Reviews

At first, I didn't want to write a review for Healer. Many good reviews here mirror my sentiments exactly, and I hate to be redundant for no reason. However, after having watched the entire drama twice in the space of 2 weeks - yes, sue me - and triggered by some comments on this very page, I now believe this little gem deserves as much love as it's getting.

While telling an interesting story, Healer manages to do brilliantly what most fictional works should and sometimes fail to do: create 4-dimentional characters, believable persona whose growth and mutual interaction reach the heart of the viewer. When characterization is so strong, the plot twists - whatever they are - fall to the background, becoming a mean to an end. In this sense, it doesn't matter how many times the same plot subject has been used in a drama: what matters is how this same subject pertains to the journey of the characters. The reason why I was constantly on the edge of my seat while watching Healer, is not because I wondered what was going to happen next, but because I was eager to know how each character would react to a certain event. Will she give up? Will he fall apart? Will that one lie, speak the truth, run away, face the challenge, cry, laugh, rejoice? What would I do, in their shoes?
And every single time I feared the ominous K-drama tropes would sneak into the narration with the usual noble idiocy, nth misunderstanding, petty jealousy or envious triangles, these characters surprised me and made me extremely happy for NOT conforming.
Someone here called this drama "a breath of fresh air" and I couldn't agree more.

This story, while simple on the surface, hides a few, much deeper and more complex subjects. One over all, the roles of adults and how their choices can make the lives of children a living hell. K dramas have accustomed us to adults who abandon their children, or abuse them, dictate them, mold them to their will, silence them. In the best of scenarios, they over protect them. This drama, on the other hand, gives out a different message: adults should give their children the means to fight their own battles, their own way. The same could be said about women, who are the true strong point of this drama. I wish I could write an essay on Young Shin and Ahjumma, but don't worry, I'll spare you the boredom, Suffice to say, true courage and strength are not in the fists.

Healer is also a love story. A sweet, realistic, heart wrenching and heartwarming love story made of little, endearing details. It's the encounter of a young man with a tough shell and a vulnerable soul and a young woman with a fragile body and a brave, unwavering heart. They are so natural together, watching them is a pleasure. I think I fell irremediably in love with them as a couple. I ascribe it to the acting, but also to the brave script, which for once depicts 2 young adults who admits they are attracted to each other physically as well as emotionally. I do not expect a drama to show me anything happening under the sheets, but I'm a little weary of tons of dramas where the girl is shocked by the mere hands touching and calls for a trial. Guess what, Young Shin and Jung Hoo are human!

I've read somewhere this drama had a very low budget, so low that they had to film lots of scenes in a rush and couldn't afford complicated special effects. I grew even fonder of it because of this and wish viewer would stop comparing this show to others which had a lot more money to work with. All the actors give out the impression of truly believing in what they are doing, that's possibly why there's a collective, tangible alchemy keeping the whole cast together. As for the music, I admit at not having liked a particular song in the beginning, but because it was so fitting to the story told, I ended up loving it too. The instrumental pieces were perfect.

As I said, I've already watched this twice. When I reached the end the first time, I felt the urge to go see again how it all began and how it all unfolded. When it comes to dramas I like, I am a serial second watcher and go in search of that lost detail I've overlooked before. I think Healer lends itself very well to multiple watching, because even when you already know the outcome, the journey there still has so much enjoyment to give.

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Not a KDrama, but a dramatic Korean story with a lot of Korean heart. (A hybrid?)

Ok, this series tells a Korean story, it´s about Korean destinies. BUT it's not an original KDrama. It is a (western) Apple production in which some (Apple) producers from the US obviously had a say. So, first of all, a bit of criticism about the American serial adaptation of a bestseller novel, which 'coincidentally' has a Korean fate as its subject. (Before I go into praise...)

North Americans with Korean family backgrounds may have been involved in the production (the directors, the person responsible for the script adaptation and a lot of actors, for example). Nevertheless, it is and remains a North American production. The sad thing about it: the series production repeats - if you like - the theme of the story in a new media version: in this case, the profitable exploitation of 'Korean stories', 'Korean fates' and even a bit of the KDrama soul...

Using the example of several generations of a Korean family and their personal destinies against the background of Japanese colonization and racism to this day, why reduce a 500-page book to ONLY 8 episodes? Why not use the time and space and retell the story in at least 20 episodes, or even 50?
Quite simply: the series production is not of South Korean origin, and it is not made for South Korean television, but for the international streaming market. The rest of the world isn't THAT interested in South Korea, but it is quite touched by Korean fates. So, the enthusiasm for the original bestseller in a binge-capable, compact format has to be cleverly marketed in a colorful and moving way in order to attract new streaming subscribers to Apple. The world (those who have not yet read the book but have now watched the series) is shocked and touched by what happened between Japan and South Korea, which is still today formative for many Koreans. The rest of the world was hardly aware of this historical chapter. However, in the series adaptation, the individual fates were told less in detail. They were rather reduced to catchy basic emotions, and these were cleverly knotted as a cross-generational leitmotif in key scenes over time jumps. The focus is on Sunja - with the focus on Sunja in her third phase of life. This is embodied by Youn Yuh-jung, who was already able to leave a lasting impression on the international audience with (her Oscar for) "Minari" and thus gets plenty of screen time as a 'star' among many internationally comparatively unknown actors.

Well, that's the way it is.

If you have a background with KDrama, you will find a nice study object in "Pachinko" to compare the different narrative styles (Western style vs. Korean style) with regard to emotionality. Western style would be more like: 'I WATCH the mimes have their feelings'. The individual sequences of different timelines, some of which are strung together at very short intervals, convey this 'Western' handwriting. This is, so to speak, Western objectivity in the depiction of emotionality. The (South) Korean narrative style, on the other hand, deliberately draws the audience into the emotional world. E.g. 'I sympathize. I'm IN there too.'

So, with "Pachinko" there was a lot of Korean heart and soul mixed into the story and series adaptation. You can feel that. This is how an interesting hybrid production actually came about. It's not a KDrama, but a Korean story with a lot of Korean heart. Thus, the spirit of Korean storytelling still blows through some of the scenes. Actually, even the concept chosen for the series adaptation is the strongest element: if such a complex family saga is told in 8 episodes, then through the characteristic basic emotions in the form of impressive scenes - less in plot, action and dialogues. For example: when the mother ceremonially prepares the rice for the wedding, which they are actually not allowed to eat, or the young bank employee throws his expensive jacket into the puddle and dances footloose to the street music on the open street (in Japan!), or the grandmother, completely moved, after decades back on South Korean soil on the beach of her childhood... There are strong scenes like this - lastingly impressive, without words - that (want to and actually do) touch the heart. THAT, I would think, is Korean style in the way of its storytelling. It somehow sneaked into the production (still US production, even if it was trilingual) and confidently took its place. (Perhaps in the same way that people under Japanese oppression quietly preserved their inner dignity and inner defiance despite all bending and suffering.)

And by the way: the title track may be well and good. But! The intro clip is in my eyes most peculiar and completely missing the subject. It's nice that all generations come together here, but the extreme exuberance of the dance performance has nothing to do with the rest of the series. It seems rather strange, how in contrast to the particular, muted, rather gloomy 'Han' (Korean pain/world pain) of the story it comes along in such outlandish US style...

Nevertheless: the series is captivating, moving and over all a rather inhospitable excursion into inhospitable Korean living conditions, which are emotionally shaped for some even to this day by the Japanese colonial era. Even decades later in Japan and the USA, life is shown rather inhospitable. Only a few well-chosen scenes open up in a visually stunning and atmospheric way, as if to remind us that life itself is a gift...

Even if it's only told in 8 episodes (and by now apparently in 8 more for a second season), "Pachinko" offers an unforgettable, visually stunning excursion into a sad segment of recent Korean history using the example of a moving family saga. A concentrated load of multifaceted contemporary rich topics that can at best be roughly touched or tabbed upon in the series adaptation. Nevertheless. It is definitely a masterpiece to compress the 500-page epic into 8 slim episodes and - without having to bend the story too much - to convey a stringent, central emotional attitude even in the face of the inhospitable nature of being: the protagonist despite all the suppression keeping a quiet, inner dignity, grounded and clear - from there drawing the strength to face life and its challenges again and again, in all simplicity.

Lastingly impressive!

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What to expect from this drama?

– Beautiful scenography.
– Spectacular original soundtracks and background music.
– Okay acting. I was in it for Mike He and wasn't disappointed one bit in that regard, however, I feel like they could have fleshed out his character some more.
– Chemistry. This is really a matter of taste and opinion. The main couple did have chemistry and cute moments, but not to the degree that I would ship them (I think I shipped the side couple more). To me, their relationship felt more like a noona-dongsaeng relationship rather than a romantic/mature one, but guess that's a given considering the age of the actors.

What NOT to expect?

– A strong plot. The premise of the story was interesting—it was literally oozing with potential—however, not very convincingly executed. The plot was not strongly knit together and above all, lacked focus. It lost me somewhere between the middle and the ending.
– A love triangle (although the poster might suggest otherwise). Not sure if there was a love triangle—if there was, it was very vaguely present. Don't forget, Mike He is not playing the second male lead, he is playing the main character of his own story.
– Not the most satisfying ending of all. In fact, the ending was WTF-inducing and felt rushed. On the plus side (or not, depending on how you're looking at it), chances of a second season seem high judging from the manner in which things were rounded off in the final episode.

Was it worth watching? Yes. Would I watch it again? Doubt it.

Leggi di Più

the plot is interesting, not mind blowing but ok. it did seem that whenever they werent having sex they were thinking about it, or talking about it.

i would classify this as pornographic, there are explicit sex sceenes, which is fine, but you have to be in the mood for porn to watch porn. i was in the mood to watch a movie.

a previous reviewer talked about it being a pedophiles dream and stated the male character was 17. he's actually 19, i even turned off the subs and listened to them state his age, my korean leaves alot to be desired but i can count, so by american standards it isnt pedophilia. the actor that plays him was also well over the age of consent in both america and korea at the time of the filming, so if the under age thing had you skeeved out, dont be.

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Wow! I am amazed that nobody reviewed this movie!
They story is not anything new, but I loved the way the executed this movie, and it really stands out. You get sucked in the first seconds you watch this movie. There is NEVER a dull moment! So in the 2 hours you'll be guessing, sitting on the tip of your chair and you might encourage some characters.
The acting was amazing, the fact that they could suck me in from the first till the last seconds is very good! I thought everyone precisely fitted their character.
The music helps a lot to build up some tension, and I recommend this movie to anyone who likes action, a good story, suspense and tension!

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Took a lot of patience to get through each episode with main couple's too many frozen moments & exchanged gaze that resembled more like concussion than dreamy look. Seriously, I think I got tumor from their 5-10 seconds-unmotivated-staring into each other's eyes scenes. Phana x Wayo's portrayal of their characters were so contrary to what the writer intended, there were zero chemistry between them. The story was painfully slow with very little substance. Only saving grace in 2Moons was the antagonists, especially Ming x Kit. Would love to see more of their relationship progress.

12 episodes could've easily cut down to 6. Casts weren't bad, cute enough and acting not terrible, but director & editors did a crappy job making most of what's already an unoriginal story. Still recommend watching it if you like BL. Concept is still cute and idea for BL couples, and who doesn't enjoy happy ending?

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Positive thoughts:

-Kiyoshi Kurosawa's films have always had a wonderfully surreal and eerie pitch to them, and the same goes for this TV mini-series. If you didn't know, there'd be no way to tell this was a TV show rather than a film.

-The cast is excellent, no exceptions.

-The premise and format of Shokuzai is highly intriguing: Five grade-school girls are good friends. One is abducted and murdered. Each subsequent episode reveals how this event screwed up all of their lives in completely different ways.

-The plot-line is highly suspenseful and unpredictable. One never knows what exactly is happening with each individual storyline or the overarching plot until near the end of each episode.

Negative thoughts:

-The show goes a bit too far into twisted and disturbing territory towards the end. I do immensely enjoy tragic and disturbing stories, and Shokuzai succeeded in this aspect for most of its duration, but by the end of the show it feels like the show starts becoming as twisted and disturbing as possible merely for the sake of it.

-Nearly every male character is either deranged or evil.

Overall thoughts:

I've always been more partial to Korean dramas, but Shokuzai has launched me into the Japanese drama scene, particularly WOWOW's mini-series'. Great show, and I hope to find more like it.

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Indiana Jones has a love child with Laura Croft in the 5th dimension

By rights this show should be a hit because the leads are superb actors and who doesn’t like an adventure romp.

They have oodles of charisma, and their chemistry will keep a house warm in the dead of winter. There is a catch though. The world building in the first half of the show is problematic.

It leads us into a fantastic parallel world, but it also left us with more questions than answers. On the surface, the parallel world is unique and interesting, but it is like the shifting sand our leads travel through. It is an unstable base to build a civilisation if you don’t create some solid foundations. There are plot holes and inconsistencies galore. It was okay in small doses but as the plot deepens, it begs more questions. The show ploughs on regardless. It is not until ep.20 when we finally get a long winded exposition on how the world came about but even then, it was more a history lesson than any practical information.

Here lies the fundamental problem with this show. To sustain the fantastic setting the writer used every trick in the book. It is closer to a xianxia drama with cars than a contemporary adventure a la Tomb Raiders. This means all kinds of magical macguffins and invented lore are used to sustain the narrative.

This is a double-edged sword. It allows access to all kinds of wondrous situations, but you can tie yourself in knots if you don't have a deft hand. The protagonist needs a flying horse to get out of a tight spot? There is one grazing right there! The antagonist needs an evil doppelganger? There's one in the bag. Sometimes it can feels like cheating.

It is no surprise that the plot gets more and more convoluted as the show progressed. Is it class struggle, power play, love triangle or historical feud? It is raining revelations, expositions and flashbacks in the second half. Some are true, others are red herrings and false memories. We don't have a clear picture until the last few episodes.

End do cometh to us all. As ending goes, it is serviceable, but it feels flat. The resolution doesn’t make a lot of concrete sense. Yes, one side won but how this can leads to eternal peace is more than a bit vague. It is too facile. We are then told the whole show is just a richly embellished fable even though the characters are driving modern cars and using cellphones. Also hinting that the HEA ending is just our wishful thinking. Nice. Did the writer just gave up?

Nevertheless, kudos to the production team and ensemble actors for their dedication as shooting on location must have been a real challenge. The desert landscape is harsh but starkly beautiful. Who needs CGI when nature provide something that eclipse our imaginations.

In the end, it is a rollicking escapist romp. It is action packed, cheesy, tense and swoon worthy but it also has a lot of world building issues and plot holes. I would have stayed for the leads alone but it does test my patience at times. You really need to switch off your frontal lobe to truly enjoy this show. Beers and pizzas help too. Peace out.

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I think in some ways I'm preaching to a pretty large choir here, but I can't help but write this. I feel as if I owe it to the drama and to myself.

When I started Secret Garden, I really didn't read the description. And, maybe that's a good thing. I might not have given it a fair shot. Because of that, the twists and turns that I experienced (especially after episode 5 or so) had such a big impact. My train of thought when things started to get interesting: "Wait, did they...did that really...did she just grab her own boobs? Wait a minute, did they just switch bodies? What? WTF? What just happened here?!" In all honesty, I should start watching everything now without reading descriptions. So much more emotional build-up and surprise. But, anyway, I digress.

With very few exceptions, Secret Garden did everything right. An unexpected plot journey, a phenomenal cast (even down to the supporting actors - Lee Jong Suk isn't just brilliant as a main lead in dramas...), beautiful settings, an evocative and unique soundtrack, heaps of awkward comedy, tear-jerking drama, and more. It was (and still is) everything I could ask for in a show.

Hyun Bin and Ha Ji Won are simply incredible. Their chemistry is immediate, and it becomes an excellent foundation for the remainder of the story. Honestly, though, while I have a certifiable girl crush on Ha Ji Won, Hyun Bin truly made this drama. Completely. From the comedy of the body switching to the drama of the later episodes, he NAILS IT. The growth and changes that his character experiences are so fun to watch.

If you are unfamiliar with kdramas and would like to start, give Secret Garden a try. It's a great example of when things are done right. Even if you are a kdrama veteran and still have not managed to see it, I would still recommend it. There's a reason why so many dramas include bits from it.

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I doubt many writers wake up and say “Hey, let’s do a show about creating an alphabet! That will be exciting!” I suspect even fewer producers would greenlight such a project. Presumably, in the case of Tree with Deep Roots, the authors sold it as a conspiracy thriller, emphasizing the murders, mysteries and epic fight scenes. There is plenty of stylishly choreographed action and several hot guys with swords. However, as befits the show’s subject, the real battles are fought with words. And those battles are some of the most extraordinary I’ve ever seen on film.

“Tree” took a while to pull me in, but once the writers found their groove and the verbal fireworks began, it was riveting. Against the backdrop of a violent era, it asks if the brush can ever be mightier than the sword. If there is power in writing, and if so, who deserves to use it. If literacy is liberation or a different kind of slavery. Characters wield speech like blades in philosophical duels where systems of government and social orders hang in the balance. This is argument as blood sport – spectacular, visceral and deadly.

The cast tackles their paragraphs of text with gusto, and the director keeps the camera moving and the tension high. The final episodes falter a bit, veering away from ideas and more towards traditional action, with an ending that felt yanked from a summer blockbuster instead of developing organically from the drama's themes. Perhaps this was designed to appease nervous studio execs desperate to get to away from all the talking. It’s a small price to pay though for a show that is otherwise so smart, unconventional, and emotionally engaged as it teases out the limits and possibilities of language.

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Not bad, at all.

It’s actually good, whoever said it’s very bad are exaggerating. Tbh, yes, it might took them longtime and it might not be like those really high quality American movies, but the plot, acting and the story are actually AMAZING! I am currently at episode 7 waiting for more to air or I guess maybe 2nd season? I already got very attached to this show and its story/plot! The more episodes air, the better and more interesting it gets. Their acting is soo good. Some did very good and some needed a little practice but overall there wasn’t a moment where I got dissatisfied with their acting. The OST is really good. Anyways I would say it’s really worth watching it, the more you dig in, the better it gets, the more exciting. So don’t drop it yet, keep watching, you will get attached to it, I’m telling you! To the ones who have dropped the series, y’all are missing out the whole plot! Wait till the end you, I promise you, you will love it! Was it worth the wait? Yes. Absolutely! 2 years, but they served!

Story: 9/10
The plot is amazing!!!! -1 because I just didn’t like how they fought a lot and all those stupid dramas they had while being in danger. It made mee maddd 😭 But overall, story = MASTERPIECE !!! AND THE END? EXCUSE YOU? I GOT GOOSEBUMPS, I won’t spoil tho 👀 Hihi

Acting/Cast: 9/10
I love the main roles! They picked the best ones, their acting was on point and it was just chefs kiss. I cried with them, stressed with them and even got angry and scared with them. The way they expressed their emotions was sooo goood! -1 because some support characters acting just needed some effort, I would say? They could do better…

Music: 10/10
Love it!

Rewatch: 9.5/10
Hell yeah I would definitely rewatched it!!! It’s soo good. I binge watched the entire episode even tho I was hella busy with studies but it was really worth it!

I hope the new episodes won’t disappoint us, watcher :,)
Thanks for reading!

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It was a fun ride, but...

Another airing drama that I followed ending! Honestly, I have mixed feelings with this one, so I feel like this gonna be a lengthy review lol so bear with me :)

What I love:
–Pi, I love Pi's character as a whole. Honestly, I would say I love him as much as I love Tian from ATOTS if not less. Him, his insecurities, his weakness, his determination, I love how he is flawed and it made him such a complex character, and he feels real. His story was so sad if we actually think about it, and every action he made honestly really understandable considering how hard it has been for him all these while. (and honestly? the portrayal of him as someone ugly before he change is just BS lol, he is pretty from the beginning!)
–Nan!! Of course I'm gonna mention the character that made me start this from the beginning. I understand why Pi was so attracted to him, hes like all the good things in this world put in a person. I wish he wouldve had more screen time (which he couldve had if this series didnt give so much screentime for the loud annoying shippers lol) because most of his scene was wise and just calming to watch lol
–Duean & Meen! Honestly, I love them to the coreeee omg I never feel THIS much love for a 2nd couple but their scene never fails to made my day, and honestly i find their final confession scene more adorable than the main couple! I'm gonna miss Duean's lack of braincell and Meen's bubbly personality so badly

What I dislike:
–Lemme just drop the bomb and say, I dont like Mork :D Well hear me out, I dont HATE him, just a lil dislike towards some of his action on Pi, especially when he kinda force himself to Pi and almost not respecting Pi's space. Honestly, even in ep 11 when he said he respect Pi's decision to keep their relationship a secret, yet his action shows otherwise lol! He also didnt know how to keep his boundary when crushing on Pi and truth be told, I feel like Pi deserve someone better lol BUT he actually came thru for the last bit especially on the final confession scene so okay yeah he is acceptable or whatev lol
–For the nnth time, i freaking HATE the shippers, theyre straight up a creepy obsessive stalker who didnt know how to keep their nose away from others' business! Like do these folks dont have a life??? They didnt even respect Pi's privacy! Pi was literally scared shitless knowing they wanted to take photo of his house like thats just too much!
–That fake girlfriend character i forgot her name but all of her scenes cringe me to the core and honestly i wasnt even surprised when it turns out she was the one who revealed Pi's photos, she was sus from the start
–The pacing in this series is way too off! The first part feels like it can actually be sum up in less than 9 eps, then everything happened so fast after that which I feel couldve been lengthen into few more episodes instead. The pacing was slow at first and then BAM BAM so much thing happenend towards the end, you know what I mean? lol

LMAO i knew this gonna be lengthy at the dislike part 🤣 But nevertheless, it ends! I especially love the part after the two years past, its adorable seeing how Pi suddenly become clingy after Mork is no longer by his side all the time lol, I feel like I will remember how complex and unique Pi's character is for awhile, gonna miss him and Duean Meen now

7.2/10

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Prison Playbook, a slice-of-life drama set in a prison. I won't say I didn't have my doubts about the series, although it wasn't because of the premise alone. What I didn't expect was that over these last few weeks this drama and it's character would become this close to my heart. But it has, and that's the reason I'm writing this review.

- This drama has so many things to offer to the viewers, and amongst all those things, one is the heartwarming friendship. This drama has one of the most wonderful portrayal of frienships that I've seen, and not just between the prisonmates. They might be at that place for different reasons, but they learn to lean on, rely and look out for each other.

- One of the most enticing things to look forward to in dramas (I guess this comes under the 'friendship' point mentioned above, but I have to mention this separately)- Bromance! This drama has plenty of it. Not just between the two 'main' characters, but between every single character in the drama.The bromance moments aren't just that'll make you laugh, although those are present. But also, there are bromance moments that'll make your heart feel like it's brimming over with feels.

- This drama has some serious #SQUAD-GOALS. The 2B6 wing is freaking awesome!!

- The comedy in the drama is top-notch. It's more subtle in it's approach, but that doesn't negate it's effect. Infact that fact alone makes those comic scene laugh-out-loud worthy. Those humour scenes mostly result from Je Hyeok's various interactions in prison. As he himself likes to put it, he's a bit 'stupid' when it comes to things other than baseball, which leads to some hilarious situations. Ofcourse, other character too, more than contribute the comedy in the drama.

- This drama is about each and every character, not just the main lead(s). It focuses on every single character, whether they are inmates, correction officers, or their families. And that's what makes the viewers fall in love with the characters here. It's hard to find a drama where you love (almost) all the charaters, whether they have minor or major role. I loved so many characters here, I think it's even hard to pick a favorite. But Lieutenant Paeng does come really close.

- Every character has a story. Of who they are. Of how they got here. Of what they dream of. Of what are their hopes for the future. Their story gives us insight into their personalities, and is one of the many things, that makes the viewer close to them.

- Aside from the individual acting of all the actors, which ofcourse is truly commendable, the chemistry between the characters here is crazy good! From Je Hyeok & Joon Ho, Joon Ho & his brother to Looney & Kaist, every character interaction will have you craving for more!

- For the romance lovers, there is romance. It's a bit subtle and can't be considered a main genre. But it is a sub-genre, and it's more than enough, believe me.

- Let's be honest for a second, and admit that there's a lot of prejudice attached with the word 'prison' alone. And there's a reaso for it. Whether they are rightly or wrongly convicted, for the law, and henceforth for the 'general public' they're still criminals, whatever their crimes may be. Hence the prejudice. But in this drama, the writer tries, and is successful, in breaking our preconceptions about those matters. The writer, through this beautiful drama, stresses on the fact that the convicts are, before anything else, human. And just like everyone else, they are also trying to live their life. Some are trying to make the best of their situations, trying to learn from their past mistakes, and are hoping for a better future. At the same time, there are also those who have despaired, and given up on their future. The writer beautifully captures both these types of inmates,

- Have to mention the OST, ofcourse. The songs were good and fitting with the series. I specially liked the songs the 'theme song' "OK', ", 'Bravo My Life' by Eric Nam, Would Be Better' by Heize & 'Like A Dream' by Park Boram

- If you're hesitating because of the run-time of the episode, or if by any chance, you find the first few episodes 'slow', my advice for you would be to keep watching. With this drama, you just need to find your rhythm and pretty soon you won't even notice how long the episodes are. Of course, you could always love the drama right from the start!


Well, that's about it for the review. I hope you give this one a chance, because otherwise you'll be missing out on a wonderful drama.
Happy Watching!!

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Psychometry: The ability through touch, to experience what someone has seen, witnessed in the past; ergo the title of this movie, The Gifted Hands. Rewatch?!! You betcha! A kind friend made this available for me temporary to watch and let me tell you, without English subs, this is one FANTASTIC movie! From beginning to end, I was enthralled and spell-bound by what was happening. Kim Bum, to me is the best of the F4 when it comes to acting. I have yet to see him in a role that he does not shine! And in this as Kim Joon is no exception. I cannot imagine being a person with this ability and being able to function on a daily basis. And as Kim Joon, he showed us how tortured his existence is. Kim Kang Woo as Yang Choon Dong was GREAT! He also brought to life the detective on the case. But let me tell you, even though the scenes are not graphic, I must warn you there is some seriously, twisted cruelty to animal scenes so Animal lovers, beware! Hopefully at the end of the movie, there is a notice that no animals were hurt during the filming. But let me take a moment and talk about our little consummate actress, Kim Yoo Bin who plays the last little girl kidnapped. She is now on my kids to watch list. She is so good in this and if you don't cry during some of her later scenes, you're made of stone! Do I plan on watching this again? Absolutely!!

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Just Say No.

This is not an easy drama to watch. It shines an unflinching spotlight on the unchecked, oppressive soft power of the uber rich and how society and by extension the legal system holds victims to an impossible standard of perfection. The narrative opens with a married, high powered CEO Cheng Gong caught in flagrante delicto with his assistant Zhao Xun, after an inebriated night of corporate entertainment. The media is at the scene and a full blown scandal ensues with dire consequences for both parties. Cheng Gong's team of fixers led by his relentless public relations executive Li Yi and a sharp lawyer Lin Kan swoop in immediately to understand and contain the situation.

As the facts emerge, it becomes clear that Cheng Gong and Zhao Xun remember the night very differently and the situation devolves quickly into "he said she said". Zhao Xun is a mass of contradictions who struggles to understand her own version of the truth, which obviously does not square with Cheng Gong's. Both parties are victims that are damaged by the fallout and they each believe in their own version of the truth, which the drama explores in a very balanced way. The key question is does silence mean consent? This should be straightforward - she can just say no. She could have and should have done just that. Lin Yun delivers a heartbreakingly convincing articulation of just how difficult, near impossible it is for someone in Zhao Xun's position to do that in the face of the massively uneven power dynamics between herself and Cheng Gong. Her downfall was foreshadowed long before her failure to speak up at the point of no return. She was doomed from the moment he saw her, wanted her and tempted her with fast advancement, the material trappings of wealth and the heady mix of the power of the executive suite. She was complicit and she loathed herself for it. Yet I felt real sorry for her and I understood why she felt wronged. While most praise Zhou Xun's portrayal of Lin Kan, for me Lin Yun as Zhao Xun was the outstanding performance. She made me deeply empathise with this young, flawed, inconsistent, movingly vulnerable and imperfectly human character that struggles to find her voice.

Even though Liu Yijun always delivers, he takes it to the next level with his mesmerising portrayal of a sociopathic like Cheng Gong who believes that everyone has a price and how ruthlessly and manipulatively he wields his power to get his way. His sense of entitlement, utter lack of self awareness and inability to grasp how disconnected he is from common humanity and decency is scary and pathetic. As for Zhou Xun, her Lin Kan is a shark with a bottom line. Her skilled probing questions delivered with a sharp, liquid and searching gaze and her calm, dispassionate and and incisive legal analysis enunciated in her deep, rich and deliberate voice is superb. Her mature, confident beauty and elegant and nuanced empathic line delivery has taken viewers by storm. Only a phenomenal veteran cast like this can deliver such convincing, multi-faceted and realistic portrayals.

The drama's strongest arc is the opening - it made me very sad and very, very angry at pretty much every main character. This kind of story however is difficult to end in a good and realistic way. I think this would be a better if it were shorter as the drama's core message that women need to find their voice and that an imperfect victim is still a victim hits home early on. I didn't think Lin Kan's "Me Too" arc is necessary and it doesn't quite come off the right way how a stronger character succumbs to the same temptations yet manages to emerge largely unscathed albeit scarred nonetheless. I also don't like how Lin Kan is written overall notwithstanding Zhou Xun's charismatic acting. It would have been better if Lin Kan chose sides early in the game and was pitted against Li Yi or her mentor early on rather than making her all things to all people. This results in too many conflicts of interest that are just glossed over. Despite her alleged bottom line, Lin Kan appears unscrupulous in how close she gets to Zhao Xun. It is also not realistic that Zhao Xun never seeks her own legal advice. Finally, the way Lin Kan prevails using information she obtained while acting for the other side is just plain wrong and practically impossible.

The drama literally and figuratively goes off a cliff in a way that makes the last third of it a less convincing watch. It doesn't make sense that a smart and manipulative character like Cheng Gong continues to go persecute Zhao Xun after she becomes so wretched and pitiful. It is just a contrived way to force an ending message that in China, even imperfect victims can find their voice via the justice system. My biggest issue with the story however is that the worst, most vile character is a woman who enabled Cheng Gong and victimised Zhao Xun just as much if not more. She shows no remorse and there are no true consequences for her. This aspect of the ending deeply disappointed me; I needed to see her confronted and at least punched in the face! Despite her superb visual composition style, storytelling wise Yang Yang proves once again her inability to wrap up the narrative while she is ahead. Nonetheless, the first half or so of this drama tackles some heartbreaking and controversial issues masterfully and is worthy of an 8.5. Unfortunately the writing doesn't hold up and it nosedives into an 8.0 towards the end and that is my overall rating. It is still worth watching when you are in the mood for a thought provoking drama that closely resembles a recent real case with all around amazing acting.

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