Masterpiece
To call this show a masterpiece is an understatement. Everything about it is top notch. The acting, the story and the execution. Just wow. Every scene has a significance like the small details, everything adds together.Zhou yu tong, I don't know where to start with her. Her acting is mindblowing, I could feel every emotion of hers. The chem between her character and Jian yi fan is so cute, it the little things that matter.
I like the "mystery" element in here. Eveyone else did a expectiaonal job. Love the relationship between the girls. The emotions were raw.
Strongly recommended drama!!
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At the time, I watched many stupid romantic comedies so I needed something different from those usual dumb stories and so I found this drama somewhere. I read the synopsis that seemed appealing enough to give it a go with a medium level of expectations.
2) Storyline/Plot:
*Generally speaking this is a rom-com with a psychological aspect. The drama contains several twists that makes the storyline catching.
Positive Points:
*At the beginning (First 15 minutes), everything started really slow that I began to lose interest yet the writers were clever enough to take the story into another different level that attracted my intention.
*The story was captivating all the way through, it was short, psychologically romantic and most of all funny that’s why it hadn’t any dragging or slow moments.
*Main genres:
--->Romance: The romantic aspect in this drama is different from any other romantic comedies that I’ve seen before; there were mature feelings in this drama, the kind of feelings that go deeper and deeper each episode yet it doesn’t fall into the melodrama level since there were childish moments to make it light. I have to give the script writers credit for many "Wait, what happened?" moments while following the romantic development, many plot changes were really surprising and added a great taste to the storyline.
--->Humor: This drama’s funny scenes were smartly written, it was light and enjoyable. Like other Japanese dramas, it was ridiculously fun with all the weird situations.
--->Psychology: The romantic psychology was fairly interesting; there were many strange and sweet situations related to many great philosophic minds in this drama. The psychological cliffhangers were simply amazing, writers managed to keep all the twists captivating by inserting psychology into it.
Negative Points:
*I can’t possibly think about a negative point in this drama’s storyline; it was really great.
Story: 9.5/10.
3) Acting/Cast:
*Actors made it really believable and enjoyable; they knew how to deliver feelings even when they are trying to be funny. Matsuda Shota and Akira are the most talented actors here; I will add Tanihara Shosuke who portrayed the psychiatrist role perfectly.
Other actors were good too but I wasn’t touched by their acting skills like the three mentioned above.
*As for characters, you would get invested in every character since they always showed interesting developments into their personalities.
Ai-Ai was a great character that portrayed a strong woman personality while having the feminine feelings when she needed too: I would say that her character can represent woman power.
--->O-Chan was a character that would make you want to see him more on screen; it was really nicely done with good personality developments.
--->Kiku-rin was the strongest character in this drama, it manages to make you love him, hate him then love him again: It was a challenging character that added a great storyline development.
--->Usami was a weak character (basing on the storyline so it has nothing to do with Tamaki Hiroshi’s acting skills), it had many flaws but it managed to get through near the end.
Other characters were either average or annoying (……)
*Appreciated character: I was attracted by Kairi’s darkness especially near the end; it was a very appealing character to me.
*Relationships:
--->Romance: Since it’s a shuffle we can’t talk about specific couples yet there were chemistry all over the drama with all those intriguing feelings.
--->Friendship: It was present in a good way here, ever since the first episodes there were many signs of good friendship which made characters appear in a great harmony even if there were problems every once in a while.
*Favorite line: Uso da to itte yo, Joe!
Cast: 9/10.
Acting: 9/10.
4) The ending:
Well, it seemed a little unnatural but that doesn’t mean it was bad. Anyway, this drama had a good ending overall.
The ending: 8/10.
5) My impression (How did it affect me):
*Watching this drama was really fun, I got to see a mature drama after a long time so I had great feels about it.
*Is this drama memorable: Yes, It is! Who wouldn’t remember watching a great mature drama with superb actors and awesome characters? This drama touched me in a good way, an unforgettable production indeed.
My impression: 8.75/10.
6) Overall:
*If you’re looking for a mature drama then you should watch this.
*If you’re looking for a great romantic J-drama then you may like this.
*Love Shuffle is a short light drama without any shallow feelings. It’s one of those dramas that are directed to the mature audience out there.
Overall: 9/10.
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Cops and Robbers
The First Shot 雪迷宫 is a classic cops and robbers crime thriller featuring China's early efforts to combat drug trafficking in the late 1990s. It seamlessly fuses together proven themes of friendship, loyalty and betrayal, and good vs evil; all the elements that make this genre enduringly popular. It is set in a fictional city Halan in frigidly cold Northeast China and is about a newly established anti-narcotics team's early efforts to combat an influx of drugs into the region. Lacking basic knowledge of synthetic drug manufacturing, Zhang Bei is sent to Huazhou in Southern China to recruit Gu Yiran, an expert chemistry professor to join his team. Due to the initial influx of drugs into Southern China in the earlly 1990s, Gu Yiran's familiarity with the habits and tactics of the traffickers proves as invaluable as his knowledge of chemistry.This is a well made drama if you can excuse the meagre, cheesy 1990s look and feel that gets a much needed boost by Jacky Cheung's top Cantopop and early Mandopop hits from the day. It is definitely not Zhang Yimou behind the camera but the camera angles are quite innovative and the spectacularly choreographed action scenes kept me on the edge of my seat. The crime plot unfolds at a decent cadence with a few really interesting and unpredictable twists and reveals. The bromances were deftly written with each relationship: Zhang Bei and Gu Yiran; Zhang Bei and Jiang Xiaohai and Jaing Xiaohai and Liang Jiaju; illuminating different facets of both Zhang Bei and Jiang Xiaohai.
The investigative unit's rapport resonates and carries the story from the get go with every member doing their own small but crucial part in this tightly knit team. The rabidly feisty Mad Dog Yao kicking butt in any brawl only to be too easily subdued by Zhang Bei cracked me up no end. While I appreciate the narrative taking the time to flesh out the important roles, this drama falls into the usual trap of these plot driven stories of digressing too far into too many personal stories of peripheral side characters. It comes at the cost of the momentum of the investigative plot and the narrative sags in the middle. While Lin Boyang is lovely, I wasn't invested in her sweet but trite romance which went on for so long it bored me silly. This would have been much tighter and more exciting as a 24 episode drama.
I was initially skeptical about Huang Jingyu in this kind of super masculine hero cop who carries the weight of his team and the world on his shoulders kind of role. He has done it too many times and indeed there is nothing about the way the character is written or portrayed that makes Zhang Bei stand out from this tired archetype. Yet maybe its his personal charisma or how he just looks the part so perfectly that his Zhang Bei just "works" in bringing all the other roles and performances together. As much as I like Wang Qizi, Gu Yiran is the character that at the end I liked and cared about the least. He is at surface easy going and amiable but in reality he is lonely and guarded and he has his own agenda. Unfortunately I found his obstinate and repeated Lone Ranger stunts so selfish and boring that it overwhelmed my sympathy for his personal trauma. Although he isn't at Zhao Xiaoguang's level of comically terrible, he is also too obviously not a native Cantonese speaker to successfully pass himself off as one. The role just didn't come to life onscreen in a convincing way and was overshadowed by vastly superior performances by Zhang Yu and Qin Junjie. The truth is fate is random and Lele could well have been any one of them and it is this character that stole the show and made me incredibly conflicted; sad, manipulated, scared, revolted and resigned. It is the best written and best acted role; one that stands out among other stellar performances.
As an avid and frequent consumer of the suspense thrillers, this drama has an excellent ending twist that shocked me and then gave me that aha! moment as all the details just clicked into place. I haven't been surprised like this in a long time and I enjoyed it thoroughly. That said, there is nothing that new or special about the story itself, the plot should have been tightened and there were just so many hidden identities that when you put it all together it looks quite implausible. I am happy to I rate this a very entertaining and enjoyable 8.0/10.0
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Single mothers, especially, are the stars of this drama. Our main female character is one. Our main male character was raised by one. And that’s just the start (to say more would be spoiling things). In fact, in this entire drama save for three characters, fathers and men largely take a backseat in the mainly female-driven story. The heartrending way the drama talks about mothers makes this a perfect watch for everyone. Maybe you grew up motherless, maybe your mother physically or emotionally traumatised you, maybe your mother was overbearing, maybe you loved your mother and lost her, maybe your mother is just a phone call away, maybe you used to be a mother, maybe you are about to become one, maybe you wish to be one... no matter who you are, I think this story will be healing, relatable, and ultimately empowering for the viewer.
It’s important to come into this not expecting it to be just one thing. Neither does it set out to establish itself as a “jack of all trades” type of drama. The characters are genuine, the story is honest, and everything unfolds rather mellowly. I would say there is some meandering in some parts, but let the characters grow on you, keep your judgement at the door. Immerse yourself and you’ll feel glad to be able to spend a bit more time with them.
Oh, and remember that no one is weak. We’re all just seeds, drifting and struggling to plant ourselves and take root, hoping to eventually flower and bloom. Give these characters the chance to do that, and give yourself the chance to too.
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Definitely not what I expected
When I first found out about ‘He Won’t Kill, She Won’t Die’, the summary made me think ‘oh, just another edgy teenage romance huh’. But I loved what a delightful surprise this was.The plot of this movie isn’t anything extraordinary. The film followed three stories— an unfriendly guy who always tells others to die and a suicidal girl, a girl struggling with boyfriends who never actually seem to like her for who she really is and her friendship with a studious girl, and a determined girl who never gets tired of confessing to her crush despite the fact that she always gets rejected by him. Sounds uninteresting? Well, sometimes a film doesn’t need to have an outstanding story in order for it to be good, and this one is an example.
With a mesmerising cinematography, what this film does capture most correctly is the emotions and the feels of each scene. What makes this film so special is how it managed to execute this simple plot with in-depth characters and a great storytelling. The acting is really good too. This film surely reminded me of why I actually loved watching Japanese films the most.
Overall, a solid 9.0/10 for me. The rewatch value is low because it’s not really the kind of film that’s rewatchable, but not all good movies are worth a rewatch as the first times tend to give you feels that you might not feel the time you re-watch it. Thus, I highly recommend this film to everyone :)
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BETTER THAN EXPECTED, I WANT MORE
I love short series - if its good then your lucky, if its not then you wont feel like you wasted too much of your time. Im happy to say that this time I was pleasantly surprised with the whole series and i end up wishing there were more episodes cause i was intrigued and I wanted to see more.There were things the show got right - from the execution of the simple plot, to the entire bunch of the cute and capable cast. There is also a perfect amount of titillation of the viewers.
Should you watch it? YES. Its just about 20 min long each (give or take the opening and end credits). Its just like watching a normal full length movie. I wished there was a continuation cause when it ended I waasnt ready to let go of them yet.
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If you are looking for something different, funny and deep at the same time: watch Pegasus Market! The deepest parts of the show are not precisely in the beginning, but you will be definitely touch when you'll see these emotional parts . Just how life isn't predictable, so is this comedy drama, full with wide and different emotions, be ready to be surprised, to be sad and empathetic and of course to laugh.
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Amazing chemistry & original storyline makes this one stand out
The storyline:The storyline is very original and refreshing. I’ve never seen a drama that had one of the main leads be obsessed with an idol and make that one of the focal points of the drama. But this drama does it and it does it really well. The female leads whole family has OCD but their obsessions are how they deal with a past trauma. So the story is much deeper than it looks like from reading the synopsis. It’s a light feel good drama that touches on some deeper subjects like child abandonment, loss of a child/sibling and OCD without getting too deep and angsty. It delves into those subjects enough to peak your interest and make you want to watch more but it doesn’t make you too sad or upset. It also delves into the world of art and museums as the main leads work together at a museum. So I liked that they gave us a very unique work setting that I hadn’t seen before which was enjoyable.
The acting:
There’s some really good acting here. You can’t help but love the female leads quirky best friend and their crazy relationship. The idol in the drama is just too adorable and pulls off the cute little puppy look perfectly. I wasn’t crazy about the owner of the museum, her acting didn’t impress me. But the main leads steal the show with their acting skills. Overall I’d say the acting in this drama is way above average.
The romance:
The chemistry is on point with this one. If you liked “What’s Wrong With Secretary Kim” then you’ll love this drama. It has the same female lead and this girl knows how to do an onscreen kiss right. She sizzles here as does the male lead. It has lots of real kisses and skinship too. There is a slight love triangle. I say slight because it’s one sided for the second male lead. But fortunately, the main leads only see each other.
What really makes this drama shine is how it could touch on some deeper sadder subjects then pull us out of the sad moments and right into something that would make us smile or laugh so seamlessly. I like that the comedy and touching romantic moments were interwoven throughout the angst ridden moments so that things didn’t get too anxious or upsetting. It’s definitely a sweet romcom but it goes deeper than expected and touches your heart. This drama has everything. It’s funny, very romantic, sad, thought provoking, sexy, and cute. It takes you through a range of emotions but leaves you feeling happy and satisfied. I liked learning about idol fans and seeing things through their eyes. I also liked the unique work setting and learned a lot about art and museums. But what I liked best is how this drama touches your heart and makes you want to go back and watch it all over again.
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The thing with these 'Avenging Hero' type dramas/stories is the love story orbiting the hero is always a frustrating dance. Perhaps he has been deeply scarred and/or his mission is antithetic to the love that unexpectedly blossoms between the antihero and heroine. Kurosagi is classic in this respect.
Each episode unfolds with Kurosagi swindling a different kind of swindler and it's fun to watch him get into character and pull off his clever cons. I couldn't help but compare this just a bit to Liar Game, in that you have to use your brain and the hero has to work around the trick of the con. I really liked Kurosagi's little personality quirks and his different 'con' personalities.
Having sung it's praises, I still came away from Kurosagi feeling something was missing. It took a little while to put my finger on just why I can't give this drama a 10 but I've figured it out. It feels incomplete. Usually as I watch and then rate Jdramas, the fact they usually only take 9 to 11 episodes to tell the story makes me enjoy them immensely. This speedy and more concise story telling in turn raises the rating for me. But somehow this was not the case with Kurosagi. I felt this story needed more time, more story and I am left unsatisfied.
The acting was great for the most part. Yamashita Tomohisa has impressed me again. I've watched 4 of his dramas now and I really like when he plays more "character" parts like this rather than straight lead (See Buzzer Beat, which I did love). Somehow even with his handsome leading man looks, he feels more like a character actor to me. I liked the lead actress. Some of the secondary characters fell flat for me.
A word about Katsuragi: He is the most original character I've come across in a long time. He was at once; chilling, pathetic, gross, pitiful and scary. He left an impression with me, that is for sure.
The intro song didn't really thrill me but the background song which I will call Kurosagi's 'theme song' was cool. I really dug it.
I am giving the re-watch value a 7 because I think people will want to watch this again. There are already parts I have gone back and watched again.
I recommend this. It's worth your 11 hours. It's fun and if you get into manga turned into live action, I think you will like this.
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I have to start this out by laughing.This drama is hilarious from the first episode i got caught.
The main actor was excellent one of his best. This really showed his ability and diversity in acting when compared to his previous drama. His acting was flawless. My love for Lee Dong Wook has grown tremendously.
The main actress...........Lee Si Young was amazing.(nods) I have to give her her props she got the whole tomboy tough-girl bodyguard role perfectly even her gestures were right on target, even when she had to show her weak side it was just amazing.
The plot i must say was very good,and the climax was a nice twist.I also looked forward to the smaller stories of the supporting characters, each of which really added to the essence of the whole thing. It was the first time I seeing Kang Dong-Ho in a drama but he really caught my attention.And as a plus there were a lot of eye-candy in the is drama. lol I grade you with an A+++.
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In this second season of the drama, the story continues. It is just as cute and funny as the first season, but in this one we get to see even more interactions of the main characters.
I have to say that I absolutely love all the characters. They were very cute and so funny! One thing that annoyed me was the funny, but irrelevant episode where they played the mafia game, trying to guess the killer and all that.
Overall, the story is about two childhood friends who come realize that they mean much more to each other than they had ever imagined. By the end of the season, we can see that the female lead has matured, and the male lead has figured out some things; such as that one's way of living cannot be claimed as better than another person's way of living. Meaning, Liao Danyi's lifestyle choices are not the same as Ye Muxi, and they do not have to be. Therefore, Liao Danyi realizes that his perfect life is not a standard for Ye Muxi is follow.
The ending is a happy ending for sure, but it cannot be considered as the best ending. Not because there was no romance but because it left me wishing there was more beef to the ending. Plus this web drama had explicitly stated that it isn't focused on romance from the very beginning, so do not expect anything romantic to happen in this second season.
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This review may contain spoilers
Gangsta FL, Cozy Vibes ✨
This turned out to be a surprisingly solid drama! Classic rebirth-and-revenge setup, but the FL? Total gangsta queen. She clapped back at anyone who dared to stir trouble, and I was living for it.The romance was also a treat. No dumb misunderstandings, no dragged-out breakups — just two leads being adorable together. Always a win in my book. 💕
Now, confession time: I devoured the first 13 episodes (they were all out already) and had the best time. But once I had to switch to the one-ep-per-day grind, my interest dipped a bit. Still not sure if it was just the slower pacing or me losing momentum—but lesson learned: I’m saving minis for when they’re fully released.
Overall? A cozy, satisfying watch with a cute romance and a happy ending. Simple, fun, and totally worth the binge.
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This review may contain spoilers
A movie that had great potential and wasted it all
NO SPOILER FOR THE FIRST PART OF THIS REVIEWThe fact that some people are rating this movie higher than a 6.5 is honestly baffling to me. I don't write reviews that often but I had the urge to do it for Midnight because of how big of a letdown it was. So, here's my review of a movie that had amazing potential and could've been a really good thriller, but unfortunately ended up being a barely decent enough movie.
Midnight is good at first; the plot is promising and there's a heavy atmosphere efficiently set thanks to the scenography and brilliant acting. Many good stress-inducing mechanics are introduced to make us feel the anxiety and distress caused by the main character's, Kim Kyung Mi, deafness (e.g. audio detection devices, lights reacting to sound).
However, despite the potential and innovative ideas it all crumbles down very early on. Sure, I was quite excited when I started watching Midnight, and was even truly enjoying it. But if you have a good time during the first twenty minutes or so of the movie, you'll slowly become too frustrated to think about anything except how dumb these characters all are, completely ruining the thrill.
Every stressful situation is built upon questionable/idiotic decisions that no human being would ever make, even under that kind of pressure, because it simply goes against what survival instinct and common sense dictate. I'm sure there were ways to have the characters be gifted with intelligence and keep an interesting story still.
Overall, the movie is not completely bad and still enjoyable to a degree, simply thanks to the fact that it is entertaining enough to watch until the end. Still, it doesn't mean it's a good movie. The beginning is great, the ending is fine and everything in-between is... sort of a mess. If you were curious about it I'd still advise you watch it but be aware that your expectations will probably not be met, and if you won't be bored, you'll definitely be annoyed.
SECOND PART OF THE REVIEW, BEWARE OF SPOILERS BELOW
First of all, I'd like to mention that I'm usually not particularly nitpicky. I'll accept a lot of things when watching TV shows and movies, I won't necessarily notice every single detail or plot hole. That being said, even taking this into account and letting my suspension of disbelief play its part, it wasn't enough. This review is not me exaggerating for the sake of it. So let's now dive into it and detail the things that bothered me.
Let's start with the outsiders, aka everyone that's not a main character.
Okay, fine. I'll accept that the police might have some prejudice against disabled people and that they can be utterly incompetent. It honestly wouldn't be that surprising or unheard of. It is frustrating, but not in a 100% unrealistic way.
Fine, I won't argue that it is possible for a crowd to not help someone in distress. Bystander effect, confusion, fear or simply not knowing what to do/how to react can all factor in on this. These people don't have the full story like we do, they just see a panicked girl who is not explaining what the problem is.
Sure, the military personnel bringing back Kyung Mi to Do Shik, thinking they're helping her "brother"... that's barely acceptable, but you know what? Now we're reaching but I'll let it slide because similar things can happen in a very unfortunate turn of events.
Since all these characters are outsiders to the story and only get snippets of what we see, with which they have to piece everything together, I'll be lenient. It's all exaggerated for the sake of the plot anyway.
I won't even mention Do Shik's irrational and erratic behavior too much, for the obvious reason that he is a killer with, more likely than not, many many issues. Him being overconfident, thinking he can outsmart everyone (not like they're making it hard) even when being so careless, and get away with it scot free, is actually not that crazy or unbelievable.
But Jong Tak, this dude! My brother in christ, give me a break. He is by far the most frustrating and dumbest character in this entire movie. Here you have a grown man who has the ability to communicate freely, who knows exactly what's happening, but decides that calling the police is apparently overrated. Granted, they have proved they were dumb and incompetent, but still?
Or maybe that poor guy suffers from a disorder preventing him from doing two things at the same time and I'm just being very mean, who knows? Or well, maybe he can't use his brain, my two cents. I mean, seriously. Why can't he just run to Kyung Mi's house AND call the police at the same time? Same thing when he gives up on her after Do Shik "reveals" where his sister is.
And for the love of god, why does he take narrow little streets when trying to catch up with Do Shik, risking to lose his track, instead of properly following him? How is he even able to not lose sight of him that way? Or maybe he knows the area so well he has a mental map stuck in his head and can predict exactly where the killer and his victim will run to, even without seeing them. But you won't have me actually believe that lol.
Then towards the end of the movie, he fights Do Shik in a back alley but looks away from him TWICE despite having been tricked into thinking he had fainted the first time already (after a 2 seconds chokehold, that is). Brilliant. You might also wonder why he doesn't try to scream/get back to the main avenue to draw people's attention? Well no one knows. It's not as though Kyung Mi can do it for him. If I were that poor girl, I'd rather be stabbed in that alley and just end it already instead of having to be "saved" by someone so useless.
Also, why does no one ever stay together? I lost count of how many times that happened but it was way too much. I don't really get why Kyung Mi and Jong Tak's sister had to split. They were right next to the place where they can press a button that turns on every light in existence and blasts an alarm waking up the entire neighborhood, then puts them in direct communication with the police!
Later Kyung Mi's mother and Jong Tak also split up, and after that him and her daughter did too. And for what? You tell me because I have no damn clue. Could've been a running gag if it wasn't just poor writing.
There are other details I'll skim over because this review is already too long:
-Right at the beginning of the movie, a woman (completely alone outside, at night) is approached by a guy being weirdly insistent about her getting in his car. Nevertheless, she walks to his suspiciously "deserted" van, that totally does not look like a set-up, a few minutes after? I assure you, no woman would ever behave like that. At least call someone at the same time, just to be safe;
-When Do Shik and Jong Tak were fighting in the police station, why did it take so long for Kim Kyung Mi and her mother to bring back the officers inside? It definitely shouldn't have taken this much time as they were standing quite literally 5 meters away from the entrance;
-How did said officers not hear the commotion inside?;
-After that incident, why were none of the characters kept under police protection, at least for the next 24 hours?;
-When Do Shik infiltrates Kyung Mi's house, he knocks many heavy things on the ground... that girl is deaf, not completely numb to the world. She would definitely feel the vibrations or something. I'm pretty sure your other senses are sharpened when you're lacking one;
-I believe most countries have a special number for deaf & mute people to contact the police through text messages. I might be wrong, but I doubt there's nothing like that in South Korea. Kyung Mi and her mother would definitely know about such a thing. Even when panicking, I'm sure that would still come to your mind.
There are still many things I could mention, or some criticism I don't necessarily agree with, but I think you got the rough idea already. Ultimately, I am angry not because of all the inconsistencies themselves. I spend my time watching shows that are full of them and still manage to have a good time. I am mad because this movie could have been something greater. It had so much potential, and seeing it all go to waste like that right in front of my eyes feels like betrayal. This movie has some good in it, but the bad easily overtakes it. Midnight would barely deserve a 5, if not for the atmosphere and acting. And if I'm being honest, I'm betting my life that if Wi Ha Joon wasn't in this movie (but was replaced by an equally talented yet less attractive actor), the ratings would be way lower.
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Story- An excellent plot which will always keep you on your feet. There's always something happening and it will constantly keep you guessing. I really loved the main characters relation with her children. She went to great lengths to try and protect her family.
Acting- The actors were very well picked! From the main characters to the minor ones, I must say- they really had a BIG impact. The little girl who didn't have the ability to speak, she portrayed her character really well with her little but clever brain and actions.
Music- The music fit every scene and made me feel like I was actually there, lurking around and trying to hide from the psycho! At the very intense moments, the music gradually changed to a very strong track. It suited and flowed with the storyline. AND OF COURSE- the ending credits song! It reflects and goes with the entire movie. I really liked how the film ended with this amazing instrumental. The guitar made me feel this sadness..
Rewatch Value- I think I'd watch this again since it's really amazing. Normally I don't rewatch films but for this one, I'll make an exception. :)
Overall this movie was absolutely breath taking! I just happened to stumble across this one but I'm really glad I did. This is one of the few movies which will stay on my mind long after I've watched it! I really love how it ended, especially the last sentence from the heroine.
I highly recommend this to those who are looking for a movie that will keep your eyes glued to the screen, people who love thriller and suspense. Even if you aren't, I'd say give it a go! I'm sure 8/10 people would DEFINITELY like it.
It made a great impression on me and I give it a.. dak dak dak.. :) 10/10!
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1
1"We live and we die"
Shogun is based on the popular novel by James Clavell which in turn was very loosely based on historical events from Japan around 1600 C.E. I devoured the book years ago and watched the original mini-series starring Richard Chamberlain and Mifune Toshiro. I have been both excitedly and trepidatiously waiting for this updated version to come out. There were some improvements and also disappointments with the latest rendition.“Why is it those who have never been in battle are so eager to be in one?”
English pilot John Blackthorne is one of a handful of survivors aboard the Dutch ship Erasmus that lands in a Japanese fishing harbor. He and his men are taken prisoner by the village’s manager, Omi. Elsewhere, Lord Toranaga is called to the Osaka castle to meet with the other four regents of the Taiko’s heir who are bent on taking him down. He tells them he has no intentions of starting hostilities with them, but they intend to force him to commit seppuku. Back at Ajiro, Omi and his uncle and lord, Yabushige, decide the ship and its weapons might help them to make allies when the war starts. Though they are vassals of Toranaga they believe him to be a dead man. Before they can put any plan into action Toranaga’s right hand man, Hiromatsu, shows up laying claiming to the ship and its contents for Lord Toranaga, including Blackthorne. Toranaga has Mariko serve as Blackthorne’s interpreter as they can both speak Portuguese. All three, Toranaga, Blackthorne, and Mariko will face death and deception on numerous occasions and will have to use all of their abilities to change the fates laid out before them. The Portuguese and changing alliances of the regents and the heir’s mother’s influence are a powder keg of explosive political desires.
“A woman must stare without fear into the cruel eyes of fate and make herself seen”
Blackthorne was disappointing in this version of Shogun. Gone was the inquisitive and crafty personality along with the better relationship with Toranaga. As played by Cosmo Jarvis, he came across as a punch-drunk prize fighter. The slow build up in the book to understanding the language and world around him seemed fast tracked. Also, the key moment when his mental shift went from English to Japanese in the book was disappointingly left out. The scene would also have bookended Mariko’s emotional scene in the 9th episode. That key scene was also what caused the bonding between him and his interpreter. Shoving it in near the end of the drama felt awkward. Another awkward development was that it took a moment to figure out that when people were speaking English, it was supposed to be understood as Portuguese. In the book Latin, English, and Spanish were also spoken, so I suppose it simplified things for the actors and writers, and especially for English speaking audiences and making it more accessible to them to use just the one language. Okay, rant over. Mariko was more severe in this interpretation of her character, but she was as always highly capable and intelligent, understanding the political undercurrents of people’s actions. In fact, Mariko’s actions were as important and vital to Toranaga’s mission as any man’s, maybe more so. Like Toranaga, she was thankfully introduced earlier in this drama than in the book. There were other women who played important roles—Fuji (Fujiko) the reluctant but devoted consort, Kiku the courtesan, and Ochiba the heir’s plotting mother.
“She hides herself in the sun. Conserves her energy, waiting for her moment. You might never know she is there.”
What was well done was that they didn’t just show the story from the Englishman's perspective as an introduction to Japanese society and history. Much of the drama was in Japanese and though the political maneuverings were narrowed down for the small screen, many of the primary characters were fleshed out. Sanada Hiroyuki as Lord Toranaga gave a quietly powerful performance as the most cunning man in Japan. Toranaga was introduced early and used often to exploit his screen presence. Outwardly, Toranaga proclaimed he had no desire to be Shogun, but he used his extensive network of spies to lay in place a long-term plan to do just that. As a falconer, he broke many men to his fist. Everyone was a possible enemy and he kept his plans in his secretive heart. He even manipulated disasters to his benefit, always knowing when to use his human chess pieces and when to sacrifice them. The English pilot, Anjin, came at the right time, a chess piece that might prove valuable. Sanada’s scene with Nishioka Tokuma as Hiromatsu when all seemed lost was one of the best and most touching of the drama. The two actors traded deep feelings with flickers of their eyes and micro expressions that conveyed the depth of their friendship, loss, and commitment.
“Some are born under a banner of greatness, others must claim it”
The sets and costumes were luxurious. I wish they hadn’t been so committed to using blue filters because it looked as if the land of the rising sun was perpetually in twilight and fog. There was gore, but more for the shock value of the realistic violence without being overly gratuitous. There were scenes of sexual intimacy that also didn’t delve into gratuity. But fair warning, the writers weren’t afraid to use Clavell’s salty language.
“Loyalty does not have an end”
Despite some of my reservations about Blackthorne’s character and actor, and a few of the changes made to the story, I enjoyed this drama. The production values were of a high quality for television. Clavell had a great regard for Japan despite having been a POW during WWII. It was clear he felt Blackthorne was indeed the barbarian in need of civilizing as evidenced when the pilot met his crew later in the drama. The original mini-series didn’t subtitle the Japanese dialogue so that the audience would be as lost as Blackthorne. This time, we were treated to what was going on with the different characters as they made allies, betrayed each other, and played a dangerous game to have their man become the next Shogun or as in the case of the Portuguese, do whatever was necessary to maintain their monopoly in the region. And there were those like Yabushiga constantly trying to play both sides against the middle to survive the coming storm. Having read the book and watched the original mini-series when I was much younger, I am favorably biased toward this story. This was not a white savior tale, the book and the drama tell you who was pulling all the strings. As did the historical figure he was based upon, Blackthorne had his uses, but ultimately this was Toranaga’s journey to becoming Shogun.
“If I could use words
Like scattering flowers and
Falling leaves
What a bonfire my poems
Would make”
-Mariko
23 April 2024
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