come true for me as I'm a big fan of both of the actors. The screenwriter is again, a famous screenwriter in Japan called Sakamato Yuji . The music composer for this movie was Ryuichi Sakamato and he was an Oscar winner. This is his last work. So you can see how this is a collab of the year and can guess how excited Japanese people were for this, including me as I too am a big fan of these people. The movie actually lives up to the hype.
It's hard to talk about the movie without giving spoilers because it's best to experience the movie without knowing anything about it. But as it's my job to tell you, so I'll try to talk about it in vague terms. The movie is essentially about a single mother who noticed that her son, Minato , who's in middle school has started acting strange suddenly, when asked, it seems to be because of harassment from his homeroom teacher, Mr. Hori . The movie is about her trying to get to the truth to protect her child. But in actuality it's more than that. The story is told from different perspectives and how the truth gets lost because humans always try to protect themselves as their survival instinct so they try to believe in the truth that suits them the most unconsciously. There's no good or bad character in the movie, they are all very flawed, complex and humane . In the end of the day, the movie was about being human, not a monster ( In which all of the characters believe themselves to be the Monster) .
It was just so beautiful, I felt deeply touched by it. It's just a masterpiece. No more words. The only flaw is I felt the ending was a bit abrupt. I wanted a bit more closure but it’s forgivable. You should watch it if you've loved other Koreeda movies! If you're new to his or Japanese movies in general, I suggest this movie is for people who enjoyed character driven stories and portrayal of human emotions. The fan inside me wants to say that everyone should watch this movie at least once as it's essentially about being a human but if you can't digest some disturbing themes like bullying and parental neglect, I'd suggest to not watch, but otherwise I feel it's worth a try for everyone.
My rating: 9.5/10
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a Film about waiting.
I truly think that this movie did an excellent job to portray a story about waiting for the one you love.There is also the fact that whenever they talk about homosexuality in the movie it always done implicitly (even if you can understand that they are talking about that), which is really a great thing because whenever I see an lgbtq+ film when the main character (or other characters) is homosexual, it is almost always screamed on every rooftop (
I do not have a problem with that, all kind of representation is good for me) and I just like to know that you do not have even to mention once in movie homosexuality to talk about it. Also, the fact that the homosexual representation in Korea is so minimal and not always well represented in media, as being part of the lgbtq+ community it does make happy to see such a good film on this kind of topic.
This is my personal opinion, but I do not think that the main point we should focus on here in this film is homosexuality, but love between two people that will continue throughout their growth as young adults, regardless of gender.
The fact that Soo Hyun is in a coma can be interpreted as time stoping for him, at one of the best moment of his life, when he is with Yong Joon at the beach, and then waking up with the world and his lover changed.
Yong Joon is at the same time is enduring the challenges that come with the discovery of his relationship by Soo Hyun's mother, of growing up, having a job, losing his father, continuing his studies and life without his lover and he is only waiting to be reunited with him. Of course, there is the fact that Soo Hyun's mother is at first not supportive of there relationship because it is a homosexual relationship, but she will with time realise that gender does not matter in a relationship and that the love that they have for each other matters more.
I really liked to watch this movie, it was a pleasant break from couples in dramas who are overdoing a bit everything and searching for problems in their relationships (of course, I do not say it is the case with every drama). It was refreshing and taught me a little more about being patient with the people you love.
I highly recommend it to anyone who does like a calm film now and then (and also to cry a bit).
P.S. thank you for reading my review, I do not know if you understood everything that I wrote. I just needed to put this somewhere.
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The film main point is making a dictionary titled “The Great Passage”, like the chief-editor stated: “A dictionary is a ship which crosses the sea of words and languages”. Being a lover of dictionaries and words in general, I am ashamed to admit that I was ignorant of the hardships and the overwhelming mission of making a dictionary that may take more than a decade to accomplish. Therefore, this film was such a penetrating telling of an intriguing theme.
While watching The Great Passage, you will be stroked by two things: the story’s process and the characters’ portrayals and interactions. The first part is a quite slow narration of events that may not sound impressive at first sight. However, with the film progressing; many parts start to connect and the plot becomes as solid as ever. Moreover, light moments were also used to add some entertainment such as the editors eavesdropping on young girls’ conversation to find out new words invented by the younger generations. Although, this film may not be to everyone’s liking because of the theme and the very slow events’ development but I believe that was the perfect way of making such a film.
The second part is what makes the film quite special too; this film’s characterization was carefully handled to not appear surreal or lacking. For instance, the male lead Majime (literally translated as “serious”) was a quiet man who finds trouble with expressing himself; he’s always surrounded by books and has zero friends and thus no social abilities. The only one who’s able to understand him a little is his landlady. When such a man gets the chance to make a dictionary, he was inspired and determined to make it his life goal. In the meantime, he falls in love and starts struggling to win his lady’s heart, despite his lack of self-expression, while continuing his dream of making the dictionary come to life.
On the other hand there are his co-workers at the dictionary department; his fellows in this enormous mission of defining, refining and editing thousands of words in a modern-day dictionary. All of his colleagues were quite endearing but the most captivating character must’ve been Nishioka; an entirely opposite character of Majime; talkative, social and very affectionate; he was Majime’s right hand because dictionaries can’t be made by bookworms alone.
The acting was powerful. Matsuda Ryuhei is a very talented and versatile actor; I’ve got the chance to see him in five different roles so far and I loved him in all of those but this must be where I become a great fan of his acting style: expressive, calm but turns intense in need. His portrayal of Majime’s was perfect; he involves you with his character at every facial expression. Other actors were also quite good in here especially Miyazaki Aoi and Odagiri Joe, one heck of an iconic Japanese actor.
The selected music for this film was very well synchronized with the film’s theme and developments. It adds a great taste to the watching experience. The cinematography was also pretty well conveyed considering the fact that this film contained many time jumps from the 1995 till 2010.
Watch if:
-You’re interested in different types of films.
-You like watching inspirational films.
-You like to learn more about dictionaries.
-You like watching high-profile acting.
Do not watch if:
-You can’t handle slow films.
-You’re looking for romance.
-You’re not interested in dictionaries or words.
-You find inspiring stories “boring”.
The Great Passage is a motivating film that handles a different topic. It’s certainly not for everyone but if you can handle it then it’s undoubtedly one of those hidden gems that leave you with a smile on your face.
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intense, heartbreaking, beautiful
Overall: this series had me on the edge of my seat every single episode. Never have I been so invested in characters discussing lines. It's in a league of its own. Watched on Gagaoolala.Content Warnings: homophobia, grief about past death, alcoholism, past bullying discussed, age gap (this does not bother me in this instance)
What I Liked
- acting, you could cut tension with a knife at times
- metaphors (bridges, lines, etc)
- layers upon layers with figuring out what all happened, we actually did not learn exactly what all happened in the past and I'm okay with that
- Wang calling his mom out about her way of addressing her friend in episode 1, overall I loved Wang's character and how he was not afraid to be himself or fight for what he thought was right
- cinematography and overall production value
Room For Improvement
- how are there only 2 bedrooms and 2 bathrooms in that huge house?
- the OST was beautiful but it was really the only song played the same way over and over again
- should have removed the commercial breaks
- the blurring of the alcohol (this was likely done for Thai TV but wish they had unblurred it on gagaoolala)
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Karma is a Court Lady.
Billed as a love story between a reformed rake Sheng Chumu and a court lady Fu Rou, this is really an opulent tragicomedy about the succession turmoil that plagued the latter years of Li Shimin/Tang Taizong's reign. It is a surprisingly empathetic and riveting portrayal of the greatest Tang emperor's disappointing and much reviled crown prince Li Chengqian. It strikes me that his story is what the writer really set out to tell; all the other parallel sub-plots are much more indifferently written.The way the drama is promoted as Fu Rou and Sheng Chumu's love story is misleading and misinforms audience expectations. Yes, I know how adorable they look together but their story is rather pedestrian and is not the main meal so they end up spending an incredible amount of time apart. Neither character has free will and their romance does not drive the narrative; it is in fact subordinated to and frustrated by the main succession plot. That is necessary as these two main parallel, interlocking plots are related primarily from Fu Rou's perspective as a court lady or official 女官 with close access to the workings of the inner palace and the imperial family's private moments.
Although Fu Rou is the eponymous character with the most screen time, this is a cardboard character that is made worse by Li Yitong's anodyne, colourless portrayal. Fu Rou is pretty much superwoman - an incredibly talented, resourceful and daring fixer who finds herself in the middle of every palace conflict large and small. She comes to the aid of anyone that appeals to her bleeding heart, taking on matters well above her pay grade. She has the temerity to lecture and chastise anyone and everyone from lowly palace servants to the emperor himself! I would have loved this character to death if she had a bit of a dark side, an odd hobby or even some tiny flaw like picking her nose in public or something, anything. But no, Fu Rou is a suffocating paragon of virtue, moral rectitude and forgiveness; who genuinely believes that good deeds begets positive karma that pays off in the long run. But if karma is a bitch, then her title is court lady because there are heinous, irreversible and tragic unintended consequences to Fu Rou's meddling and her indiscriminate assistance to wicked people. Due to editing/censorship issues, we never get see Fu Rou reflect upon the folly and irony of her interventions or experience any sense of remorse or regret. Thus there is no character development and by the end Fu Rou to me is just a vapid, righteous prig of a character that I most resent - poor Chumu is so much better off remaining Changán's most notorious playboy.
In sharp contrast, Xu Kai's Chumu is a much more engaging, funny, relatable and outside of a lapse in the middle; a smart character that undergoes tremendous growth. It is a pity he gets so little screen time because he has a wonderful ability to just casually infuse a moment with comic relief. The comical antics of the gruffly hilarious Sheng Xianjing, Chumu, Chuling (shout out to the very funny Kris Fan), the gamine Princess Xinnan and Prince Han go a long way toward diffusing the dark undertones to the drama. Nothing made me laugh harder than Princess Xinnan balancing those dastardly bowls. Unfortunately the denizens of the inner palace and especially Fu Rou and Prince Zhou are humorlessly written and portrayed, resulting in some stifling and overly angsty inner palace arcs and a notable darkening of the overall mood in the second half.
With five or six couples, there is at surface a lot of romance in this drama but they are mostly flawed, complex and maddening relationships. This is due to the surfeit of unsavory, corrupt and chauvinistic male characters, from stalkers to lechers and murderers who simply cannot take no for an answer and lame brained female characters willing to indulge their flaws. As a result, most of the ships are leaky and not seaworthy enough to survive stormy seas. These messy, disturbing love-hate relationships are not consistently well written and there are arguably too many of them. That said, these characterizations are compatible with the times and the illogical pairings seem to curiously "work". They are certainly far more interesting than the usual lighthearted and fluffy standard fare of secondary romances.
The main appeal of this drama for me is Li Shimin, Tang Taizong's succession story, which I feel is what this drama is really about and it is compellingly portrayed. For a fictionalized account that takes a fair amount of literary license, it captures the essence of the main historical figures and remains astonishingly true to the important events of the day. The one dark stain in Li Shimin's history was the Xuanwu Gate Incident, where he personally killed both his brothers from the same mother and forced his father to abdicate in his favor. He went on to be a benevolent and revered emperor, one of the greatest in history. This drama is set in his twilight years as history appears to be on the brink of repeating itself. It is an intimate, at times a scathing expose on the insufferable privilege of imperialism and at times a compassionate account of how impotent, conflicted and utterly terrified this emperor and his beloved empress must have felt as they watch their sons at each others throats. In all the moments that count within this main arc, the writing holds up although towards the end when everything comes together, it is quite obvious that some scenes were lost to censorship.
The most phenomenal, multi-faceted and evocative performance that stands out among an absolutely fabulous cast is Li Zefeng's portrayal of the crown prince. I find it unfathomable that I have not noticed this actor before. He starts out as the highly regarded crown prince, showing so much promise and closely allied with his brother Prince Han. But he is slowly cracking under the immense pressure of being crown prince under the exacting eye of his father and the court and constantly measured up against his other talented brothers. The acting was so good I could understand why he sought refuge in frivolous pursuits and why he needed Chenji. I was surprised by how openly and sympathetically their taboo relationship is explored. It is the relationship that moved me the most, I grieved with him when it ended and I could see how he unraveled and gave in to his worst instincts. Prince Han is the other well written and well acted role. It is tragically comical how their sibling rivalry blew them up and I love how their bond is depicted with a multitude of emotions and a good dose of irony and humor.
I enjoyed this gorgeous and expensive production quite a bit although the story is quite dark and there are too many distracting sub plots and frustrating characters. Although the writing is at times lazy, fantastic acting by the veteran cast more than makes up for it. But it is definitely not the kind of story most viewers thought they would be watching when they picked this up and it definitely will not appeal to everyone. I enjoyed it enough to give it an 8.0 and would probably rate it quite a bit higher if they had diminished Fu Rou's role.
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Slow Burn, Big Feels
This series pretty much has it all tbh, there is action, drama and romance with a provocative plot. The characters are well-developed too, the story is interesting and the visuals are really pretty to look at. Plus, it doesn’t shy away from real-world issues so if you are tired of cookie romances and want something fresh then please add it to your list because any series that can make you root for a heist-loving rebel with a heart of gold is worth your time.The Master of Disguise: Joker
He is my favorite character ♡ he has a very suave and charming demeanor but under all that there is a man crushing under the expectations of his parents who only show love if he meets their impossible standards, so to cope he channels his energy into becoming a modern-day Robin Hood and I think that his moral ambiguity makes him a fascinating ML. My man is waging a one-man war against oppressive wealth inequality while trying to find his own freedom from familial pressure.
The Heartbroken Fighter: Jack
His story is a polar opposite yet equally heartbreaking. He begins as an idealistic, shy young man with dreams of becoming a taekwondo champion and opening his own school. But life throws him a cruel curveball because he ends up being forced to become a debt collector to survive, he transforms into someone unrecognizable, hard and intimidating on the outside but still tender and kind within. I think watching Jack grapple with his duality was one of the things I loved the most ngl. He’s a man trying to reconcile who he was with who he has become.
Jack & Joker together :
The relationship between these two is the heart of the show. They start from strangers to friends, then to enemies and finally lovers, they go through so many stages to end up where they do and it's slow but I personally think it's refreshing to see a BL series that takes its time building a relationship between the leads, plus their chemistry is off the charts thanks to YinWar. You can tell these two actors trust and understand each other deeply because whether they are working through misunderstandings, confronting their pasts or supporting each other in the present, they always nail the emotions head on.
Cinematography :
In my opinion, the series is stunning to the eyes which is a rare feat in BL dramas lmaoo but here, the cinematography catches the glittering and superficial opulence of the wealthy with the gritty realities of poverty really good.
Social Commentary :
I have to mention this because the heavy themes in this show are really worth paying attention to, like wealth disparity, family expectations and identity without feeling preachy, these were all subjects that really caught my attention. They went deep in how society shapes us and the lengths we go to in order to break free from the chains.
The Main Cast:
I just fucking love them. Their chemistry is just so damn good y'all, their emotional beats hit hard and they bring so much to their characters like it's so obvious how much they worked for this show, they have poured their hearts into these roles so PLEASE GO WATCH it. You won’t regret it.
➭SPOILERS AHEAD - DETAILED INSIGHT
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First, let me start by saying that Tattoo’s character development was really good. I’ll admit it tho at first, I couldn’t stand him. His decisions seemed selfish, reckless and frustrating. But then I started to understand where he was coming from. He was someone desperate for a better life, for a chance to escape the endless cycle of poverty and the choices he made were just about survival. It’s heartbreaking when you realize that desperation can push even the kindest souls to do things they wouldn’t normally consider but by the end, I found myself really liking his character.. Ahem..with Aran. I SHIP THEM SO BAD OKAY?
An other thing I have to mention is that I absolutely cannot stand the father. Every single scene with him had me seething lmao. The way he treats Joke is beyond infuriating, it’s hella toxic, I mean the constant belittling, the endless disapproval, and the way he dismisses every effort Joke makes ( ͡° ʖ̯ ͡°) I deadass think he was actively trying to destroy his own son. How can you call yourself a parent when all you do is tear your child down, leaving them feeling like nothing they do will ever be enough?
What makes it worse is that he doesn’t even try to understand Joke or his choices. Instead, he clings to this outdated, rigid sense of control expecting blind obedience while offering zero support. It’s no fucking wonder Joke feels like he has to bury so much of himself just to survive under that man’s shadow. Tbh watching their interactions made me sick because you can see how much damage the father’s words and actions have done to Joke’s confidence and that little redemption shit they tried to give him wasn't enough for him, sorry but I can not and WILL NOT forgive that man, he is literally emotionally abusive and Joke deserved better.
Lastly I will say that I am absolutely floored by our main leads ღ The way Jack and Joker started as complete strangers, slowly growing into something that could have been so much more. Sometimes, I catch myself wondering, what if Joker had never gone to that bank? What if Jack had never felt betrayed? Would things have been different? Well I'll never know ಥ_ಥ but seeing Jack so hardened by everything he had been through was painful however after the time skip, when his eyes met Joker’s, I didn’t see hate in his gaze ngl, not for one second. I don’t think Jack ever really hated Joker. Deep down, I think he hated himself. He carried so much guilt, so much anger and Joker became an easy target for it. But as he let go of that anger as he forgave Joker, he started to find himself again and the way their friendship rekindled so slowly, so naturally was what made it all the more powerful. There was no rush, no shortcuts, just a slow rebuilding of trust. Watching them fall for each other, piece by piece, moment by moment, felt really satisfying after all the emotions I have been put through with this show. At the end I think it was more about healing than just love. They became each other’s safe haven.
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OH THE FEELS!!! And OH THE ORIGINALITY!!! And OH THE AWESOME LEADING MAN AND SUPPORTING CAST OF CHARACTERS!!! Those are the reasons Ho Gu’s Love (HGL) is getting this review from me. After I finished watching HGL I immediately gave it a 10, then I let it soak in a while and let my objective mind take over and bumped it down to 9.5, but really it’s more like a 9.9 with the only flaw being that so much of the plot had to depend on just simple misunderstandings (like 16 hours of Three’s Company). I felt that after a while it might have been better served for at least one of the misunderstandings to have been cleared up a little sooner, and they became so silly as to almost be a parody of themselves within the drama, as though it was self-aware as to what absurd lengths the misunderstandings had gone (which actually made it better for me). That said the feels and the cast and the characters and the originality were just so on point that they overcame this flaw and then bounded past it like a bullet train past a horse and buggy. So without further ado, here is why Ho Gu’s Love is one of my favorite Kdramas of all time.1. Originality: Yes, I consider originality an essential element of a great Kdrama. HGL had many elements we don’t normally see in Kdramas including decent treatment of normally risqué themes (all of which I’m not going to name because spoilers). It also frequently upended my expectations of how the plot would play out, with a particular bit at the end that I was surprised by when I really thought it would go another direction to give a more pat Kdrama moment (once again, you have to see it to know what I mean). Also, there are amazing parental characters that behave in such refreshingly awesome ways.
2. Characters: Oh the characters. I am so in love with HO GU I just cannot stand it. He really is one of the best leading men characters of all time. The writer (and the actor, to be discussed next) took a character that could have been just a fool and just a sicky sweet guy and made him so real and warm that it truly is a feat of genius. I think what is most amazing about Ho Gu and the way he is written and acted is that he makes everyone else in the world look like the fool that they think he is. It’s like he has got it right and we are all wrong. Even when he shows flaws like being a little too clingy or nosy, it’s okay because sometimes in real life our emotions do override our rational and that can happen in the moment. And then at the end he even grows. There’s never been a character like him before.
a. Do Hee: She rubbed me a bit wrong at first, but by the end I was totally in love with her. She really is pretty awesome!
b. Byun Kang Chul: Speaking of rubbing me wrong at first. There are people that dropped this drama because they hated him so much. To them I say WAIT! Nothing is as it seems! He is wonderful and his growth in the drama is the greatest; don’t judge after just a few eps. You are totally wrong!
c. Ho Kyung: BAD ASS!
d. Do Hee’s Baby: The cutest baby in the history of Kdramas.
e. The Support(ive) Cast: The greatest parents ever (Ho Gu’s)! Parents that show a lot of growth. Funny and kind friends who also have lives of their own and aren’t just props. It all results in just the sweetest extended family you’ve ever seen!
3. Acting: Awesome across the board! Even Uee who I previously didn’t think much of was wonderful in her way. And Im Seulong, who I found almost mesmerizing in Mandate of Heaven as the king, was even better here. He really is good and I expect great things from him in the future. He can do drama or comedy with equal aplomb. And his physical comedy is just hilarious. The supporting actors and actresses are all good, especially the parents and the actress that plays Ho Kyung.
But Choi Woo Shik, for him I don’t know if there are words. He is a star. He is wonderful in every way. Without him the character of Ho Gu would have failed with a thud. CWS is PERFECT in this drama with no flaws. When he cries, I cry. When he laughs and smiles, I laugh and smile. When he is intense, I burn and when he does physical comedy, I laugh until my nose runs. He brings Ho Gu so much life and warmth and spirit and even gravitas for a character that on paper would have none. I love him in this. I love him so much it hurts!
4. Plot and Writing: As I said earlier, there is a little weakness here where the plot depends too much on misunderstandings, but the originality and the dialog and the twists more than make up for that weakness. I know this was based on a manhwa so it’s not an original story and I have not read the manhwa so I don’t know how much this deviates, but I think the writing was really top notch. Once again a cable channel brings home the bacon where so many network shows fail miserably.
5. THE FEELS! What puts this drama over the top for me in terms of love and awesomeness though is the feels. I laughed; I cried; I laughed; I cried. I did those things over and over again, episode after episode. I can watch whole dramas and never laugh out loud or cry like a baby; I did both every week with this show. Maybe it touched me more deeply because I have a 16 mo baby. I don’t know. But I will never forget the emotions this show made me feel for as long as I watch Kdramas.
So there you have it. Stop whatever you are doing now and go watch this drama. It is nearly perfect and where it isn’t perfect, the intangibles make up for it. And if you love great acting, you have to see Choi Woo Shik in this. You are really depriving yourself otherwise.
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please tell me this was a social experiment
you know those shows that you just never want to end? this was the complete opposite of that. I spent every single second watching this hoping, wishing, praying it would just end already. I put it on 2x speed and still felt myself growing older by the second, wasting away my precious minutes on this earth watching this trainwreck of a show.now you may ask, why did you finish it if you hated it this much? I have no answer for you. I myself am astonished by my own perseverance. I told myself I would see this show through to the bitter end and I can proudly say I DID IT! I withstood it all. the bad acting, horrible writing, boring cinematography, outrageous advertisement, obnoxious background music and I came out alive. I stand victorious against this show! It hasn’t broken me, but oh boy it certainly tried.
sometimes when I close my eyes I can still see it… the logo “Lodestar Productions” looming in front of me, mocking me. I wake up in the middle of the night, drenched in sweat after having found myself trapped in a nightmare where I, too, am sitting in that office. unable to escape the melodramatics of daonuea and nine. unable to even scream. someone hands me phone and asks me to book a flight using the AirAsia SuperApp™ I take it, my fingers numb, only able to wait for death to put an end to my suffering.
anyways this show was shit. and considering how many people it takes for the production of a drama I cannot believe that this was anything other than a social experiment. there is just no way that many people earnestly signed off on this idea thinking it was going to be a hit. I will not believe it. watch it if you’re looking for something to bore you death and haunt you in your nightmares.
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Beautiful True Love Depicted
I’ve seen mixed reviews on this but I just have to say I read the manga before watching the show and I LOVED both the show and the manga very much!!!!I thought that the actors for the show did a phenomenal job. They conveyed there emotions very well and there was no awkwardness at all. I could feel there love for one another through the screen. I would actually love to see some of the other films/tv shows they have acted in.
They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too.
One thing I really want to touch on was the breakup. I felt really bad after watching that episode especially because of how Akira broke up with Yuuki. It’s sad that Akira felt like he had to live normally with a wife but unfortunately that is something that people who are apart of the LGBTQ+ community have to deal with in there everyday lives. It’s a realistic issue. When he called there relationship a “fruitless relationship” I just about jumped at the screen. Imagine being with someone for 10 years or so and that’s what they say when they break up with you. He didn’t have to do all that to poor Yuuki. None of that was called for. I wanted to see him suffer for how he went about that situation and I’m glad we got to see him pining on the last episode tbh lol
Shoutout to Akira’s sister for being a TRUE ally!!! We love to see it!!!
Also, History Make Our Days Count was one of my favorite shows that I watched and I’m glad the two main characters made a cameo. It was an unexpected but lovely surprise!!!
Overall, loved the show!!! Would totally rewatch!!!
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“The song that I madly, deeply wanted to sing... That song should've been mine.”It's been exactly 3 weeks since I completed this movie, and I've made sure that I'm not emotionally attached or blindingly giving full scores. I can't find any fault in this piece, still. I never had such a hard time trying to put my amazement into words. I hate to spoil or guide you to view this film in a certain way, but I believe that the synopsis and the trailer are already a huge spoiler, so here's my attempt to elaborate:
Let me tell you first that this is not a “journey to stardom” kind of music movie or a story about two girls pulling each other's hair and fighting over a guy. Of course it does revolve around the themes of music and jealousy, but there are more to this than just being another love triangle story between musicians.
There is an absolute charm to how its English title accurately describes what this film has to offer. “Love, Lies” speaks for its entire composition: 50% hope and 50% despair, and I don't say that lightly; this film boldly runs for 1 hour telling the story of love, friendship, hope and dreams while building up the tension, then, later at its 50% mark, turns into a story of lies, jealousy, betrayal and broken heart for another hour. It also wraps up with guilt and consequences at the end, leading you to fully sympathize with every decision made by the main character no matter how crooked she’s become.
The setting in 1943-1945, the very end of Japanese occupation era in Korea, was fully utilized here and it intertwined so well with the music theme. It was the last two years that “gisaengs” existed. It was the most modern period of those Japanese backdrops. Also, Korea's liberation at the end of the story plays a good part. Here is where it could become difficult for some people to give this film a high score; the movie does require a little understanding of “musician mindset”.
Music is a form of art, and by art, it means there's no correct answer. It’s very subjective and personal. One may view music as something suitable for high class, but on the other hand it’s never wrong to think that music should belong to people in every social status. This conflict will set lover conflicts in motion in the story. So, think: What if your musician lover prefers someone else’s voice rather than yours? It’s unfavorable, but it’s not wrong, right?
Because the man in question is a musician – a pop music composer, it somewhat allows his unfavorable choices to slip through. It’s quite a given that his mind does not (need to) function entirely logically. He makes choices based on his artistic hunch. When he, according to the synopsis, “falls in love” with his girlfriend’s best friend, I came to fully accept the fact, although I didn’t support his decision either. And that was just one of the many reasons I loved how thoroughly planned the writing for this film was.
The Korean title for this movie “Hae-eo-hwa” is another old term for “gisaeng”, women who received high education in music to perform in front of and entertain men of high social status. “Hwa” means flower, so “haeeohwa” also means “a flower that understands human’s words”. The term represents how women (gisaengs) were treated as social inferior. This “haeeohwa” theme plays a big part in the film more than just suggesting the leads’ profession. One woman is willing to follow the guidance of a man she loves, and another goes against her own beliefs and throws herself at another man to gain power to take back what she loves.
All of these are combined into great storytelling, and in the end, you will see for yourself whether it was the “artistic mindset”, the social derogation of women, a man’s swayed heart, a friend’s betrayal… or it was entirely something else that ruined it all.
“Why did ____ not know back then that it was good enough?”
Also, don’t forget to keep an eye on the minor character Kim Okhyang. She doesn’t appear often, but she’s another character that will leave you with many thoughts in the end.
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I was stunned by Han Hyojoo’s acting as the sweet yet heartbroken Jung Soyul. Facial expressions were the key to this character’s portrayal, and she was utterly perfect. Casting Chun Woohee as Han Hyojoo’s best friend who needs to look and feel smaller and a bit inferior was also a great decision. Yoo Yeonseok’s laid-back demeanor was definitely suitable for his music composer role. He also deserves compliments for his months of effort in practicing piano just for this movie. Everyone including the supporting cast really made this movie come to life.
As for the music, there are plenty of music movies that fail to deliver an excellent result in the music department. This movie did not just reach my expectation but surpassed it to an exceptional level. Traditional “Jeongga” music and 1940’s trot are not what would appeal to everyone’s ears, but this movie made their music very sweet, easy to listen and memorable. For additional points, the two lead actresses performed every song themselves, and they were spectacular.
Lastly, the artistic department deserves great compliments. Locations, costumes and props were top-notch. Cinematography presented this film in vibrant colors, and the composition was beautiful from the beginning till the end. Everything was grand and aesthetically pleasing here.
I usually don’t rewatch, but I will definitely watch this one many times.
I absolutely recommend this film to everyone.
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1I have read 50% of the novel and I can say that the production of this drama did a great job to make the story alive! There are some minor changes, but that did not affect the storyline. There are some scenes that I thought maybe can be done better because some of them were just kind of out of detail. I wish that they put more focus on the characters' personalities since I know the story can be developed more from that, but that's okay, I laughed a lot watching the FL and ML interact. The chemistry between the FL and ML is so good. Their acting is very natural, like real siblings. I have watched some of Miaoyi's dramas, and I also know Jun as an Idol, I know he was a child actor. This drama honestly surprised me because their acting is so good! I just know that they were actually having fun doing this project together.
I just hoped they put more songs into the drama, but maybe because it is a rom-com, the OST is more fun songs? Idk.
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Soothing sweetness of a healing Love Story in the midst of brutal, relentless Seoul business life
"Love Scout" offers a cozy, soft and warm love story for the heart. Here: embedded in the tough Seoul office workday. Also: it offers perfect KDrama craftsmanship for this genre. Somehow everything was done right. The social network of our two protagonists also fits perfectly into the whole. Additionally, there are quite some valuable messages between the lines. And then there is the soothing sweetness of a healing (fictional) KDrama-world in the midst of the harsh, intrusive, inhumane, unvarnished reality."Love Scout" conjures up a sweet love story in the brutal, relentless professional everyday life in Seoul 2025. On top of that: a workplace romance between a female boss and her male secretary is not exactly the easy choice.
The story has a certain sweetness to it, also thanks to 7-year-old Byeol. She actually manages to bring out the best in everyone, aiming directly at the heart.
However, the backdrop of the drama – or rather that of our two protagonists - is actually rather sad.
SHE is a successful businesswoman with good instincts, running her own headhunting agency, but along the way she has somewhat lost touch with herself – she has sort of cut off her needs. The price of her success is high. She is a workaholic, exploiting her body, and just as she tramples over her own needs, she does the same with those of her employees. Apart from work, she practically has nothing. The advantage: her (guilt) feelings are buried under workloads. No time to delve deeper.
HE has perfected the art of anticipating the needs of others. As a single father, he has everything under control. Admirable. But on the downside, he is almost compulsive, as he has no other choice – he cannot help but recognize the needs of others before they do. His antennas are completely tuned to his environment. Thus, he comes across as quite sympathetic, as he is the nice neighbor, friend, colleague... However, as a single parent there is hardly any room for his own needs either. He defines his joy mainly through the joy and satisfaction of others. This inevitably makes him not necessarily alone, but still somewhat lonely. And there, deeply buried, are well-hidden (guilt) feelings, too.
Both our FL and ML are quite efficient. Almost perfect. But both also work like highly efficient machines. In this, they are similar and can each see behind the facade of the other. A good start for a healing love story. A healing story overall, in the midst of a structurally sickening, toxic work environment where there is no place for human beings with human needs – for appreciation, sincere recognition, fairness, and enough regeneration time to recharge their emotional and physical 'batteries'.
The dance of FL and ML, performed on this stage, is touching the heart. Tender, at times playful, heartfelt. The encounter between the boss and her secretary becomes a gentle rapprochement between two people who are so cut off from themselves and their own needs, yet reflecting, recognizing, opening up and learning to love each other in this very aspect.
It is an overall good mixture. A love story with charming side plots, balanced in a well-proportioned way with socially critical issues. Those who wish, may condone the seriousness. And those who appreciate the earnest critique, will generously be served. Thus, in my eyes, „Love Scout“ offers quite salubrious and gratifying KDrama-delight.
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Hilarious and charming, great acting (especially female lead) even with the cliche plot device!
If you read the synopsis, this seems like every other contract-marriage drama but this one does it very well. Although this show might seem like it'll prey on cliche tropes, it actually is one of the most charming cdramas of the year in my opinion.Characters: First off, you have actually supportive parents. They're not the stereotypical "evil" in-laws. Both parents are good-hearted and want the best for their children and just want them to be happy.
You also have interesting side couples. At first glance, you might think a love-triangle will deter the show, but it really doesn't. At first, you might find the SML as a "bad guy" but you realize that he's actually harmless and caring deep down - it doesn't fall into the pithole of an annoying second male lead. He actually cares for the FL and her wants/desires. The love-triangle essentially stops a bit halfway through and SML starts to focus on the SFL, who is one of the cutest "best-friend-character" of the FL. Even the initially annoying Tang Ping stops her bratty nature relatively quickly and becomes a supportive character instead, Overall, the characters are very enjoyable.
The main female lead is a forceful and strong CEO while the male lead is a caring, quiet, and considerate doctor. It's nice to see more strong female leads. Even though she's assertive, Zhou Yutong is SO funny and adorable as well. So many individual cute moments + cute relationship moments. Simon Gong plays his part great as a foil to the FL. There's great character developments and you begin to see a role reversal in the later episodes which makes everything so much more quirky and entertaining. Honestly, the leads + supporting cast are done so well!
Plot: It's nothing too special but I just wanted to say that it's a very funny drama. It's not really external conflict/plot-driven but more character-driven which I enjoyed a lot. There's actually "laugh out loud" moments. The chemistry between all the characters are great (leads with each other, different combinations of lead with supporting, supporting with supporting). Small misunderstandings are resolved relatively quick so it's a nice watch most of the time. The most important thing to note which might be a SPOILER is that there's actually a time-skip which breaks this show out of the mold of a generic contract-marriage drama. I generally don't like giving a "spoiler" but I feel like this one isn't that "important" to keep hidden but it's still important to mention since potential viewers might want to know. I normally hate a plot device like this, but in Begin Again, it's done very well -- reasons are valid, characters change and grow afterwards.
However, one issue I have with the plot is the business politics side. This is the one part of the drama where it feels forced and unnatural. Character motivations are unbelievable. It's not particularly prevalent but whenever it pops up, it just makes me want to fast-forward [but it's very minimal]. Honestly borderlining unwatchable for me; thank god the romcom aspect is done well to keep me locked in.
Conclusion: Watch this for the adorable characters. Strong female lead, nice male lead, character development, likable supporting cast. Even a show that seems to have many cliches, it actually subverts many obvious ones and is a great watch. It veers away from the melodrama tropes and is fresh and refreshing.
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