Reviews

This is simply the best BL you will find. Why? Because it’s healthy, it’s well-written, the actors actually have good chemistry, and—most importantly—it was made for us, the LGBTQ+ community. It has no stereotypes, no "I don’t like men, I only like you" bullshit, no internalized homophobia, and no commercial soft porn. It’s not for straight cis girls to feed their fetish; it’s a lovely, romantic story for us. We can't say that about many other BLs.

People will probably say, "Oh, but BL is made by women for women," as if they are so right. But not this story. In here, there is zero heteronormativity. There is no dude saying shit like, "You will be my wife," or "Let me touch your boobs." There is no rape being normalized and romanticized. There is no "strong" guy and "weak" guy. The director and his team took every bad trope that exists in the BL industry and threw it in the garbage.

He did an amazing job. He said "fuck off" to all that bad stuff and created a good rom-com. He took the enemies-to-lovers trope and made it healthy (something that has never been done right in this industry before)! He took an actor who had never played in a BL before and made him feel comfortable. There is not even one awkward scene between the actors. With the main couple being friends in real life, it could have gone in a completely wrong direction, but it didn't. It’s comfortable to watch; their performance is believable and lovely. This series is a breath of fresh air. It took bad BL tropes and made them good. I don’t believe anything will ever surpass it, but this director might just surprise us again.

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Unexpectedly Refreshing—a gem of a drama worthy of anyone's time.

I was totally unprepared for how much this drama touched me. And I am not sure if it was because of the issues it tackled in anger management, paranoia, post-traumatic stress disorder, obsessive-compulsive, or if it was in how Jung Woo (truly a gem of an actor) and Oh Yeon-Seo each executed their roles. Either way, it worked and worked brilliantly, from the writing to the acting and directing, a pleasant surprise that hooked me from the first three episodes. I quickly both invested and rooted for Noh Hwi Oh and Lee Min Kyung to overcome the pain and heartbreak that appeared to be eating at them. I continually felt time stop when I watched this drama, with my rude awakening coming with each episode's abrupt ending (abrupt in my mind's eye). I never wanted the episodes to end.

When I started Mad For Each Other, I wasn't sure what I was getting, but before the end of the first week, I knew I wanted more, much more than the half-hour snippets three times a week. I like how fluid everything flows, graciously balancing the comedic, crazy, and serious moments. It's light with a somber undertone in how it tells the story of two people scarred by those around them, to the extent that they cannot live their daily lives without coming across something that triggers them emotionally or mentally. There is a lot to like here, but what I found most pleasing is how both Hwi Oh and Min Kyung recognized they weren't okay, be it emotionally or mentally, and seriously seek out and are committed to getting the help they need to better their former selves, and not just pout or play the blaming game. But that they do it in the same doctor's office sometimes brings on the laughs, craziness, and waterworks, as even the visits to the psychiatrists are marred with those moments that make the viewer laugh, cry, and be mesmerized by the fragility of it all.

Getting insight into both of our lead's past traumas was a disheartening experience, especially Min Kyung's. Not that Hwi Oh's is any less, on the contrary. In a way, their situations mirror each other. To be lied to and betrayed by the person (s) you trust the most, but not only that, to be threatened and used for that love is not an easy overcome, if even one can overcome something like that at all. So, Min Kyung's paranoia and traumatic disorders become even that much more understandable, but so does Hwi Oh's anger for being so easily slighted, accused, and shunned by the colleagues he swore an oath to protect and lay his life down for, including his family members and friends. It is easy to see how they and everything around him could readily trigger his anger. Yet, one can't help but empathize and rally behind them. And, boy, do they have chemistry; the moment they finally get together is golden; I love how tender and protective Hwi Oh gets of Min Kyung. I, of course, cannot get over how much I enjoy the association ladies from Hiwi and Ming Kyung's apartment building. I love how expressive they are all and so in tune, but more so that they were not too ashamed to admit their mistakes and take action when needed most.

But as much as I loved Hwi Oh and Min Kyung's bickering, fights, distrust, and even distress when they first met, I couldn't help but love how those fights and distresses enabled them to see each other's truths in each other. And before they even knew it, they were not only rooting for each other, but deeply caring for one another on their road to recovery, as the anger turns to laughter, and the fear and dark sunglasses turn rosy and trustworthy. But the show is also quick to remind us that recovery is a journey; it's not a straight, steady road. And that is the part that stands out the most for me with this drama. It takes its time to show us, the viewers, how fragile recovery is to those afflicted by mental and emotional issues. That there will always be ups and downs, discoveries, and setbacks. And in the case of Hiwi and Ming Kyung, it's the fragility of their trust that quickly crumbled just as quickly as it was developed at the resurfacing of ex-partners. On second thought, it's not even the ex-partners, but the painful memories and helplessness it drudged up. Luckily, despite the halting progress and discouragements, they can look back and see that those painful memories are just pieces of their lives and draw new strength from them, rather than have them be stumbling blocks.

I admire the matter-of-fact tone the drama takes to raise awareness and push acceptance of social taboos, whether it's through Samantha's transsexuality/transgender (Ahn Woo Yeon) or Min Kyung's presumed extramarital affair, physical and sexual abuse/assault, and mental health, and Hiwi's anger issues. But what's even more admirable is how everybody, from the part-time clerk (Lee Soo Hyun) to Hwi Oh, Min Kyung, the apartment association ladies (Baek Ji Won, Lee Hye Eun, Lee Yeon Du), handles and processes these taboos. Despite their initial shock or even disapproval, they can quickly work through whatever misgiving they have to acknowledge. Just because some people are different, it doesn’t mean they are inferior. And I think it's because they realized the crippling effect of fear and pain, giving them the capacity to be compassionate, loving, and understanding. That's the thing about pain; it brings people closer, because one cannot understand how people feel until they've experienced the same or equivalent kind of pain themselves.

As I already noted, there are many reasons why I loved this drama. Still, the biggest is the ease with which it articulates the overwhelmingness of mental and emotional health illnesses and the pain of being ostracized by society. And I cherish the messages it left me with, some of which were that the journey to full recovery takes time, and no matter how steep the road, maybe there is an end if one stays the course. Recovery includes getting better and achieving a full and satisfying life. And that people are often judged because of their differences, but the reality is that people will always be different. This doesn’t mean those who are different are “wrong”; on the contrary, it's those differences that make the world far more interesting.

A gem of a drama that you will not regret watching. As for the cast of the drama, brilliant, Jung Woo excelled at his role, as it was sometimes hard to watch how everything affected him, especially his helplessness in changing the awful ordeal the woman he loves went through. This leads him to resort to his fists, and as much as I am against violence, there comes a time when using one's words is just not enough. Jung Woo was great at making me feel his every being, but so was Oh Yeon-Seo -- I felt her confusion, fear, and stigma of living not only with a mental health illness, but also the accusation of having an extramarital affair. Kudos to the cast and production team for a drama that awakens the sense in every way possible.

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Teen Emotions 2024

This series have more characters than the goddamn dictionary, literally, which dentist office did they find all these people in braces? Somewhere in Thailand, a dentist is missing half his clients, and they out here trying to start bands and find love. Also, did this drama make anyone else remember their first love? cuz, same!

Listen, between the 1000 characters that we had, these children also had more drama/problems than the Kardashians. Damn, they were hustling. From emotional cheating, coming out, bullying, insecurities, misunderstandings, one-sided love, school work, abusive parents, blackmailing sisters, heartbreak, the band/singing, and to top it all off, braces! Like, how did any of them even passed their courses?

Now, why did these children came off more talented (acting) and their characters more mature than most veteran bls out there? That breakup scene between Aim and Phun was the most mature scene I’d seen in a bl. They took time off, cooled down, then sat and talked and even decided to be friends. And Noh and Phun were so mature as well with their feelings and how to move forward when there was Aim and Yuri between there. Kudos to the whole team for that, clap clap. Of course, this was a teenage drama, so there was a lot of unnecessary drama, insecurities and misunderstanding, but with the target audience, it was spot on, so again, kudos.

Even with its 3000 characters, this drama held my interest because it reminded me of my first crush/love. You know, those days when your friends push the two of you together on the football field, and you hold hands after agreeing to start dating, and you forget to breath for a second? Noh and Phun made me remember those awkward first love days, and that’s why I enjoyed watching this every Sunday.

So, yeah, with 15 episodes and 7000 characters, a lot of things happened in this show. Lots of side characters all out there doing their own thing, so I can't possibly review everything in details, so I'mma give a quick rundown of what I remember/held my attention on both plot and characters.

PHUN & NOH
When I find out this drama have like 10,000 characters already in the first episode, I thought I was gonna be confused on who the hell was who to even have a favourite, but Phun and Noh stood out, and managed to get my attention and keep it. In most shows that have these many characters, somehow, some side character always manage to steal the spotlight, but not here. The two leads did an amazing job. The way they handled their problems was how I came to love them. They were so mature and strong, making the characters very relatable. Which of course it's a testament to the actors and how well they understood the project. Almond (Phun) & Progress (Noh) were the perfect actors to play this version of the drama. Of course, the characters were teenagers and sometimes misunderstandings lead to unnecessary hurt, still, as a show about teenagers it was expected.

Noh is a better person than me though, being strong enough to let Phun go although they loved each other so he can keep being with his girlfriend, and then after they broke up, he even waited for Phun to sort out his feelings. Me and my broken-heart would have moved to Taiwan or something, cuz that must have hurt like hell. Most of the time, I felt angry and frustrated on his behalf when Phun gets jealous, and I'll go: 'Noh, my boy, let him sulk, he has a girlfriend, he has no right to get jealous!'

Phun on the other hand. I understood him as well, dealing with his feelings while also trying to do right by Aim, and trying to please his father. But he handle the whole Aim thing so well, and I'm glad he didn't even blame her, and also took some of the blame. I was happy that when Phun made his mind about Noh, he was all in and didn't care about anything else. That being said, no one, and I mean no one can outdo Phun when it comes to making that bitchy, unimpressed, sulky expression. Dude graduated from the school of sassiness with honours in attitude studies. Damn, sulk much?

These two grew as characters, overcome everything, and ended up together in what is a healthy relationship, surrounded by people who loves and cares about them. Well, there was like 15.000 characters, so they had a lot of people supporting them. I was happy watching their stories unfold, and glad everything worked out in the end for them.

AIM
I admire Aim’s commitment to not give a single eff at all. Literally, homegirl didn't even bat an eye when the whole thing with her, Phun and Li happened. I liked her, because let' be honest, they both cheated, emotionally or physically. She had her own thing going on with her mom, and then being rejected, finding herself. Yeah, her still being mature about everything and even knowing it was her fault for fumbling Li, was impressive. Also, imma need her and Phun to play a drama in the future as sibling/twins, cuz their expressions would be spot on! Loved her in the finale, still a Queen to the end.

EARN
Oh, Earnie, my boy. This child was so sad, falling for a bald-headed cute dude who let him down oh so easily, only for him to disappear from the drama like 80% of the run-time. No, where he go? Then, he came back in the final two episodes only to get his heart broken again. When he was sobbing. Yikes. Anyway, I liked Earn, he deserved so much more. If only Noh had a twin. That scene when he saw Noh sleeping on Phun's shoulder and got shock and hurt... I felt so bad for him, but like, I laughed a bit cuz, I love drama. I'm glad the friend finale made a move in the finale. As he should, with 17.000 characters in this show, if Earn didn't find anyone else, that would have been sad. Noh and Earn though, I aint saying anything, but I am not, not saying anything... wink wink.

YURI
I liked her, but homegirl needed to go find somewhere to sit and touch some grass. Damn, she made a whole relationship in her head, then proceeded to make it our problem when it didn't work out. Sure she was sweet and whatnot, but that girl needed to take a hike at some point or another. She knew Noh wasn't interested in her that way, they even talked about it, and still she kept her hopes up. Really, SUSAN?? I understood her though, unrequited love sucks, but she broke her own heart, so there's only so much empathy I can show her. Haha, love how bold she was in the finale, letting Phun know she's still around. Though, like how is this girl not looking for anyone else? This is a show with 20.000 characters, like, start looking elsewhere child. I really love how she defended Noh and them getting back to being friends, this is all I wanted.

OHM & MICK
Hahahah, Mick taking charge of their relationship was so fun. I was laughing so hard when Mick went 'yeah, I like you, so prepare yourself, imma make you mine.' and Ohm just went back to eating in shock, and just accepted his fate. Sometimes I wished Ohm would stop playing and accept the poor boy's feelings already, verbally that is, our boy did show his love through his actions. Ohm's best-friend energy was on point. Poor Film though, in the novel he said something along the lines of 'I can't believe I let a cat go look after my fish.' LMAO. No, but Ohm and Mick almost stole my attention for a moment. Glad they finally got together, and thank the eff Ohm wanted Noh as nothing but a friend, would have rioted if they'd ruined Ohm and Mick.

PER & WIN
First off, yes, Win is young so making bad decision is a must, but trying to get with the bad crowd and ruin your life because the guy you have a crush on don't like you back is dumb as hell. But, I love how he got brave and stood up to his military dad, thought at what cost??? #tears. Per was so over the place with his feelings, pretending not to want Win, dating that poor girl who had to put up with a jealous Win. But Per bit more than he could chew with Win's father acting like a waste of space, so I understand he got scared. I'm glad in the end he fought for Win and they had that two minutes of happiness. Though the ending of this couple was so sad, but also hopeful in that they promised to keep loving and waiting for each other. I really do wish they end up together, somewhere in the drama universe, they deserve happiness.

OTHER THINGS
- Ohm randomly, suddenly, having feelings for Noh in episode 14 was total BS, unnecessary and stupid. Whoever's idea it was to include that plot should be fired. Like, that friendship was amazing, did everyone and their mamas have to have feelings for Noh? I thought we moved passed the main lead being super special nonsense. Ew!
- Per's friend who liked him though... Pete? I felt so bad for him, cuz you could see his emotions on display in his eyes, and Per just... pretended he didn't notice. So sad.
- That one friend who went out to the other one and went, 'I like you, let's date' and then that was it. He was like, yeah, I have a boyfriend now, and the other boy was like, 'wait you were serious?' HAHAHAH, I loved it. No drama, no nonsense, just straight to the point, my kind of love. They win the couple goals. LMAO, in the finale, that dude was like... yeah we broke up. He needed me and I helped him, and now he don't so... what????
- Phun's father though, dude showed up one time and tried to be a father, like, go sit down. Also, is that actor like the only one auditioning for the father roles in bls or he's like the default choice now? I just saw him pretend to be a cop in Kidnap.
- Love how Noh and his house workers got along, also with his parents. At least not all the parents were portrayed as bad.
- Love how their age all the boys acted, their friendship was so chaotic and nice to see.
- That Jet or Jeremy girl was annoying as hell, they should have left her arse at the camp.
- Lowkey, but highkey liked EarnNoh though... like...

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LOVESICK 2014 Vs LOVESICK 2024
If you are wondering if you should watch the 2 seasons of the first adaptation of this drama, then I'll recommend it, because it had its charm. There are some difference, although they both follow the novel, the first version had lots of scenes/plot focus on the girl school as well, with lots of drama coming from them, so there was a lot more characters and storylines. Frankly, my glad the 2024 version removed most of the drama with Jeed and the other girls, it made the season 2 of the 2014 version dragged a lot. When it comes down to it, the changes reflect the current times rather than anything, so yeah, watch it if you want more Phun and Noh, cuz both couple did amazing job with the characters.

THE NOVEL (spoilers)
If you are looking for more depth, read the novel. It's in first person POV and Noh is the narrator, so we get to be in his head, and all his rumblings and thoughts are so much fun. I found myself laughing at his antics and inner thoughts throughout the novel. Since we are in his POV, everything is limited and we get told stuff that happens with others instead of being show, so there's a lot of telling and not enough showing, but we do get to connect and understand Noh better.

This 2024 adaptation of the novel is very cute and a heartwarming watch, although it had its heavy topics. It practically followed the novel, except of course a few charges to get with the times. A lot of people were waiting for a kiss between Phun and Noh. I saw some even complaining that, the ending scene in episode 10, when they finally agreed to become boyfriends needed a kiss. While I do understand, that scene was so emotional and well acted by the two leads that it didn't need anything more than what we got. Personally, I think the emotional impact with the viewers was better without the kiss.

But of course, for those who wanted more, I'd recommend you read the novel, cuz it has more intimate scenes. Which starts as earlier as in episode 3. In the novel when Phun first confessed that he wanted Noh, they had their first kiss, first time, twice. So, yeah, lots of things that both dramas didn't show, so if you want a more mature version, where you get a kiss and more during the let's be boyfriend scene, then do yourself a favour and read the novel.

All in all, of course this drama wasn't without flaws, the main one being, trying to keep up with the 20.000 characters and their storylines. I almost gave up, but then I kept going because Sundays were my drama watching days and I loved having five-six shows to watch XD. But even with its flaws, the team made a decent and coherent show that managed to keep my interest for 15 episodes.

FINALE:
Everyone, all 26.000 characters got their endings, and relationships and misunderstandings were resolved. I love how wholesome the whole series was, though that glass kiss in the finale was foul... like... seriously? I am satisfied with the ending we got. I am holding up hope for a special episode XD. This was a slice of life/coming of age bl that everyone who loves bls need to see. I will highly recommend it. The whole series was adorable and hilarious, filled with emotional and playful moments. I am looking forward to more from the cast, all 30.000 of them, they have a bright future ahead, given how talented they already are in their first work.

Until next time. Always Friday.

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Liar's Poker.

The Ingenious One is part of the new wuxia genre where the main protagonist is an anti-hero by classic wuxia standards. He is so highly evolved that intelligence and cunning rather than superior martial arts is his defining characteristic. Thus the ingenious Yun Xiang is aloof and cynical, he can run but he can't fight, he is righteous in an ends justify the means sense and his main tactical advantage is his big brain. This drama unfolds like a three-dimensional chess game, which can be very interesting or very boring depending on your attention to detail and interest in complex plots. Even though Yun Xiang can't fight, he is surrounded by characters who can so there are well choreographed action scenes to look forward to.

After his village was massacred, Yun Xiang was raised as the sole disciple of the master of the mysterious Yuntai sect. The cerebral and commercial Yuntai and their rival the lethal and rebellious Lingyuan are successors of the legendary Qian sect. At Yuntai, Yun Xiang immerses in qiān shù 千术 or the secret Qian art of scheming and deception. They are sophisticated grifters with a controversial reputation that pay lip service to Taoist principles. One of their core principles is detachment as everyone is a pawn. Attachments and emotions make you vulnerable. This is Yun Xiang's lonely world view as he makes his way down the mountain 15 years later as a brilliant practitioner of qiān shù 千术. Time and all that brain washing did not erase his thirst for vengeance. Against his master's instructions, he makes a beeline for Nandu to uncover the truth behind his village's massacre. Along the way, he is besotted by the formidable and mysterious Shu Yanan. Sparks fly and their objectives appear aligned so they both let their guard down enough to form a wary alliance.

In Nandu, Yun Xiang's first order of business is to finance his mission. This focus on the practical money aspects of everything from running a sect to building influence is fresh and interesting. To achieve his goals, Yun Xiang plays monopoly using qiān shù 千术 or deception to control a bank, a port, a casino and a silk business. As it turns out, this brilliant protege of Yuntai is just a talented con man, a grifter. He boldly plays liar's poker with higher stakes at each turn with the power brokers of Nandu. Everyone is a pawn until they are not and he starts to break Yuntai's core principle of not letting emotions be it love or friendship mess up the con. The drama could have better highlighted how his hidden opponent was plying the same schemes against him. With narrow margins against a hidden foe, does Yun Xiang's growing affection for his pawns become his Archilles heel?

A recurring criticisms of this drama is that Yun Xiang is not that ingenious. The narrative fails to emphasize how under resourced and outnumbered Yun Xiang is. When he shows up in Nandu, he has no allies, no money and only cold clues as to what happened 15 years ago. So it's not fair to expect him to be three steps ahead when he can barely tell friend from foe. We are told he is a complex and morally ambiguous revenge driven character but his backstory is so cursorily shown that he seems like a blank person with no family or friends or history. This impression is amplified when his revenge gets sidelined as he stumbles upon the greater conspiracy and that plot-line takes over the rest of the drama. Similarly Shu Yanan's history is murky until late in the game and her relationship with Wen Cong is never explained. Thus her decisions and priorities are difficult to understand and seem at times inconsistent. Their romance developed too quickly and hiccups at a point the plot should have been building momentum towards a climax rather than digressing into romantic angst. Even though Chen Xiao and Mao Xiaotong did their best, their character designs and relationship evolution did not give them that much to work with.

In sharp contrast, the supporting roles are better written and steal the show. The priorities and drivers of Jin Biao, Mo Bufan, Kang Qiao, the Su family and Liu Gongquan are understandable and empathetic. I was too invested in their well-being and happiness to enjoy the irony of Yun Xiang's role reversal into a puddle of a tropey female lead whose whose life's mission gets hijacked by love. The standout entertaining roles areJin Biao the assassin with a heart of gold and Mo Bufan the money loving banker lured by greed and whipped by fear. Liu Gongquan's entrance also lifts the plot at a point it was sagging. I enjoyed Wang Zirui's chemistry with Chen Xiao better than that of Mao Xiaotong's, which seemed forced. While the role is well acted, Kou Yunjie is the biggest moron in the entire drama. His actions make no sense other than to facilitate plot movements. Only lazy writers take short cuts in plot design by dumbing down characters. The so-called brilliant mastermind and his main dogsbody win more as a result of a huge information and resource advantage rather than exceptional tactics. Their motives for engaging in such a vast and long-dated conspiracy with dire consequences for failure are not compelling. Petty antagonists like Tang Xiao are more believable with their penny-ante tricks and more basic instincts.

The plot picks up into a predictable but overall satisfactory ending after the final conspiracy and mastermind is unveiled. The main antagonist is designed to not show themself or their plans too early. This comes at the cost of making their motive unconvincing and is pointless as their identity quickly becomes obvious anyway. While based on true historical events, the plot design is often used and does not stand out in any unique way. After years of scheming, the mastermind's grand plan is full of holes and overly dependent on single sources of supplies and too few and too unreliable sources of manpower. This kind of shoddy plan would have failed on its own without much help from anyone! But I was too busy enjoying the confiscation of irreplaceable family jewels, a nice end surprise twist and watching villains face gruesome consequences. The message that detachment is a flawed Yuntai mantra; that emotional attachments can swing the odds both negatively and positively is lost in the finale. I enjoyed this drama but recognise there are many holes and unanswered questions, the pacing is not exciting enough and the momentum build disrupted by unnecessary romantic angst. It is a story that had a lot of potential and a wonderful cast but did not come together in the best way. Thus it would not be fair of me to rate this more than an 8.0/10:0 as one of those far from perfect but still highly enjoyable dramas.

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A pleasant but ultimately unsatisfying adaptation

This Kdrama version of a well-known Cdrama is a retelling for tweens that softens the male lead's character while over-infantalizing the female lead. In this remake we have a series that could easily be rebroadcast on Nickelodeon or the Disney Channel. Whether or not you like it might depend on which male lead you prefer -- the Kdrama's or the Cdrama's -- or whether you can tolerate the Kdrama female lead's lack of maturity as she gets older and enters into adult life.

While from the beginning the Kdrama version of 'A Love So Beautiful' has a male lead, Heon, who is quite likeable, his counterpart in the Cdrama starts off as very hard to love, and who must face and acknowledge his own deepest flaws if he has any chance of prevailing in the end. The Cdrama scene where this acknowledgement finally happens is one of the most powerful in the entire series, and is all the more moving because we know how far the male lead, Jiang Chen, has had to come in order to get there.

Because the Kdrama's Heon starts off so nice, there is little distance for his character to travel as he faces his own shortcomings -- shortcomings which, of course, are minor in comparison. Unlike the Cdrama's Jiang Chen, Heon is not troubled by abandonment issues that have caused him to develop an almost impervious layer of emotional armor. Instead, Heon comes off more like a guy who's just a little too shy and needs to come out of his shell.

I know many viewers will prefer this non-threatening kind of male lead, and who am I to say they're wrong. However, in making Heon so comfortable from the start there is much less of a reason for him to strive to better himself. Nor does he help us to understand the reason for his unwavering dependence to Sol Yi. Heon is a character who, after all, we're meant to believe can't live without Sol Yi. Unfortunately, because Heon's eventual redemption in the Kdrama is less necessary than in the Cdrama, it's also less impactful, and deprives the Kdrama of an essential emotional turning point. We never really learn who Heon is or why Sol Yi's love has meant so much to him.

As for Sol Yi, there are two issues: (1) she is perky and over-animated to the point of constantly maxing-out my Cringe-o-Meter, and (2) from the get-go the actress who is cast in the role looks too mature to play a high-schooler. This impression is made even worse by the way the director has Sol Yi constantly exploding with child-like exuberance, squealing with delight at little provocation.

If this is the woman that Heon can't live without, I wish the series would make more of an effort to show us why. As it is, his approach to Sol Yi has a brotherly vibe that it never quite shakes off. In fact, toward the end when he kisses her on the lips it feels uncomfortably close to watching someone kiss his own sister.

Kim Yo Han, who plays Heon, is a K-Pop idol. He does a serviceable job in his acting debut and is cute enough to inspire the fantasies of viewers who wish they could have their own Heon in their lives. Enjoyment of fictional media -- be it books, movies, or drama series -- usually involves some degree of identification with the characters, so with such a handsome and cuddly leading male I can understand why in some corners the Kdrama version of 'A Love So Beautiful' would have a lot of appeal.

The other actors cast in the major roles fit the toned-down nature of the series very well, and are worthy counterparts to the characters in the Cdrama version.

The Korean remake of 'A Love So Beautiful' is worth a look if you want something fluffy to fill your time between other, better-scripted and better-directed dramas. While I have to admit that I was disappointed by it, I can see where it will provide some pleasant companionship for viewers who are more romantically inclined.

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PLOT: Slow paced, ambitious & thought-provoking.
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This drama (as well as its source material) depicts a love story wrapped around a social critique of the often cruel role "beauty standards" play in women's daily life. Meeting those beauty standards has become a source of stress for women worldwide, but in South Korea --as this drama suggests-- not being part of the "ideal beauty" results in a harsher treatment from society. This drama also emphasizes that the expectation to look a certain way affect everyone in different ways -- with no one --regardless of whether they are considered naturally beautiful or not-- being spared.

In that respect, Mi-Rae (our female lead) isn't the shallow person the summary might imply. It takes just the first episode to understand how she became a victim of society's expectations. She didn't undergo surgery to become beautiful, she just wanted people to accept her as a "person," which is incredibly heartbreaking.

The issue that arises afterward, one which she hadn't anticipated, was that people would still judge, reject and critique her. And that's where the story takes off. We not only follow Mi Rae as she gains confidence, but also other interesting characters who'd been suffering because (or for) their looks.

It's worth noting, however, that the pacing of this show is slow compared to other rom-com dramas. I'd say it's a stretch to tag it with comedy, since the comedic moments, despite how successfully they are implemented, are few and far between. That's not to say the show is weighted down by an overload of melodrama, because it's not. Instead, this show can be described as a sliced of life focused on self-reflection which, if you're open to it, will get you emotionally invested in the characters. Be forewarned, many of the male characters in this show (and some of the female ones) will definitely rile you up on more than one occasion.

If I have one critique apart from the wardrobe, it would be the disbalance in the portrayal of the male characters. Except for a few gems, all the male characters were written like jerks and that can be off-putting. Some balanced between jerks and good guys could've helped the show feel less toxic.

MAIN CHARACTERS: Interesting & lovable
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Kang Mi Rae (female lead played by Im Soo Hyang): She's a character who's suffered all her childhood because her looks didn't meet her peer's standards. She grew up as an introvert, keeping away from people, looking at other people's lives from afar and wishing she was allowed to have fun. Her frustration drove her to seek solace under the knife and, though she now had an acceptable face in society's eyes, her insides were still bruised and broken. Mi Rae is a complex and balanced character. If push comes to shove she'll fight, but mostly she tries to fly under the radar. She's smart and almost a natural when it comes to creating perfumes, but she struggles with an inferiority complex and doesn't like standing in the limelight. Though the actress looks quite old for the role, it is worth noting that the character was conceived by the webtoon artist as having an "older girl" look, so it stays true to the original intent.

Do Kyung Suk (male lead played by Cha Eun Woo): He exists on the opposite side of the spectrum from Kang Mi Rae but also grows up feeling lonely. He's a handsome, smart, strong, kind and very straightforward guy whose isolation came as a result of presenting a front of "perfection" and "hating" anything to do with beauty (for reasons later explained). As a result, he's socially awkward, brutally honest and a harsh judge. Though, to his credit, he's a character whose pride doesn't get in the way of realizing when he's made a mistake and make amends. Though some viewers didn't like his acting, personally I found his stoic way of delivering lines grew on me more and more as the show progressed.

Yeon Woo Young (second male lead played by Kwank Dong Yeon): He's such a good character that he ends up giving Kyung Suk a run for his money. He's kind, honest, selfless and very mature. Though his character is a bit imbalanced (as in he has more strengths than flaws), he's still a lovable man who, despite his good points, doesn't come off as being "too perfect". He's a character who helps those around him without expecting anything in return, even when he's financially struggling. Overall, his charming personality earned him fans within and outside the show.

ANTAGONIST: Complex and pitiful
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Hyeon Soo Ah (second female lead played by Jo Woo Ri): She's someone stuck between Mi Rae and Kyung Suk in the spectrum of society's judgment. Though she's considered a natural beauty, she's not a stranger to suffering. Her struggles come from forcing herself to live in service of what other people expect of her. She's a character who's not only dishonest with other people, but with herself as well. Though she earned quite a bit of hate, I personally found her character very pitiful. The drama ended up brushing over her backstory, so if you're curious you can always check out the webtoon to get a better understanding of her motivations.

PORTRAYAL OF ROMANCE: Slow paced, healthy & nurturing
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I mentioned before that the show is slow-paced and this is true for the romance as well. However, that pacing allows the progression of classmates to friends to lovers to feel very natural and endearing. There's a lot of cute scenes between the leads without making it cheesy, which is a plus for me.

Some highlights of the romance:
-Their relationship is always healthy.
-Both characters are new at romance, so they take their time to find their ground and, though they stumble, they do it together.
-Both learn from each other, creating a very balanced relationship.
-They learn to communicate what they want and need so the other person can understand, making their relationship not only refreshingly endearing but also nurturing.

OVERALL: Highly Recommended (and the webtoon as well)
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This is an interesting slice of life that follows a group of characters trying to find their place in the world and build the courage to live by their standards, rather than society's judgment. Though it's slow-paced, the plot is interesting and the mood is often lightened up by warm moments of affection between the leads, their families and their friends.

Keep in mind, I saw this as it was coming out. So binge watching it might give you a different experience because the plot moves slowly and the acting can sometimes come off looking/sounding very wooden. However, this is doubtlessly a memorable show that'll give you food for thought.

If you're able and willing, I'd also encourage you to read the webtoon. There's a lot of insight to be gained that will help you get a better viewing experience. There are scenes, especially at the beginning of the drama, that'll make more sense if you know the context the webtoon provides.

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Now THIS is a badass Female Lead!

I’ve been waiting for a FL like this for so long but time and time again we get immature, cringy and FLs that are prone to making wacky decisions.

I’m at episode 14 and let me tell you - She is perfect. She is fierce, decisive, skilled, stunning and elegant. Everything she did just made sense. If she keeps this up she’ll be my favorite character of all time.

The leads have amazing chemistry and the team + Princess are SO lovable!! I can’t wait for more episodes.

**UPDATE.
Even with the wonky pacing after episode 34, it is still my favorite Wuxia and Ruyi is STILL is my favorite character of all time. The love story is deep, mature, sexy and romantic. The brotherhood is strong. Character growths were abundant and I fell in love with each of the characters. With this show, it’s definitely about the journey.

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If it's not broken why change it?

Is my first time doing a review, also English is not my first language but i hope whoever reads it understand my points.

I think most people that read the webtoon would agree that while the casting and acting of all characters was close to perfection, but the changes done to the characters narrative were really bad, the comic was Hyun's fight between his inner demons and his love for his friends and the growth of all of them while being in the end of the world, while in this adaptation i didn't feel most of Hyun struggle nor his triumph against his own mind, his relationship with most characters felt like something was missing and the changes to some of the characters felt pointless, if you are gonna change them is to make them better, but aside of a couple characters, almost everyone changed for the worst.
If this was a completely original drama it would have been a lot more enjoyable, but being an adaptation it was impossible for me to not compare them both, it felt worse than the original story.
Don't get me wrong, i still enjoyed it and think it was a good drama so i still recommend people to watch it, but you should keep in mind that if you got the time maybe reading the original comic will give you a better product.

P.S: Also I'm really annoyed about the overuse of Warriors, who the hell thought it was a song appropriate for the scenes it played?, it ruined my immersion in key scenes.

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So there are some mixed opinions about My Country that I would like to give my two-cents on:

First, if you are choosing to watch this drama due to historical context reenactments, you might be disappointed because it is fictitious rendition of the historical events, so creative liberties have been taken. Personally, I didn't mind the changes and/or omissions of history to suit the drama because I was more interested in the fiction of the story rather than the history being presented.

Second, there have been some people who have said that they really didn't find the music to be fitting for the tone of the drama. I completely and wholeheartedly disagree. I think ALL of the music was exceptionally fitting and helped really build the scenes. Even though there was some EDM, rock, and bagpipes in the OST's, they all blended well, and none of them took away from the drama.


Now that I got those out of the way...
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What was amazing:
The friendship felt between Hwi and Seon-Ho was impeccably powerful. Their friendship lasted through the good times and the horrific times. There was a brotherly love they hold for each other that motivated them to fight and die for each other. I loved every moment of it. Especially when they only had bad and worse options to choose from - it was hard to watch, but you can't help but keep watching it happen.

Writers did a great job blurring the lines between "good" and "bad." A lot of times in historical dramas, all the main characters are "good guys" and the opposing party is clearly the "bad guys" - there are no blurred lines. But this drama is deeper than that. It very powerfully demonstrates that when you believe that what you're doing is best for those you love, it's not "wrong" or "bad" just the best option out of the choices you have. The plot in regards to good vs. evil was so well crafted. There were only some characters that I truly thought were bastards (such as Seon-Ho's father), but for the most part, I could see where they were coming from and couldn't hate them for it. Which leads me to my next point...

I ADORE Seon-Ho. Yes, he made some really awful decisions that put Hwi through some really horrible things, but they were the best decisions be could make in trying to protect Hwi and Yeon. AND he tortured himself every day knowing what he did to his best friend and sister. So no, I couldn't hate him, not once. He was actually my favorite character.

I think the writers also did a really good job of writing a story that WASN'T about people fighting over the throne for themselves. The main characters are trying to protect what they view as "their country" but they go about it in vastly different ways. And they do indeed have very different ideas as to what their "country" is too. The writers did a great job writing about historical figures that got mixed up with royalty, but it wasn't about them being king and instead about them surviving in their respective worlds.

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While I really enjoyed this drama, I do need to address some issues:
Unnecessary romance - I am usually ALL about the romance, but honestly, the romance between Hwi and Hui Jae was unnecessary (it reminded me of Hwarang's romance, to give comparison). I don't think it was very well developed at all (we were just meant to acknowledge that they love each other and fight to the death for one another after only 3 or 4 encounters). Personally, the story would have still been just as great without the added romance.

Battle wounds - Simply put, characters recovered really quickly and easily from mortal blows during battle. Some characters would be stabbed through-and-through and would be able to fight within a couple of days with little issue or ride a horse for hours without issue. *shrugs* It's a plot convenience, I know, but highly unrealistic. It didn't distract me much from the drama, but I feel like, either make the battle wounds more realistic to fit the intended plot or have the characters suffer the actual battle wounds given.

Hwi's character development (specifically in comparison to Seon-Ho) - Seon-Ho was extremely well-written with lots of gray areas - he had to make a lot of horrible decisions, live with his choices, and fight for what he thought was right, constantly evolving. Hwi felt like the weaker written main character, lacking the same amount of depth that Seon-Ho was given. I know that they are different characters, but I would have really liked to witness Hwi experience the same amount of depth in plot realizations that Seon-Ho had even though their experiences were obviously different.
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I would like to sincerely compliment all the actors in the drama - they were all wonderful and powerful in their roles. But I would like to say that Woo Do-Hwan stood out exceptionally to me. He is exceptionally handsome, especially in historical attire (LOVED the long hair on him). And he simply did the most amazing portrayal of his character. Again, all actors were amazing, but he stood out to me the most. Do you realize how hard it is to have a man cry and truly portray the emotion without the audience giggling at the silliness of it on screen? Woo Do-Hwan portrayed Seon-Ho's emotions on all fronts with expert precision - you could truly feel his character's pain, turmoil, grief, and sincere love for not only Hwi, but Yeon even after her death. I will definitely be seeking out the dramas I've yet to see with him.

Ending: I don't like tragedies in general and typically avoid them. I started this drama before it was complete and got hooked before the drama was tagged as a "tragedy." Nonetheless, I really liked this drama. The ending makes sense and I'm not upset about it being a tragedy. I say this to hopefully give courage to those people reading this who are unsure about the "tragedy" tag.

Rewatch Value: Yes! I will definitely rewatch! I don't watch too many historical dramas, but this one is incredibly fast-paced and the story is worth witnessing again (tragedy or not).

This drama is not for everyone and definitely more targeted for more seasoned K-drama watchers. It's got some heavy plot and turmoil, bloody battles, little-to-no romance, and a tragic ending - all of which aren't usually mainstreamed. But, if the trailer intrigues you, perhaps give the first episode a shot - that's all it took for me to get hooked!

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It is so hard for me to say goodbye to Touch Your Heart and I can't help but being emotional right now. I was looking forward to every Wednesday and Thursday because I knew that for one hour straight, I would be the happiest person in this world.

TYH doesn't have an original plot, let's be all honest here. A ''cold-hearted'' man falling in love with his secretary, it's is very common, especially for comantic comedies. But as people say, don't judge a book by its cover. Because although the plot seems to be very cliché, it has well-developed story, stong characters, perfect cast and OST which makes it one of the best rom-coms I've ever seen.

I will start with the fact that the first episode is very misleading and it shows very typical characters. Lawyer Kwon Jung Rok -- our main lead appears to be a rude, arrogant, cold-hearted man who only cares about his job. He doesn't pay attention to the people around him and often ignores them. Oh Yeon Soo is a popular actress (not for her acting though), she seems to be very clumsy, foolish and kind of self-centered. And, of course, we have many supporing characters that will probably be the most boring part. The first episode (or maybe the first two) didn't leave a good impression on me. I usually don't like this kind of characters and I thought I will be watching WWWSK season 2. But little did i know back then that Touch Your Heart will become one of my favourite dramas ever!

I believe that what was shown in the first two episodes was on purpose, the writers just wanted to fool us. In episodes 3 and 4, we can already see the development of the characters - Yoon Seo becomes more confident and more responsible, because she realises how important her job is. Althought she struggles a lot, her passion never leaves her and that's the most lovable thing about her character. It is also shown how responisble job Jung Rok has and how busy he actually is which to some extent justifies his cold behaviour towards everyone. Plus he is kind of an introvert one, he doesn't feel comfortable around people and prefers to be alone.

All that development we can already see in the first few episodes. After that, the relationship between Jung Rok and Yoon Seo slowly grows. They start being more comfortable with each other and eventually they fall in love in such an innocnet way. The awkwardness of falling in love, the heart fluttering moments, the jealousy, the hesitation are all here. And the thing I absolutely loved about Jung Rok and Yoon Seo's relationship is that they are always honest with each other. You know, the most annoying thing in some dramas is when someone decides to hide the truth or lies and then let the drama begin, blah blah. There's no such a thing in Touch Your Heart... Or at least it didn't ruin the drama.

Besides Yoon Seo and Jung Rok, there are three more couples in TYH. My favourite one of them is Yoon Hyuk and Moon Hee, they were so funny. I didn't pay attention to Se Won and Yeo Reum, but that was because YR doesn't have much screen time although she is a main character. I loved Se Won and his bromance with Jung Rok though.

Touch Your Heart is a law drama or at least that's what the genres say. But the plot is not focused on the law part, don't expect many intense trials or something. There is one big case that was pulled off very well and some small ones that were enjoyable to watch.

The only thing I disliked is the fact that the writers chose to use one trope that is very common for korean dramas, but I hate it so much. Although it was carried off quite well, it was so out of place or at least that's how I felt about it. But this doesn't really change my opinion about the drama.

The cast was amazing, I don't really have something to tell here. I was so happy to see Yoo In Na and Lee Dong Wook together again, their chemistry was amazing! I know I might be a bit too greedy now, but I want to see them again! Lee Sang Woo also impressed me.

The OST... Oh my, everything about the OST songs was perfect. The artists, the melodies, the lyrics, everything.

This review is getting too long but I tried my best to give a brief explanation about the plot while expressing my thoughts. I have some more things to say, but I will stop here. Overall, Touch Your Heart is a drama that makes you happy. It makes you forget about your stressful life and your problems. It's definitely one of my favourite shows this year and it will hold a special place in my heart forever. I recommend it to everyone, you never know what you'll like. Enjoy your watch!

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This couple killed it

This drama is about a whole lot more than romance, but I will start by showing some love in honor of the lead couple, Gu Yanxi and Hua Zhi. They were classy in their cuteness and made our hearts flutter with every interaction. The chemistry was undeniable; whether they were adorably close or longingly apart, they were always in tune with each other. They understood each other, supported one another, and sacrificed for the other. From potential enemies to friends to lovers, they became each other's greatest allies. What I appreciate the most though, is the strong communication and the unbreakable trust between them. This delightful duo embodied how love can endure, even in the face of conflict and circumstance.

Apart from our leads, the other couples have also left a memorable impression on me, and I truly enjoyed watching how the relationships developed and blossomed. Even when romance did not always lead to the happiest of endings, the stories were touching and, at times, really tugged at my heartstrings.

When Blossoms in Adversity started airing, I had high expectations because of the director, Chu Yui Bun, and the cast. The show delivered even more than I expected. There was a strong theme of female empowerment, and a quote by Goethe came to mind, "The Eternal-Feminine draws us upward". Almost all the women characters had character development for the better, but sadly, most of the male characters did not. Save for a handful, most of the male characters were a disappointing lot.

Zhang Jing Yi's Hua Zhi was solid, and she proved again to be an excellent actress. ZJY portrayed an FL who was plucky, intelligent, precocious, quick-witted, but also very human. With her entire family thrown into chaos when a power-tripping Emperor exiled all their family men, HZ had to grow up quickly. Through HZ's struggles and triumphs, the show provided a lesson: in times of need, we can step up and be the kind of person others need us to be.

I threw shade at Hu Yi Tian in the beginning saying that ZJY was carrying the show, but in the end, I was won over yet again by our handsome ML. He shone in his fight scenes, and his usual stoic expression fit his role as Gu Yan Xi. This ML was also brilliant and was a skilled fighter. As the Commander of the Security Bureau, he was savage with everyone who deserved it but so gentle with the FL and the ones important to him. GYX started out conflicted, torn between gratitude to his uncle and his affection for Hua Zhi. Ultimately, he became a source of strength for HZ as he gradually determined that any amount of gratitude did not warrant the blind loyalty demanded of him.

GYX had background music dedicated to him, one that played whenever he turned up, ready to take the bad guys down, and it was just so bad-ass enjoyable. HYT should consider more historical dramas since this role is my favorite of his to date.

The supporting cast was terrific too, notably Lu Yu Xiao, who showed off how versatile she was. While Caesar Wu did not appear as often as I would like, he nailed his character as the overly earnest, idealistic Shen Qi. Bian Cheng as Shen Huan is someone to watch out for, and as the Emperor who demanded nothing less than everything, Hai Yi Tian delivered a great performance that had all of us wanting to see a painful death for him.

Apart from being amazingly acted, this drama was well-written and nicely executed. I applaud the show for keeping most of us engaged until the very end, throwing in something unpredictable just when I thought I figured out what would happen next. That said, the show didn't fall into the trap of using plot twists for the sake of creating last-minute melodrama.

The pacing was interesting to me in a good way. The plot went through the ups and downs of the characters lives so smoothly and quickly that angsty moments were not that dramatic and happy moments were more like normal events. No one really has an opportunity to dwell on the good or bad. Even with 40 episodes, the show never felt draggy, and best of all, it stuck its landing. I for one, am satisfied with how the show ended. It wrapped up the characters' journeys nicely and sent them off in such a way that left me feeling that this drama was well worth the watch.

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This is definitely the oldest drama I've ever watched but I must say I felt right at home watching it. From the beginning to the end, I just loved the characters and their interactions. I think viewers of a certain age would appreciate this more than others. As I watched, it solidified my fandom with Kimura Takuya, what an actor. Imagine my surprise to see this was Yamaguchi Tomoko's last role. I loved her character's perkiness and willingness to bounce back after her break up. The supporting characters also brought so much to the drama. And thankfully totally devoid of the usual drama cliques!! I loved that the most about this drama!! Again, it's not for everyone. Not one cell phone in the story!! It was great!

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The reason I am giving this a 10 even though my other scores are a little lower might not make sense but I can not help it. In a sea of dramas with a certain premise we have all come to expect, this one is different.

It is about two people who have been friends all their lives. They turn to each other for comfort, for friendship and fun. They have seen each other at their best and worst. They yell, they fight, they comfort and criticize. They are REAL with each other. And slowly they begin to realize that this is not just a friendship. And once they realize that...What do they do with that knowledge? Go for it? Risk their friendship? Admit how they feel to the other person and most importantly, to themselves?

There is no grouchy, in denial chaebol hero. There is no plucky misunderstood girl who is downtrodden but so cheerful in the midst of her unfortunate circumstances. There is no backstabbing b*tch or scheming inlaws. They are just two people slowly but surely waking up and realizing that just maybe, the person they truly are meant to be with might have been there under foot all their lives. The writers make it so fun for the audience to watch it happening. The actors have great chemistry!

Give it a try. The music is a bit lacking. (I have a tendancy to be hard on music scores in my reviews. After the excellent OST of Coffee Prince and Soulmate I tend to be picky!) But I adore this drama...ADORE IT. Warm and sweet and surprisingly passionate. When you watch and realize it is not as quiet as you thought it is such a treat.

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**Please note that this review is about solely this version as a drama, and will not refer to the Japanese original whatsoever.**

Possibly my favorite melodrama kdrama I have seen.

The story of 'The Smile Has Left Your Eyes' is something so vastly different than most Korean dramas. It is a melodrama that sublimely incorporates the genres of thriller, mystery, romance, and tragedy of all things--and on top of your not-so-typical antihero lead, it sheds some light on some controversial topics (which will not be named due to this review being spoiler free). The story starts off quite eerily, full of suspense and mystery, and gradually as the drama progresses, the melodrama kicks in while retaining most of the suspense.

I do feel it slightly lost some spark towards the climax due to the script demanding misunderstandings (don't we love those?). Many conflicts could have been avoided if there was better communication amongst the characters. I suppose this can be said for virtually any drama, but it especially applies in this case. It doesn't help that some of the situations aren't fully concluded. I do also feel there were just a tad bit many plot devices used to progress the story. Some character actions just make little sense, and there was either little or no explanation to them afterwards. I at often times felt frustrated by many of these actions, but fear not; it shouldn't detract much from your entertainment, as the overall execution and the story itself are quite beautiful.

Moving onto the cast--they were absolutely splendid. The leads had amazing chemistry, and everything felt genuine, from hardships to happiness.

Seo In Guk plays his first antihero role in Kim Moo Young, and he truly delivers. His character is sharp, mysterious, and conflicting, and much like Jin Kang, I could not help but be drawn to him, wanting to figure out his character, questioning his motives and actions. Moo Young's dialogue was also quite intricate in that viewers and characters alike could draw multiple meanings from his words. I think this was one element the drama and In Guk pulled off especially well.

Jung So Min plays Yoo Jin Kang, a rather strong willed woman who is also very kind, forgiving, and sympathetic. Jin Kang's strength as a character is not what I would classify similarly to a strong female lead, but she is strong because of her ability to endure everything she has experienced, accept it, and move on. Jung So Min conveyed Jin Kang's emotions so vividly well, the emotional pain is visible through her interactions.

Park Sung Woong nails his role as Jin Kang's brother, Yoo Jin Gook, as well. He portrayed the shifts in emotion as the drama progressed very well. I do however, wish his character was better written.

As for the supporting cast, their performances were stellar as well. Seo Eun Soo pulled off a very convincing girl blinded by love in Baek Seung Ah. Go Min Shi as well with the complications in her character, Im Yu Ri. Special mention Kim Ji Hyun whom played Jang Se Ran. She completely took me by surprise, both her acting and her character.

Most of the faults in the cast were largely due to shifts and errs in the script, not the actors themselves. The actors always delivered in their roles, but often there were actions that just didn't make any sense, conflicts that could have been avoided if we applied any spec of common sense to the situations, which leads back to my stance on there being too many (in)conveniences to the story.

The music in this drama was synced flawlessly. If I had to compliment any one thing about the drama, it would absolutely be the soundtrack. The eerie, sinister themes added so many elements of suspense to drama. Sorrowful, yet calming and somehow uplifting music complemented the melodrama and romance all too well, especially 'Lost' by Ahn Ji Yeon. 'Someday' by Yi Sung Yol was the perfect song to end off many of the episodes' suspense, while leaving you craving for the next. And I can't forget 'Star' which was a beautiful addition sung by none other than the 2 leads Seo In Guk and Jung So Min. I feel this song greatly reflects their relationship in the drama.

Definite a recommend from me if you're looking for a melodramatic romance with thriller and mystery! Just take note that this does happen to be a tragedy.

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