Worth a watch?
Some did not like this because of the ending but it ended the way it did for a reason. A slow drama but slow for a reason. If a drama is judged by the actors ability to have the viewer feel the emotions required to understand what is being presented without a lot of dialog this drama scores a 100. The chemistry between the main leads felt real and the conflicts between them could be felt. The meeting and separations of the two was sometimes frustrating because of the sometime lack of communications, things left unsaid, yet there seemed to be an understanding between them.Yes the ending could have been different, but it did not leave me empty.
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Masterpiece
Forgotten starts off as a seemingly simple psychological thriller: we follow Jin-seok, a young man who moves into a new home with his family and watches his older brother get mysteriously kidnapped. When his brother returns weeks later with no memory of the trauma and acting strangely, paranoia and mistrust quickly take over.However, the greatest triumph of director Jang Hang-jun is the film’s brilliant buildup. It relies on small, subtle details—a pill, a sound from the locked room, an anomaly on the calendar—to systematically erode the protagonist’s sanity and the viewer’s trust in what they are seeing. The atmosphere is suffocating, and just when you think you’ve figured out where the story is heading, the script hits you with a perfect plot twist.
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What Did I Just Watch??
We've waited so long for this series, it's hard to believe it sucks as much as it does. But, I guess, it does make sense that the people involved in this abomination would prefer that it never saw the light of day. Alas...The story is not only confusing, it is entirely non-sensical. It has no logic or cohesion, it's just a random string of events that, honestly, feels A.I generated.
The acting is not bad but the script is so cringe the actors cannot save this. Not even JeffBarcode, who, by the way, even though they've managed to have one of the most heartbreaking love stories ever before without ever kissing, couldn't get a single ounce of chemistry on screen for this mess. Obviously not their fault.
My favourite character ends up being The Princess but only bc everything else sucks so much she turns out as the most enjoyable.
Idk who I have to sue to get the time I spent watching this back, but I will certainly be looking into it bc I do require compensation.
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OK as a filler
Not awful, but certainly notvgood.The supporting cast and leads were fine; the latter being attractive working pretty well together.
I liked the sound of it from the synopsis, but the actual drama simply lacked something... it became chaotic, dragged at times and honestly, I don't remember much about it, not long after watching! A lot of unpleasant characters though.
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Its pay back
I got hooked on ep1The acting of the main lead is superb,u get alot of emotions with being emotional,that's like extremely fantastic
The music also just keeps pumping the adrenaline
I gotta say this series is twisted yet u get some laughs
EP 8 has blown me away....just waiting for the last two EP though I can say I am satisfied
It's a must watch Nd a must rewatch
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This review may contain spoilers
First half was great ! Then it went downhill...
Honestly, everything is in my title...The first half was very good : a smart, calculating, scheming female lead who knows what she wants and how far she's willing to go to get it. I'm not especially a fan of Hong Xiao but I have to admit she nailed the part of the femme fatale. Yan Zi Xian, her male lead, is great as usual, although I would have liked a bit of development on his part, especially about how he fell for the female lead (though I did love the scene where he was crying in front of his father's memorial tablet : great acting by YZX). The whole thing was overall predictable from the beginning (who was the real culprit, how the second female lead was gonna end up...) but we could pass since the process was interesting, especially when the female lead was obiously really falling for the male lead.
And then, in the second part, we fall into the awful cliche : the leads having misunderstandings, suspecting each other non stop and having a toxic relationship where the male lead imprisons the female lead (come on...) instead of talking honestly and trusting each other (come on, I couldn't believe that the female lead started to doubt the male lead so easily).
What's even sadder is that there was a huge potential about what could have been done because there were also good ideas in that second part : for example, to get the male lead victim of drugs and going through a period of withdrawal with the female lead by his side was an original and interesting move. But after all the suspicions, conflicts and dramas there was before, it kinda fell flat.
I also think there could have been a better of the second female lead, played by Luo Yutian : she wasn't a saint, but I hated that her punishment was going through domestic abuse by the hands of her husband as it felt stereotypical and kinda excessive, almost chauvinistic. When it started, I almost expected a power move from the female lead to help another woman in need but my expectations weren't met, sadly.
Anyway, it's still watchable but like I said, I felt a great disappointment towards the second half for a drama that had done so well on its first half
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Soo good!
This was a really great drama. the story was amazing and perfectly executed. It showed the problems in a lot of schools and all different sides of the problems. Not only problem students, but teachers, principals, officials and also parents. the visuals were good, so was the music though i found it a bit too noisy at some moments.The actors did an amazing job.
The only thing that wasn't necessary was the "romance", it didn't fit the drama and didn't add anything to it.
This is a must watch!!
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Skipped more than watched because of boredom
I started this only because I like Bi Wenjun and it's only because I like him that I've managed to make it to ep5.I can tell that the FL and her friends are supposed to be funny but I'm just not feeling it. For a group of people in their late 20s they often act more like children and it was really unappealing for me.
This type of FL character is just not for me. I realize that the kind hearted, frequently dense, and embarrassingly awkward stereotype is beloved by many and often considered cute and funny, but I find it tedious.
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One of my favorite & most rewatched dramas!
This is one of my all time favorite dramas. The story is compelling, all of the actors are perfectly cast and each one has absolutely nailed their character, the soundtrack is amazing, the costumes/character design are gorgeous, not to mention the stunning visuals & cinematography. I've probably watched this one all the way through 5-6 times now. There's so many layers and details woven throughout the story that I pick up on something new each time I watch it, so it never gets old. It's also a good first drama for someone who is new to Chinese historical dramas, as I feel that they explain nuances well and the story is very easy to follow.The two leads have undeniable chemistry, especially if you view their scenes through the lens of "these are two old souls who know each other better than anyone else." There is no pretense between them. There's no shy flirtation or butterflies. Instead, they bicker and jab at each other like old married folks. Because really, that's what they are. There's romance, for sure, including a *particular* scene I was surprised was allowed to make the final cut due to being kind of spicy.
I also want to take a minute to defend the 2nd ML. I truly don't understand why he gets so much hate, in fact, the more I have watched this drama, the more I like and empathize with his character. He is well written and his story arc -- his actions, his motives -- makes sense to me and the actor portrayed him very believably. He's flawed and complex. Not truly a villain but not the hero; he's somewhere in between. I think he's one of the most interesting characters in any drama I've seen.
If you want a good palace intrigue story with lots of lovable characters, shocking plot twists, and a hint of time travel -- look no further!
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The Beach has Eyes
Borrowing stock and trade from gnarly American slashers of the time yet never losing the unique qualities of a Hong Kong horror, The Island begins as a leisurely excursion before steadily mutating into a relentless fight for survival as it plays out a pointed class conflict of its educated urbanites against the violent members of an isolated rural community. Beneath its surface lies an implicit clash between modern urban society and isolated, almost prehistoric violence. The humour in this is very much of its time and place, while the violence is way less visceral than the genre films it aspires to. It's well-shot thanks to director Po-Chih Leong, but it's the island itself that becomes the film's greatest asset. Its rocky coastline, dense vegetation and isolated coves create a convincing natural prison where escape feels impossible. The landscape isn't simply a backdrop; it actively contributes to the mounting sense of dread. It's certainly effective, if a little simplistic, and it manages to feel exhausting even after only 90 minutes. All the acting is solid throughout, but it's the score by Lew Dik that is the true highlight, a synth fan's dream. It really gets the pulse racing, enhancing so many of the more memorable sequences, whilst some of the tense moments get the classic horror treatment. Though overshadowed by more famous Hong Kong horror films, The Island is an otherwise solid little feature with plenty to savour, tense, atmospheric and surprisingly uncompromising, proving that Hong Kong filmmakers could adapt Western horror conventions without losing their own cinematic voice.Was this review helpful to you?
Ellie My Love
Genuinely wasn't aware this was a thing until it was seemingly dumped on Netflix last week. An extremely ambitious Japanese–South Korean co-production, Human Vapor does everything a remake should aspire to, utilising Honda's original film as a jumping-off point before going in its own direction to do something radically different with the material. It hits all the right beats, modernising the premise with a darker, more grounded tone that leads into a compelling supernatural murder mystery, gradually evolving into an exploration of revenge and the human cost of scientific ambition. It's just kind of a shame that the whole thing eventually runs out of steam by the end of its lengthy eight-episode run. Visually, however, there's little to complain about; Shinzo Katayama directs his socks off, the performances are superb across the board, while the music by Takashi Ohmama is simply outstanding. The visual effects deserve their own special mention; done by the same team behind Godzilla Minus One, they are outstanding; every transformation is thoroughly unsettling, inventive and seamlessly integrated. Although the momentum slows to an absolute crawl after an opening sequence that literally blows you away, the series never loses you, as you buy into the horror of what the Human Vapor truly is, remaining a hugely entertaining romp that sublimates the atomic-age paranoia and kitschy monster mayhem of the 60s into a thrilling cautionary tale for the modern era, replete with bountiful action, romance, peril and enough renditions of the Southern All Stars Ellie My Love to last a lifetime.Was this review helpful to you?
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Mutual pining so thick you could spread it on toast
Starting a drama with dubious consent in the first five minutes is still a clunky way to set the tone. It’s not assault, but it’s messy enough that you pause and wonder if the show knows what it’s doing. I’ve read and written dark romance, so I wasn’t shocked—just mildly wary. Luckily, it drops that energy fast. The ML’s assistant/driver ends up being the unexpected comic relief, tossing in comments that keep things from feeling too heavy. And the FL, who initially looks like she’ll be pushed around, quietly proves she’s sharper and more capable than her introduction suggests.The mutual pining is the real engine here. They circle each other with obvious longing, constantly tripped up by miscommunication and a few people who seem dedicated to keeping them apart. It’s a familiar trope, but it works well enough because their emotional blind spots feel natural, not forced. And once they finally get together, the shift is simple and cute—awkward, soft, and a little clumsy in a way that feels honest rather than overly dramatized.
It’s not a perfect drama, but it settles into something easy to watch. A rough start, some light humor, and a straightforward romance that lands without trying too hard.
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This wasn't a BL
It was more like porn. It started normal, or as normal as it could be when one person is giving another sex lessons after they got embarrassed by a hookup. The last episode is where it just turns into straight-up porn. Normally in series it can look real, but it's very much fake; in this series it looked so real that I'm not sure that it wasn't.I was getting awkward and embarrassed just watching this.
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my thoughts of edge of the horizon
i’m honestly obsessed with this series to a whole next level!!!! the acting 10 out of 10!!!!i wanted to give it a ranking of 10 over all but couldn’t until i watch the whole series and see the ending.. i just don’t think i could survive them getting anything but happy ending!!!! yeah yeah.. i know that some people want a “realistic” ending but fuk that!!!!! i don’t need more angst!!! i have enough in my life of that ‘realistic’ aspect.. i don’t need it in my shows too!!!! those are my ‘escape’ of the reality.. i don’t need that there as well.. also, they suffer soooooo much!!! every episode they are literally emotionally tortured.. it would be just so sad and heartbreaking if they won’t at least get this happy ending then what was this all about??? why do this to my heart…? at least worn me of a tragic ending… AND YES!!!! THEM NOT ENDING UP TOGETHER IS TRAGIC!!!!
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A show of surprising depth and beauty
I cannot add to the derailed, careful, exacting reviews of others [okikai deserves special mention] but I wanted to add that the cinematography was a delight. A nuanced show that respects the viewers' intelligence and is superbly delivered by the writers and actors. The two leads were especially skilled in their roles, wounded people whose relatonship develops despite their griefs in the most natural way. My nominee for best C-drama of 2026 in a very competitive field.Was this review helpful to you?
