This review may contain spoilers
High-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Society in trouble. "Angry Mom" confronts viewers with some unloved topics. Bullying comes first and keeps the door open for one more... and one more... and one more... and one more... It's about the attitude of the parents when it comes to education and school, about prejudice, discrimination against women, male-dominated hierarchies, pedophilia, the power of the powerful...If it weren't for the comedy (even just the fact that the mother, in her mid-30s, puts on a school uniform again and goes to school), it would all be hard to bear. Also, the protagonist's former school friend was deliberately portrayed in an exaggerated manner. She and the gang of men she leads often look like they're straight out of a cartoon - she herself is sometimes reminiscent of the Red Queen from Alice in Wonderland. Her scenes always provide a breather with a little exaggerated fun, even if the bitter seriousness does not fall by the wayside.
The comedy has nothing to do with a charming blinking. It only serves as a channel for anger and dismay (of the viewers). The story itself isnt´t all too easily digestible. The daughter is being bullied, but no help can be expected from the official authorities. The mother does the work herself (absolutely marvelous: Kim Hee-sun!). Without frills, she stumbles right into a male-dominated snake nest in the high school environment. The further she courageously advances, the more unexpected help she gets. However, no one else would dare for themselves, although many do not like what is going on. ... If she would not be a mother with her child being affected, she would probably have given up too...
This is once again high-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Don´t miss it.
Was this review helpful to you?
This review may contain spoilers
Dynamite is lurking everywhere that could bring the Empire down... but who dares to set it on fire?
First of all: should you watch "The Empire"? In any case. Yes! But: The KDrama isn't funny or soul food at any point... Rather, it provokes by intelligently and multi-layeredly confronting the ugly sides of the glamorous world as well as the almost hopeless rebellion against it."The Empire" stylizes the world of that top 1-10 percent, that outrageously wealthy and influential elite of society who can afford a lifestyle that the rest of society dreams of. At the same time, this elite presents itself as mendacious, bigoted, moral scum. Dynamite is lurking everywhere and could explode at any moment. The KDrama paints a dull, tired, bored, vile, quarreling picture of the rich - not a radiantly beautiful one brimming with vitality. Wealth is displayed in a feudal manner, but it seems a bit pietistic, even from the outside it's rather cold, empty, stale and sad. The color saturation has been reduced accordingly. Some clichés are tickled. Privileged decadence is predominant. Elitist arrogance rules the luxurious, isolated orbit of a calculating, selfish family dynasty. Everything here is expensive, bare, distant, decadent, and nothing is welcoming, warm, beautiful, or friendly. With all that wealth and success, no one is free or happy. ´Trust´ is a foreign word in this family. This makes the KDrama hard to bear in places.
The conservative elite in "The Empire" feigns progressiveness by throwing snippets of English into their conversations. However, this seems artificial (dramaturgically quite effective) and (yet) not very convincing, rather quite strange, because their arrogant fantasies of exclusivity are nothing more than mendacious, feudally inspired traditions, old energy full of cobwebs. When the young, life-disappointed but highly talented student brazenly appears in front of the self-proclaimed aristocrats on her vendetta, it is downright unheard of. But basically it is exactly that and much more of it, what it takes to push the dusty elitist behavior to its limits and ultimately really abolish it. There is no awe in this young woman. It may be that she has the courage of the desperate. Never mind After all! The modern system is already stumbling through her presumptuous impertinence. Interesting that this brave young woman is actually introduced as the bad guy - because we as viewers see the story (initially) through the indignant eyes of the self-ennobled nouveau riche - those who want to represent a class of their own and who are used to directing fortunes behind closed doors according to their interests. To a certain extent, the dramaturgy identifies 'us' with those who govern the "Empire". 'We' are identified with order being maintained and respected. And yet it is difficult for 'us' to side with them. This elitist world presents itself as too lost, too sick, too decadent. ... This collision of two worlds is highly explosive and wonderfully depicts the inner turmoil and contradictions within society.
In between, the journalist seems a bit helpless as a plaything for those who provide her with information for her interests. Despite all the bite she has, she is first on the hunt for her own professional success. The 'thing', what needs to be researched and uncovered, becomes a means to a personal end. Journalism, with its democratic mission, is thus also floating on the edge of decadence and gives little hope. (Yet, hope there is...)
And then there is the protagonist Han Hye-ryul: herself a child of that problematic, ambivalent elite, third generation of the empire full of influential lawyers founded by her grandfather. At the same time bearer of hope for a modern democratic society. She takes her responsibility seriously and uses the opportunities that her origins gave her in the cradle constructively in the service of the community - she does NOT bend the law according to her personal discretion, but her truly innovative credo is: she sticks to it for ALL binding law. She tries to follow her professional path with true integrity. Such genuine integrity gives hope to the masses. On the other hand, they frighten the elite, because this robs them of the foundation of their shadow power.
However, the torchbearer of legal integrity is, beyond her professional ethics, also a person who grew up in a world full of privileges. As a child of the elite, she not only automatically inherits money, fame and influence, but also old guilt, and when in doubt she is pilloried. As a woman, she has feelings like everyone else. As a wife, or rather a betrayed wife, too. As a daughter. And as a mother too. She is therefore challenged on several fronts at the same time.
"The Empire" tells the story of a woman who, out of deep conviction and belief in a legal system, wants to undermine the autocratic, arrogant elite coalition. However, she is the child of a family that is involved in such things whether she wants to or not. And yet it is precisely this family tradition that makes her the full-blooded prosecutor that she is. By tradition, she wants to do her work excellently and in an exemplary manner. And for her personally, that means cleaning up the mess of backroom deals and exclusive privileges. Finally someone who believes the rule of law is above ALL? And not only that: the protagonist is one with an ego that (luckily in this case?) is strong enough to actually take on the powerful enemies. So is there perhaps still hope for a better, fairer world? "The Empire" works intelligently on this question. There is no easy answer to that. The crushing moral swamp to traverse is overwhelming...
... And then there is the fourth generation in the family clan... the son of Han Hye-ryul. He actually ticks quite differently ... for his part, he is the bearer of hope for a new dimension. He wants to swim his way out of the swamp of tradition, and yet he is torn between his feelings for his parents and grandparents and his own needs and desires. He doesn't dare, and yet...
------------------ Side note: --- Inflation of KDrama productions, in which the rich and powerful take center stage in the context of law and order---
The corrupt networks, which want to reach the top circles and the blue house, have become an almost inflationary context for KDramas and movies. A trend that has already been observed in recent years. But 2022 will surpass everything that has been produced so far. "The Empire" is one of many 2022 productions that settle accounts with the discrepancy between free democracy, responsible citizens and equal rights for all on the one hand and class society, strict traditions, hierarchies and autocracy on the other. "The Empire" unashamedly and unequivocally, without any ribbons or icing on the cake, unveils how difficult and long the road still is - to a society in which citizens are actually all treated equally before the law. There is obviously still one instance of power that in 2022 in South Korea is firmly convinced that it is above the law...
Why is the profusion of KDrama productions, in which the rich and powerful take center stage in connection with law and order, so inflated at the moment? So that it maybe/hopefully slowly really sinks into mass consciousness and from there it gets to each individual that this must/want/can come to an end! So sledgehammer: monarchical Joseon is history! Aristocracy and class society are history! Dictatorship is history. Let's go South Korea! Stand tall, walk tall! Don't be blinded. Don't be tempted to join in with this old class thinking and to feel a little more valuable if you have someone you can trample on...
No more reverence and respect. No more feudal lords and serfs. Actually, this is presented every week in KDrama, in the cinema and in the news: that the venerable elite is actually morally rather underground and such a life is neither honorable nor desirable. But as long as the viewer's gaze continues to be dazzled by arrogant behavior and luxury items and prefers to look past the lazy core, there will (have to) be endless KDrama variations with sometimes bigger or sometimes smaller sledgehammers. But that's not surprising either, because the centuries, even millennia-old, tradition teaches something completely different... it has been class-thinking all along...
Nonetheless. South Korea counts the year 2022. It is official: We (even in KDrama Land) ALL have a value and worth regardless of origin, past or future - not just a few percent wearing particularly expensive clothes. Wealth or poverty or anything in between and beyond is independent of a person's worth before the law. If we, who apply the law, still act according to ´other´ laws, allow ourselves to be seduced and bought and used, secretly hoping to be able to take such a quick shortcut further up, then it is our own fault. No one has the right to beat us, use and exploit us and throw us away after use like garbage! No one.
----------------------------------------
Was this review helpful to you?
Rough around the edges, but super fun!
I had little to no expectations going into Fish Upon the Sky, as I found the trailer and concept pretty underwhelming and cliche. On top of that, it began airing a week after Tale of a Thousand Stars, which I absolutely loved, so the bar was set pretty high in my mind at that point. Now, after having completed the series, I can say with complete certainty that, although it does not surpass TOTS in the slightest, Fish Upon the Sky is one of GMMTV's stronger series over the past few years.I'd first like to go over what I loved about this series and then what I didn't love as much:
To start, and I'd say this is the main selling point that sets it apart from it's predecessors, Fish Upon the Sky is absolutely one of, if not, THE funniest GMMTV series I've seen. I find a lot of the delivery comedy wise in GMMTV series to be a little cringy and sometimes hard to find funny, but this series does not have that problem in the slightest. Although Pi and Mork have some really funny scenes, especially towards the beginning, the humor really shines in the "Story of a fifth-year student" scenes with Meen and Duen. Both of them have really perfect comedic timing, and the ridiculousness of their scenes are so fun to watch!
That actually leads me to my next point, which is that the side couple is so charming! I often find myself skipping side couple scenes in a lot of GMMTV series such as MilPhukong in 2gether (I'm sorry FrankDrake!!) which is, similarly to FUTS, based on a Jittirain novel. However, in FUTS, the side couple is so incredibly likable and fun to watch! Both Neo and Louis give really fun performances and have great chemistry both comedically and romantically. To be honest, and I'll touch on this later, I actually would sometimes find myself skipping scenes with the main couple just so I could get to their scenes! Their dynamic is just so refreshing and cute! Towards the beginning of the series, they reminded me a lot of PickRome from Senior Secret Love: Puppy Honey, but as the series went on, they proved to be a lot less toxic and a lot more lighthearted, which I absolutely loved. I believe Louis is a new face at GMM, and I absolutely hope that he has more roles in the future because he's packing so much talent (he can sing, dance, act, he's funny, and he's just so freaking adorable!! PLEASE I"M BEGGING YOU GIVE HIM MORE ATTENTION!!!)
I think the last stand out thing I really enjoyed about this series was Phuwin's role as Pi. I think Pi was a super unique BL protagonist. His struggles were super relatable, and his snarky attitude was really fun. I also liked that he wasn't afraid to stand up for himself when he was being harassed online Phuwin really really surprised me in this role, as I was only familiar with him from The Gifted Graduation, where I found his acting a little overdone and uncomfortable at times, but here, he felt super natural and authentic, like you could know him in real life! I know he's around my age, so it's super impressive to me that he's able to do so well as he did, and I hope to see him in more roles in the future!
Alright now onto the stuff I didn't particularly enjoy:
This is definitely an unpopular opinion, but I really did not enjoy Mork for the majority of the series. I think a lot of fans were really charmed by his looks (Don't get me wrong, I was too, Pond is VERY pretty), but I think because of that, they overlooked a lot of the glaring flaws in his character. For one, he was super pushy with Pi. He kept insisting and insisting and insisting that Pi really liked him, and ignored when Pi asked him to leave him alone. Moreover, him egging on the MorkPi fanpage shippers was really not cool, especially after Pi made it VERY clear he was uncomfortable with it. I just found a lot his behavior to be reminiscent of the toxic archetypes commonly used in BL, and that just did not vibe with me, I'm sorry. I think he did have his good moments, for instance, the confession scene in episode 9, but overall, he was just way too aggressive and forward with Pi for my comfort levels. On top of that, and I really hate to say it because he seems like such a sweetheart, but I don't think Pond's acting skills were developed enough for this big of a role just yet. As far as I know, this is his second role ever after The Gifted Graduation, where he wasn't even in the actual show, but a narrative ad that played after the last few episodes, and it really shows. A lot of his line delivery fell flat to me, and his more emotional scenes didn't hit me at all like Phuwin's did. I think he has a lot of potential, and I'll definitely follow his work moving forward, but I don't think he was ready for this performance.
Another thing I didn't love was the story. Like I said, before going into FOTS, I set my expectations low because the plot was so cliche, and although I was impressed and surprised by other aspects of the show, which I touched on earlier, the plot was absolutely everything I expected, and not in a good way. The whole "ugly duckling" storyline is super played out, and paired with the original enemies to lovers dynamic MorkPi originally has, it just feels like nothing new or interesting. What's worse, in the Pi is perfectly good looking even before his whole "transformation"!! I feel like "My Dear Loser: Edge of 17" is a prime example of a well told ugly duckling story because you see the transition in both looks and personality, and how those affect the protagonist, whereas FOTS doesn't fully commit to this storyline, so it falls flat and feels unnecessary.
This is kind of similar to my last point, but this series is really hypocritical in its message, as it tries to both denounce a lot of common BL tropes while feeding into those same tropes at the same time! The whole storyline with the MorkPi shippers is a great example. Pi stands up to the shippers and defends his privacy, telling them how serious what they're doing actually is, which is fantastic, but right after, the show goes back to making the shippers seem goofy and lighthearted when, just as Pi said, what they're doing is really not a joke. The female characters, which in this show are far and few between, are either annoying, or used as a plot device to get one of the two couples closer together, which plays into the incredibly damaging BL trope of demonizing women. Bam was a really great character because she genuinely wanted Pi and Mork to get together, and then in the end out of no where, with literally ZERO foreshadowing, she sabotages them because she's apparently been secretly in love with Mork the whole time? Like wtf? There was no reason to do that with a perfectly good character just for the sake of causing drama in the last episode, especially when it was all resolved so quickly.
Finally, and this is SUPER nitpick-y, but the music in this show is so bad?? I'm not talking about the opening and ending songs which are both really beautiful and catchy, I'm talking abut the random English songs they use constantly that are laughably horrible and really distracting throughout. I know that's like not important at all, but I haven't seen anyone mentioning it so I just wanted to point it out lol.
Overall, although it's littered with overused tropes and sometimes uncomfortable acting, Fish Upon the Sky is a really fun series that deserves a lot of the love it's getting. I can't wait to see what these actors do next!
Was this review helpful to you?
1This review may contain spoilers
“You can always be on the receiving end.”
To say I was impressed is an understatement. I am honestly shocked how well this story was presented, acted and developed for how short it was. It was engaging from the beginning till the end. It completely took over my life for a month. I am not ashamed to admit, this will be a full on positive analysis of the unforgettable story. I will point out some minor flaws I have seen, but for making me this obsessed, I cannot care for them too much.This is a great presentation of how external circumstances can shape a person. How one can be a perpetrator without being a victim first, be a victim and become the perpetrator, and sometimes just be the victim who tries to free themselves out of the abuse. How one cannot be saved from toxic relationships, they need to leave them willingly. How our current situation is not always our fault, but it is our responsibility.
I appreciate so much that Da On did not fall under either a submissive shy mouse, nor a chaotic victim who acts with no reason. I loved how he did try to set boundaries, sometimes he managed to, sometimes he failed. He knew the limits of how much he can do without putting himself in harm's way. There was a clear pattern to his behavior - he was more willing to say no to Su Hyeon in public, than in private. He set boundaries and when the situation escalated, he gave in. Yes, him not being straightforward was frustrating to watch, but that’s life. Su Hyeon had too much power over Da On’s life. There was too much trauma associated with his aggressive behavior to move past it quickly. Leaving an abusive relationship takes time, learning how to set boundaries has to be learned. It’s a process.
Even with limited length, they were able to explain the context of Da On’s life. Being neglected, living in a toxic environment, feeling like he has to carry too much responsibility from a young age, being ridiculed for being poor, isolated from others by Jae Min, attacked and abused, and on top of that abandoned by the person he liked. He did not know what it means to be in a healthy relationship. Or what is an appropriate behavior. He was simply groomed by Jae Min - to trust him only, alone with no other relations. Being groomed for 11 years has a massive impact on you, and you cannot just cut these people off like it’s not a big deal. Even if they do something awful, traumatic, scary - they have been part of you and your life. Da On acting like that was annoying, but it was not lazy writing. People wanted him to go from victim to a completely healthy person with proper coping mechanisms right away, and were frustrated when it did not happen.
Out of all the scenes, the one that truly got me a bit confused was when Da On willingly left the building and got into Su Hyeon’s car just to avoid Seong Hyeon. This scene was weirdly constructed and contradictory. They were really clear Da On wanted to have nothing to do with Su Hyeon… but then he put himself in the position to be with him alone with no valid external reason.
I also lowered my rating from a perfect 10 to 9.5 because of that presentation. That scene was more psychotic than anything Jae Min did in the whole show. After being kidnapped and almost killed, witnessing the man he loves stabbed, having his face smeared with blood… He went and did the presentation. What the actual fuck.
That said, except for these two moments, while his actions were frustrating, they were cohesive, they made sense in the context of the show and who he was as a character, they were believable. I will die on this hill if needed, but I do believe Da On was not a weak person nor weak character. And here comes the compliments for Kim Jun Seo’s acting. I cannot believe this was his first role. To be able to present so much vulnerability and deep emotions, while also showing determination and strength. The duality!
Then we have the toxic and the psycho - Su Hyeon and Jae Min. Can we appreciate that we got two completely different and distinctive versions of different abusive relationships thanks to these characters? We really got a deep dive on what can go wrong between two people. Be it constant criticism and belittlement, psychical violence and intimidation, excessive jealousy and controlling behavior, lack of respect and boundaries that Su Hyeon presented, or lies and deception, emotional manipulation and gaslighting, unhealthy dependence and isolation that we saw with Jae Min. They are both toxic, they are both unhealthy, even if they are vastly different.
I know people love to have a soft spot for Su Hyeon, mostly because of his rather tough upbringing in a psychotic family and how he was not as aggressive in the flashbacks. I get it. But the fact is - there is nothing redeemable about him in the present timeline and I strongly believe even without Jae Min in the picture, he would still turn violent at some point. Why? Because from the start the issue was not Jae Min, but Su Hyeon’s complete lack of emotional maturity and emotional regulation. If it’s not Jae Min, he would snap because of his family. If not the family, he would snap if Da On would not be able to handle the constant micromanagement, jealousy and possessiveness. Su Hyeon does not know how to deal with negative emotions and frustration, they always lead to anger and aggression.
Yes, the flashbacks were great. I agree that the library scene with him pinning Da On on the desk and the chat about the ring was great. But putting it into the context of who his character is and how he behaved - this is way too little for me to see him as a right person for Da On. Or anyone if I must be honest. Maybe a “hot date” with a psychiatrist. Can he get better? Yes. But that would require a lot of work. To be honest, I did not want him to be redeemable, but the last episode changed my mind a little bit. I struggled with seeing what could possibly happen for me to believe he might change. But with how psychopathic Jae Min became, I think the shock of that situation could potentially be enough to make Su Hyeon do 180.
On the other hand I believe Jae Min cannot get better. The difference for me between Su Hyeon and Jae Min is why they act the way they do. Su Hyeon had bad tendencies that were reinforced by his environment - he learned a lot of negative actions from his aggressive father. As far as I see it, Jae Min’s natural negative tendencies were actually held back by his environment. The advantages of acting good and not going full psycho were strong enough to keep him in check. Let’s be honest, if he grew up in the same environment that Su Hyeon did, by university age he would be a serial killer.
And that’s when I knew the one that kidnapped Da On was Jae Min. Because it’s not something Su Hyeon would be capable of doing. Not that he wouldn’t want to, he just couldn’t. Su Hyeon would never go full psycho, because he still has many things that limit him and things he fears - especially his family and his father. He acted out as much as he could with the external restrictions he had.
On the other hand the only restrictions Jae Min had were the ones he placed on himself. He acted as this model teacher, great friend, cool hyung - perfect man, because it was advantageous for him. He controlled himself, because it was worth it. But when he lost control over Da On, keeping that perfect persona was useless, he let go of all the restrictions he placed on himself, and now nothing was stopping him from going full loco.
And when Jae Min went full loco, he truly did not hold back. What glorious moments these were. I am amazed with Kim Ho Young’s acting. You watch him act and you understand why people believed his fake personality. But you also truly see how out of control he is when the hell breaks loose. Whenever it was his nice act, or the chaotic outburst - they were acted perfectly.
Cha Jung Woo did not do worse. Truth to be told, the whole cast did an amazing job. Kim Su Hyeon was such an annoying character, and yet even I saw the charm he had during some scenes. I could understand why Da On fell for him. And the last episode? Outstanding.
While these character had many differences there was one thing that they had in common - they wanted to own Da On, claiming they love him. Love and obsession are different though. Neither of them truly cared about Da On, his feelings, happiness, life, well-being. All that mattered was to possess him. They both believed it would be better to have him in their life broken (or dead), than set him free. From the start they kept using terms like “What I want”, “What I lost” - indicating they saw Da On not as a person, but as a thing they wanted to possess.
And that’s when Seong Hyeon shows up. And you know what I love about this character? That he makes mistakes. That he is not in fact this perfect green flag with no flaws. He is a human being with his own feelings that also get hurt. He sometimes reacted emotionally, childish even. And that’s what made him real. Because of these moments when he acted more selfish, when he did something without thinking - that’s what made his character more interesting.
While he had a lot of great personality traits like being helpful, kind, patient, mature when dealing with setting boundaries, and confident, he also had many relatable flaws. He was childish and pity when he thought someone was not following certain social norms he deemed important. Sometimes he regretted saying something, sometimes he regretted taking actions. And then at times he regretted backing off.
One of the aspects of his character I found the most fascinating was his ability to be really flexible in his reactions and behaviors. Depending on the external context, he reacted differently to the situation, but it was all consistent with his motivations and goals. He was more straightforward with Da On when he saw he was in a good “state”, he tried to distract Da On instead if he saw he was exhausted. Even without understanding the reasons behind Da On’s state, he was really good at reading his emotions and acting accordingly.
What separates him from Jae Min and Su Hyeon is the fact he knows how to love and how to receive love. How to care for people and receive that help. How to view relationships as mutual support and not transactions. For Seong Hyeon it is not “I want”, but “Can I?”. Can I stay with you? Can I hold your hand? While Jae Min and Su Hyeon try to control Da On, Seong Hyeon gives Da On the choice. He asks instead of stating. While Jae Min and Su Hyeon said they want to be with Da On, Seong Hyeon asks if he can stay with Da On. Yes, he is persistent in his approach, but there is something gentle about it. Rather than forcing himself and his presence, it seems more like a reassurance that he is willing to wait, to fight for Da On, to be there for him. Reminder that he is waiting and still there, whenever Da On is ready.
One thing I feel like Seong Hyeon and Su Hyeon share is the fact they are rather emotionally expressive. The difference? Seong Hyeon is expressive, but in control of his emotions and how he expresses them, while Su Hyeon is completely lost in his emotions and has no control over them. Then Jae Min is not expressive, but also in control of his emotions (until he is not… oops).
Here sadly comes one issue I had writing wise - the non-consensual kiss between him and Da On, and the aftermath of it. Truth to be told, I was not even “angry” at the writer for including the kiss. As I said, I love the fact that Seong Hyeon fucks up from time to time, and this was one of these cases. There was no excuse for that kiss to happen and then continue with Da On being this drunk. But while I can understand what led to it happening, the fact that it was not once addressed later on kind of annoyed me. He apologized for wrong things. It’s less a character fault, but more cultural norm fault though.
Now, Cha Sun Hyung’s acting. I still cannot get over how he switched from Puppy to Guard Dog depending on the scene. The way he was able to present that golden retriever energy, but without looking dumb and silly that often happens with characters like him. He still looked mature, strong and confident.
For the general writing, directing and editing:
I really liked the structure. I think the placement of the flashbacks was perfect. The way they were cut in just the right places to give some information, but also mislead us as viewers. The way they made it seem like Da On liked Jae Min in the past, just to reveal it was Su Hyeon. Or who Su Hyeon attacked and why. They just cut the scenes smartly. How much we want to show, how much we want to confuse the viewers - all seemed like deliberate choices, carefully crafted.
Was the “borderline childhood connection” needed? No. I honestly dislike that so much. This was just… unnecessary and added nothing to the show for me.
I’m not going to lie, I am more of the internal analyzer of the bigger picture and the context, than someone who looks for details and symbolism. So to truly appreciate the production, I had to do some research, because I simply do not pay that much attention to things that are in fact important.
Let’s start with the fact the drama was more or less color coded for specific characters (Da On - yellow, Su Hyeon - green, Jae Min - pink, Seong Hyeon - blue). The scenes for the characters were actually often light in a specific color hue. Even in the intro scene with Da On and Jae Min they used this peach pinkish hue, the scene where Su Hyeon attacked the guy with the bottle was yellowish-green. The color flipped only between Da On and Seong Hyeon. Da On’s narration had a blue background, and the scene between Seong Hyeon and Da On had the yellow/orange warm tone from the setting sun. Am I reading too much, or was it a deliberate choice to hint who the end game is? Who knows, I like to pretend it was all planned and hype myself more about why I love this drama.
Colors aside, they also really did a good job with just the lights and the warmth of it. Perfect example - the scene when Su Hyeon dragged Da On away to his apartment, leaving Seong Hyeon behind. The part of the corridor with Su Hyeon and Da On is cold and dark, while where Seong Hyeon is staning it has this warm orange light.
Then we have the symbolism of chess connected to Jae Min - how from the start it was hinted (for some less, for some more obvious), how he was the mastermind behind it all, how he manipulated both Su Hyeon and Da On for years. How he was the one controlling the situation.
Also, extremely random thought, but white is such a psychopath color, so the fact Jae Min was the only one wearing the white outfit in the intro is just cherry on top. And how it had a comeback when he completely lost his marbles in the last episode. Greatly appreciated.
Overall, what a fucking ride. I get it. This drama had flaws. It was not some high budget production, but the way it won my heart is illogical. One could say I was in a completely toxic and dependent relationship with it for the past month. I’m Da On - blind to flaws the same way he was blind to all these red flags.
If you want to tell me that I’m reading too much into it, overanalyzing things that make no sense. How there was no logic behind the characters behavior and it was all ridiculous - you are free to do so, I might even entertain you with a few replies. But I am not changing my mind. I’m annoyingly stubborn.
Added characters' analysis in comments under spoiler. Written them after episode 6, and damn Jae Min's one had to be quite tweaked - I overestimated how loco he was.
Was this review helpful to you?
STORY
The story revolves around a restaurant that's only open from 12 midnight to 7 in the morning. He doesn't really have a menu, if he has the ingredients, he'll make you whatever you want. The whole show is about the people that come and go through the restaurant. In all the times that he's been the proprietor of the restaurant, Master (that's what his customers call him), has met interesting people. His regular customers get their story told too. Some episodes are not as memorable as the rest.
ACTING/CAST
I actually watched this drama for Nam Taehyun. I really think he's not that bad of an actor. He acts the way he's supposed to act, I think. But the other actors are great too.
Kim Seung Woo as Master, I think did a good job to appear the friendly restaurant owner.
I love the regular customers who pop up from time to time.
Nam Taehyun plays Minwoo, a student who has so many part time jobs.
Choi Jae Sung who plays Ryu, the mysterious gangster with a heart of gold.
Jung Han Hun (Mr. Kim, the fisherman) & Joo Won Sung (quack doctor), I love their friendly banter.
Jin Seo Yun as Cherry, she works at the bar close by
Park Jun Myun as the manga writer
Ban Min Jung, Song Hwa Ryeong & Jang Hee Jung as the Noodle sisters. Compared to their Japanese counterparts, I like them better.
Son Sang Gyeong as Deongchi, Ryu's scary looking but kinda like a big teddy bear bodyguard.
At the end of most episodes, there's like scenes of his customers going home. I cried seeing the very last one because the show made me like the camaraderie between all of them.
There were a lot of the well known actors as guests like Ji Jin Hee, Oh Ji Ho, Seo Woo, Ahn Jae Wook, Lee Ki Woo etc.
MUSIC
There's not really that much of a music. But I love the opening song "Till the Morning Comes" by Younha.
REWATCH VALUE
Definitely! The episodes are only 30 minutes and like I said, I really like the cast. They made me laugh, they made me cry.
OVERALL
Compared to the original version, I'd rather watch this than that one. I maybe k-drama biased but I really think the original was more boring.
Was this review helpful to you?
At times like that we need friends who help us, who'll reach their hand out, who'll walk the difficult and hard path towards that faraway dream. Because sometimes you simply can't do it alone. And why should you have to, if you have friends by your side who are willing to support you?
If you ask me that's the main thought of the whole drama. People aren't born strong. When they're alone they'll often feel insecure and won't be able to do what they truly want. People are able to get stronger when they have the unconditional support from friends though, people who'll stand by their side no matter what. People who'll fight for them. Who'll bring happiness but also lighten the pain and sadness.
But what Tumbling teaches you is that those people, your dear friends, are also only humans. They will also get hurt, feel insecure, get angry, lonely or frustrated. They're also capable of losing hope or making wrong choices. And just as they help you, you should support them when they need it.
Tumbling is a really amazing and very touching drama. I am simply yet madly in love with it.
At first I thought the drama would only be about Tumbling itself and bullying but it deals with so much more than that, it honestly surprised me, in a good way. In my opinion the actors are the ones who make the drama as great as it is, every character has it's own role within the story and gets the opportunity to grow and change slowly.
Tumbling sounds like a typical sport drama but it's so much more than that. Besides the sport itself it deals with your normal teenage problems, insecurity, loneliness, violence, sadness but mainly about hopes, dreams and above all; friendship.
It's really hard for me to explain what I love about the drama without spoiling too much but I guess it's the way the characters develop themselves. Even though Wataru starts off as your typical delinquent, he turns out to be so much more. And not only him, everyone in the drama gets a moment to shine.
Even though there are cheesy or cliché moments I think the drama pulled everything off perfectly fine, the story is simple yet really touching at moments and the actors are all simply amazing.
Was this review helpful to you?
For full enjoyable experience, PLEASE watch the cut/trimmed scenes and the second ending
If anyone have watched any dramas from MGTV, you'll know that they suck, especially when they put it on YouTube. MGTV doesn't always provide Eng subs, they will cut audio if it means avoiding music copyright issues, and they also edit and cut/trim down scenes a lot. Sadly, they're not like the wonderful YOUKU with "Word of Honor." YOUKU has been giving such an wonderful experience for fans of Word of Honor. MGTV could never because they're too cheap.With all that said, Killer and Healer is still an enjoyable drama despite being butchered like that but if you want the full experience, please make sure to watch the cut/trimmed scenes and watch the second ending. You can find all of those clips on YouTube if you search "Killer and Healer highlight" and "Killer and Healer ending."
Killer and Healer is a Republican Era, cop/doctor action detective drama with the cop, Jiang Yuelou, trying to solve and get rid of opium in Jing City. By chance, he meets the doctor Chen Yuzhi and they form a cooperation and then an unbreakable friendship/relationship helping each other while trying to break through the cases and find out and stop the main villain of the drama. At the same time, Chen Yuzhi tries to help Jiang Yuelou with his PTSD and bipolar disorder which has begun to affect Jiang Yuelou's reactions/decisions in the field.
YES, THIS IS A SOULMATES DRAMA. Look, if you know anything about Chinese dramas by now, you know they censor LGBTQ+ content. That means that directors and scriptwriters etc. have to find a way around it and I think this drama did it wonderfully. The main leads, Jiang Yuelou and Chen Yuzhi, have an incredibly deep relationship with so much loyalty and trust, along with warm and tender exchanges and interactions. ESPECIALLY IF YOU WATCH THE CUT/TRIMMED SCENES, you can witness that even more. There is so much explicitly said AND implied, you have to know how to read between the scenes/lines. And I want to clarify that, though yes they have a female character here and she does catch feels for one of the main leads, she is never used to block the two guys nor is she ever an annoying character. She's so wonderful and I will fight anyone who hates on her. Her character was used in some way to downplay the LGBTQ+ vibes but you can always tell how important and critical Jiang Yuelou's and Chen Yuzhi's relationship is to each other.
Anyway, it's fairly fast-paced and yet also does very well with angsty and sad scenes that makes you cry. The OST is also really good too and truly makes you feel the emotions of the scene. There are some plot choices that I question, but overall, I still enjoyed this drama a lot.
Mao Zijun as Jiang Yuelou and Ian Yi as Chen Yuzhi were such a delight! I hadn't really seen them before in their previous dramas (and I believe Killer & Healer is their first real drama as leads), so watching them here was refreshing but also so enjoyable! Mao Zijun is my absolute favorite because he is able to balance looking cool and handsome and also painful scenes where he's hurting and is crying so much. I am seriously impressed with Mao Zijun as it can be difficult to pull off a character who can be aggressive but also sympathetic too. He's able to show off how Jiang Yuelou can be tough but also be so vulnerable. Such great acting and good character.
Ian Yi did a perfect job of being the gentle and caring doctor Chen Yuzhi. There are other supporting characters that are pretty great too, such as the female character Chu Ran, who wasn't annoying at all and was just so level-headed, calm, smart, and cute. I adore the supporting characters like Song Rong and Sun Yongren.
There's the second "couple" characters--Zhan Junbai and Yu Tangchun--who are so fascinating but sadly don't have as many scenes as the main leads. However, their relationship is intriguing still and quite heartbreaking. I adore both of the actors for these roles and enjoyed watching their interactions and relationship.
To summarize, you might like this drama if you like these things:
-Two complex and competent male leads who value and care for each other so much that it's practically romantic (but due to censorship, it's "bromance"). (Even MyDramaList tag this as "homoerotic subtext" and they're not wrong.)
-A competent and smart female character who is never made annoying or as a "block" to the main leads
-A complicated and intriguing relationship between the supporting "couple" characters
-Endearing supporting characters who serve as comedic relief and also as commentary to the two male leads' relationship
-HURT/COMFORT!!! This is one of the best things about this show. It's about the angst and hurt and being taken care of by the other!!
-UNWAVING FAITH AND LOYALTY of the main leads!!!!!
-Suggestive and flirting looks (what can I say, Mao Zijun just oozes such casual flirtatious style, okay.)
Things that you might not like or feel comfortable with
-Depiction of mental illnesses. Personally, I think they did a decent job with Jiang Yuelou's bipolar disorder and PTSD but I don't know too much about bipolar disorder. I know PTSD though and Jiang Yuelou definitely have a lot of that from his difficult background. However, I know some viewers may feel it difficult to watch when Jiang Yuelou is going through this.
-Deaths. This is a Republican Era drama, so typically, a lot of people will die, especially in this line of work as a cop/detective working to fight mob bosses.
Possible content warnings:
-depictions of addiction behavior and trauma-related behavior like aggression and violence
-depictions of domestic violence and abuse
-depiction of PTSD and bipolar disorder
Was this review helpful to you?
Extremely satisfied
Honestly I like this story it's like a breath of fresh air, quick and short and yet it's very refreshing. Most historical cdramas are tragic and full of pain and depression. Basically they're not for the faint hearted. Even if I'm a bit "braver" than others. I too get tired of those long, stupid, illogical, time consuming and complicated dramas. Therefore even though their acting and story was generally average. It's worth it especially if you've been watching a lot of historical dramas with unhappy endings.Absolutely recommend, for people like me that is. If you're looking for a drama to relax, chill and cool down from all those other scheming and complex dramas.
Well then this is the drama for you ;)
Was this review helpful to you?
This review may contain spoilers
This drama tested every last bit of my patience.Everything in it was done at the most shallow, surface level possible. We were given no insight into why our characters made the decisions they made, no deeper look into their inner struggles and desires and motivations; no emotionally revealing conversations between the characters or internal dialogue to bring us into their inner worlds; no explanation for what our female leads ultimate goal was or if she even had one; just a bare bones story trying real hard to be devoid of any substance. Which is all the more frustrating as it had so much potential for substance. The bones of a good story were there. The writers just never put any meat on them.
Understand that none of this is the fault of the actors or actresses. They did the best with what was given to them. (Although I truthfully wasn't impressed with Yong Jun Hyung at all.) I quite liked both female leads and am more angry For them for what a crappy story they were handed than I could ever be At them. Chae Seo Jin is aces as Oh Go Woon, and that's the main reason I didn't end up hating her or her character. They're both too lovable. But while Kim Min Young is clearly just as good of an actress, and Lee Seul Bi had some really solid character moments in the first handful of episodes and in the finale, neither of them were ever given a chance to shine. Chae Seo Jin/Oh Go Woon get all the screentime, and eventually, you begin to think the posters and teasers were all just an elaborate lie, and Lee Seul Bi isn't the main character after all.
I will say that there is a lot to enjoy about the finale. The first half ties up a number of plot points in ways that are genuinely satisfying. It also offers up some deeper explanations and explorations of the drama's theme that the story was sorely lacking before that point. Honestly, episode 12 has more story development than all 11 other episodes combined, and it dulled some of the frustration I had going into it. But the second half of the episode is a total waste, and the episode as a whole brings up some really fascinating ideas that the drama Could have explored and Should have explored but Didn't explore, so it ultimately just leaves you feeling frustrated again.
Should you watch Coffee, Do Me A Favor? No. Coffee, Do Me A Favor is not a good drama, and you should not watch it.
Was this review helpful to you?
A drama that deserves more respect and love.
This drama was full of fantastic stories and great actors, but the romance was not the focus here and that's probably why some viewers felt disappointed - they were expecting a light medical romance. Instead, they got some heart warming family dramas, gritty medical dilemmas and a surprisingly sharp critical insight into the highs and lows of the Chinese medical system.Everything here was expertly done. All the guest actors did an excellent job and the medical cases kept me glued to the screen. The romance wasn't the focus but it was good and left me with a smile on my face. I loved how we got to see the lives of the medical staff, but not to the point that it became a medical soap opera.
If you are looking for a good drama that is full of strong storytelling, this drama is for you.
Was this review helpful to you?
Acting/Cast: Perfect! Good chemistry for the main characters. I didn't expect Yoobi to have good chemistry with Minho but they did.
Music: I like that the music also complemented the web drama (Follow Me Down OST from Alice in Wonderland).
Rewatch value: I watched a few episodes again. It's not a long story and not dragging so I can watch it over and over until I figure how to connect the epilogues to the episodes.
Overall, a must watch for those who love light drama with slice of life, school life, time travel genre. I expected a longer episode 10 though but, as with a few of the Kdramas I've seen, most endings seem to make me feel like there are missing elements to conclude the story.
Was this review helpful to you?
This review may contain spoilers
Even though what happened is unfathomable, despite all the tragedy, the deeper focus is on hope
A true story. Not the only one of this kind, unfortunately. This one took place in South Korea in 2008 and was filmed in the KMovie "Hope" in 2013. (In the original: "Wish" - the meaning of "Sowon", the name of the eight-year-old protagonist.)This film production, which was shown in neighboring Asian cinemas, too, achieved great success largely through word of mouth. The story is shocking and touching, while the film adaptation laid its focus less on exploiting the crime itself, than on sensitively dealing with how it affected the little girl, her family, friends of family and classmates. It's less about the incredibly unscrupulous, brutal act than about the family's struggle to continue to come to terms with the unfathomable and the consequences on a wide variety of levels - psychological, physical, social, financial, legal, media-related and everyday practical.
“Hope” received quite some film awards. Despite all the heartbreaking tragedy, the KMovie deliberately intents to touch people in a positive sense. The KMovie wants to open up an, nevertheless, optimistic perspective towards a life 'after'. This, obviously, is tough and challenging. Surely it takes time and even more patience. Heart-rending in this context, for example, is the wonderfully authentic portrayal of the massively threatened father-daughter relationship. Unexpectedly, though, some light comes into the darkness. Sol Kyung-gu - in the role of a desperate father, whose daughter is in danger of slipping away from him due to her terrible experiences – apparently did not take off his distinctive costume throughout the entire shoot in order to maintain high contact with the emotions and their intensity the whole time. And Lee Re, in her debut on the big screen as an eight-year-old daughter, also touches the heart, as does Uhm Ji-won, who initially apparently didn't have the courage to take on her role of the mother. She is also deeply touching with her convincing acting that gets right under your skin.
Even though, what happened is and remains unfathomable, despite all the tragedy, the KMovie explicitly focuses on hope. This way, throughout those 122 stirring minutes it is not all grim all the time.
------------------------------------------------------------------------------
SIDE NOTE: --- The Cho Doo-soon case ---
The story refers to a rape case from 2008, when a drunken 57-year-old man brutally raped an eight-year-old girl in a public toilet in Ansan. Being as brutal as he was, the girl suffered permanent damage. However, the man (who before had already been convicted of rape, among other things) got away with only 12 years in prison. He consequently kept up his mantra, that being so drunk that day he couldn´t remember anything. This had already helped him in previous cases. Here too, he was given mitigating circumstances due to his age, the influence of alcohol and his mental state.
The rape in Asan was extremely gruesome. (The details were not in so much details explicit in the KMovie and I also do not want to waste any letter for them here, either.) Suffering from her internal and external injuries, the girl was hospitalized for eight months. She took an artificial anus back home. Medical treatment was followed by psychiatric treatment. A year later she was at least stabilized enough to go back to school. But even several years later in 2020, she apparently can handle harmless cartoons on TV only, avoids any news and tough topics, i.e. she is still extremely fragile and unstable when it comes to the issues involving any violence at all.
The investigation and trial in this case from 2008 didn´t get covered in glory. On the contrary. The public outcry was great and extended, among other things, to a petition to the Blue House for retrial. The case also led to a number of legislative proposals being submitted by the Democrats, which would, for example, suggest to imprison repeat offenders of sexual offenses against minors in special facilities for life, or e.g. concern the legal handling of sexual offenses committed under the influence of alcohol. But in the end they didn't go through, nor did various petitions.
Instead, the electronic ankle bracelet was the method of choice when Cho Doo-soon was released in 2020. The cost of continuous monitoring of Cho Do-soon's electronic ankle bracelet during the first 4 months after release only, was estimated by the Ministry of Justice at over 200 million won (over 140,000 euros). In addition, apparently 71 security cameras were set up specifically to protect Ansan's residents from Cho, who still has his wife and his home there…
By the way, the infamous Cho Doo-soon case was also topic in the K-dramas "Taxi Driver 2", "Voice 4" and "Vigilante".
Was this review helpful to you?
It's short, full of emotions and fun to watch. I really loved the story. I love this old-school themed stories, so it was for me. It's based on 1979 time period and I love that time set in here. Plus the Deagu dialect is really nice to hear, something different from Seoul dialect we are used to.
It has 'Reply series' vibe to it - probably heard that from a lot of people - which is true (I started to watch the Reply series because of this drama).
This is a text book story of coming to age and first love and crushes. And it truly is about girl generation - but not that Girl Generation - we can see Jung Hee and Hee Joo who are in their teens, her mother, Auntie, number 3 all this woman, in different age group of that time fighting their own problems and facing them. And it is about girls in different generation coming together.
The boys are here, but they help to make the girls look more stronger, not the other way around. Though it doesn't stop being just about the characters either. It shows - glimpse of it at least - how the people used to live that time, things that shaped our culture into something that we see now. And you can see how much we have changed. And how much we haven't.
Plus you can ship anyone with anyone. You can try the drama, just to see if your's makes to the end or not. (Mine did!).
The actors are all new to me. But I liked Bona. She made Lee Jung Hee more relatable to me. Love Chae Seo Jin. Have a crush on Lee Jong Hyun. I don't know about others but I really liked Do Hee's performance as Shim Ae Sook. To see her character grow like that, it was really satisfying. I really liked that.
The OST's in it's self are nice. But it has some of the top 1970's song in it, both Korean and English. And it makes you feel that old time vibe. Love that.
Some of the moments in this drama are my favorite, so I'm going to re-watch those and probably the whole thing too. Cause why not? It's a nice drama. It's short but the story end's perfectly with it's self.
In the end it gives 'complete' feeling. And I can imagine the rest of the story in my mind. It's a really cool drama. Do watch it!! #HopingForAnotherSeason
Was this review helpful to you?
A Romantic and Quick Historical Watch — If You Can Handle the Ending
There is one main reason I started watching this drama, and it’s because our (perpetually) second lead male actor Mi Re/Merxat is finally in one of his first leading roles. After completing this drama, I truly have a lot of mixed and bittersweet feelings. Overall (without spoiling anything) I believe this show's strengths include the performances and the overarching plot, although some viewers may take issues with the ending of the series.Some aspects viewers may like about the drama include:
♡ An Overbearing Yet Powerless King: Merxat does a really great job making Yuwen Yong possessive and quite “black belly,” while also showing how vulnerable he is. You see from the beginning how he is physically and emotionally suffering even though he holds the position of Emperor, and also how few people he has around him that truly care for him. I think this makes the plot itself quite interesting, especially since part of the storyline is not only focused on the romance, but also how he and Liu Jing/Jing'er navigate an environment that is literally and figuratively poisoning him. I have to say that Merxat's portrayal of the ML was very well done, especially with both the emotional and romantic scenes.
♡ A Smart, Mischievous, and Talented FL: Probably one of the best aspects of this drama is its portrayal of women. The female lead Jing'er has her own dreams and aspirations, which do contribute to her romance with Yuwen Yong, but also give her agency and personality separate from their love together. Jing'er not only uses her abilities to help Yuwen Yong, but also works hard to improve herself in order to achieve her own dreams. Most of all, her skills often end up either saving her or the Emperor, and often come in handy whether it be to protect herself or to uncover some of the broader political conspiracies in the palace.
♡ A Romance That Stands the Test of Conflicts: While Yuwen Yong often does some things that can be problematic, such as threatening to make sure Jing'er never leaves, in fact he deeply worries about her and the drama makes it clear that he falls for Jing'er first. I love how in a way their romance and chemistry felt a lot more adult, even if they start off by bickering and misunderstanding each other’s feelings. Merxat does a great job at being a devoted ML, and the drama also shows how both Jing'er and Yuwen Yong are lovers who are mutually equal in competence, despite their differences in status. They work together to solve problems, navigate the political conflicts that arise within the palace, and to support each other with their individual strengths in such a dangerous environment.
♡ Loveable Side Casts: Yuwen Zong plays an adorable and naive little brother, and I found it refreshing that he and Yuwen Yong had an overall supportive and loving relationship in the series. Many of the side casts, from the eunuch to Liu Jing's maid, are also not only close friends and confidantes, but support the main characters together as they go through different challenges. I also surprisingly really loved the tragic love story between the enemies Dugu Cheng and Tang Wan, and felt that they had great chemistry together, and that their screen time was tastefully done and well integrated into the overarching drama. While there are definitely characters that are more hateful, including some of Yuwen Yong’s concubines, I liked how some of the side characters were truly friends with the main cast.
♡ Short Length: The show is not draggy, and I think it really benefited from being a relatively short length as well as adapted from a novel. It’s overall very easy to watch and digestible, especially if you want a historical drama that has a balance of politics and romance without being too complex. I was able to follow the overarching political schemes of the drama without getting bored, and I think the number of episodes is very suitable for the storyline.
However, there are also some things that may be an issue or less enjoyable for viewers:
♥ Casting: I think there was some miscasting going on, or at least I was a little confused about some of the cast choices in this show. Gong Mi looks a little more mature than some of her castmates, and I wished they had simply incorporated this into the script (i.e. made her older than Yuwen Yong) instead of giving her a personality of a young and innocent girl who is still unaware of the world. I think it’s refreshing to have more mature and older women cast as female leads, and therefore I wished that they had just made this into part of the drama. Not to mention that much of the supporting cast, especially Yuwen Zong, looked significantly younger than the main cast. In other words, I think because of the casting sometimes I couldn’t tell whether this show was deciding to go into a youth romance drama territory, or wanted to delve into a more adult historical romance.
♥ Ending: Without revealing too much about the ending, what I will say is to be prepared for a conclusion that may potentially not satisfy you, and also closes off the possibility of a second season. I personally found it a bit strange that the directors decided to take the drama in this direction, because this drama fits a certain niche (light and romantic historical romcom) where this type of ending has not yet been done. At the same time, I emphasize that I was spoiled about the ending before I made the decision to watch this drama, and likely if I had known that this would be the outcome I may not have committed as much time to watching this show. I highly recommend you check out some of the spoilers to prepare yourself if you are considering watching this.
♥ Genre: Again, this is related to the ending, but I felt as if the drama couldn't decide whether it wanted to be a lighter and fluffier romantic drama, or if it wanted to be more introspective and angsty. There are many parts that are fluffy and sweet, but as we get to the latter stretch of the drama it navigates into serious tragedy territory. In other words, I feel as if this drama targeted an audience that may be looking for fluff, but then I warn to prepare yourself for the last five episodes, which deviate quite a lot from the sweetness of the earlier episodes.
♥ Production Value: It’s pretty clear that this is really low budget, even amongst the other dramas that fit the niche of short historical romcom. Some similar dramas that also are part of this genre include Oops the King is in Love (2020), Dr. Cutie (2019), My Dear Destiny (2020), The Love by Hypnotic (2019), and Love Better Than Immortality (2019). And I have to say that out of all these dramas, in this drama the sets and clothes were by far much less high-quality compared to the titles I’ve listed. You can sometimes see very clearly where the longer wig pieces attach to the back of the head, as well as how the majority of the costuming and backdrops are made out of cheaper materials. I also didn’t find much of the music or OST very memorable, which I found to be quite rare for a historical drama. While this is a matter of taste, I also note that the drama went for a more saturated and darker colouring, compared to the usual more pastel tone of shows in this genre.
This was a watch that I found to be relatively good for passing the time, especially while waiting in-between for other shows that were airing. It doesn’t drag much because of the episode length, has solid acting, and I really liked seeing Merxat on screen after such a long time as the male lead. At the same time, however, I would caution viewers about the ending, as well as some of the limits of the series with the lower production value. If you have the time and are interested in a binge-able romantic historical drama, then I would recommend you try this out while taking cautious note of some of its issues.
Was this review helpful to you?
This review may contain spoilers
Alternatively titled as: We've Got The Best Bromance!
It's been a couple of days since I completed watching Goblin and might I just say am so not over it. I've been reading a lot of its reviews, stalking the fuck out of Lee Dong Wook and basically just obsessing over this one a little too late. I usually try to stray clear of fantasy genre but I hate that I didn't give this one a chance sooner. It's like one of those overly popular dramas that have got the mainstream vibe to it because almost everyone has watched it already and I guess now I know why.I've got so many things on my mind regarding the series, the good things and the bad ones too that it's a bit hard to formulate them properly into words so I'll probably just rant my way out.
Starting off, Goblin was an extremely whimsical watch to say the least.
The first few episodes were absolutely breathtaking with immaculate cinematography both in the historical flashbacks and in current timeline, interesting choice of characters and plot will force you deeper into this drama, and once you're in well, there's no going back thereafter.
The plus point of the drama was definitely its character interactions with underlying but hugely effective humour. I personally prefer things to be serious and funny both at the same time, too much of just one set of emotion gets boring for my attention span. So needless to say Goblin nailed this one requirement of mine perfectly.
Each and every character dealt with the other in such a playful and satisfying way for most part of the series that I couldn't help but connect with them on a deeper, more intimate level.
That said, don't even get me started on the (b)romance between the Goblin and Grim reaper, probably the best I've seen yet (that says a lot considering bromance is a fairly common trope in K-drama world) they were just so entertaining together that at one point I was just watching the drama, waiting to get a glimpse of their quirky interactions (which were a lot thankfully). So if anyone asks me why I loved this drama as much as I did, I'll gladly put my hand on my heart and just think of all the cheeky moments between these two extremely good looking hunks.
Now coming to the romance, I found the story of Grim Reaper and Sunny a lot more captivating and emotionally investing than the protagonists despite the limited screen time. Not to belittle the leads or to say they were lacking or anything, they were good too in their own way. While the Reaper and Sunny had a heavy hot dose of chemistry sizzling through; the Goblin and his bride were the cutesy heart fluttering couple. The show got a lot more interesting seeing these two romantic parallels unfolding side by side. Not to mention the very evident age gap didn't bother me at all, if more I found it quite endearing and romantic since one of the involved party was a lonely immortal being while the other was an equally lonely but warm hearted magical soul. So whatever works for them in this life and after am all for it without any second thoughts whatsoever.
As much as I was intrigued by the plot and the never ending suspense of how things were going to pan out in the end, the last few episodes were a let down as compared to the heavy plot build in the previous ones. While the story went a full circle it failed to actually make sense. The logic and reasoning shredded into nothingness just like how Goblin was supposed to? But after a short amount of separation he reappeared as if nothing happened only god knows how (pun intended). Many other plot points came off as mere convenience which I possibly couldn't ignore at the end. The story of the Reaper got a whole lot diverted and complicated but I suppose it's a given since rounding up a fantasy takes an even more fantastical on the spot thinking. The writers could have done better because the plot turned out to be a sore spot for this one for sure.
Focusing on the actors, obviously they did a fine job on this one. The emotion transitions were perfect, the comic timing even more so and the inner turmoil in each of the 4 leads was something I actually felt and sympathised with especially in the case of Reaper's identity revelation. Lee Dong Wook has got me spellbound and am probably off to binge watch on his other remaining dramas.
Last but definitely not the the least. The OSTs! Oh my lord the OSTs are so on point in every damn scene and the fact that I absolutely love every one of them tunes (still humming round and round) is something that happens rarely.
So if you're looking for a feel good, fanciful world with beautiful and funny people roaming about it, be sure to delve into this one, if you haven't already.
Was this review helpful to you?
